Showing results by narrator "Yareli Arizmendi" in All Categories

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved most in the world. Today, her eight-year-old son Luca is all she has left. For him, she will carry a machete strapped to her leg. For him, she will leap onto the roof of a high speed train. For him, she will find the strength to keep running.

Recién salida de una breve estancia en un hospital psiquiátrico, Camille Preaker se dirige a su ciudad natal a cubrir una serie de asesinatos para el periódico en el que trabaja. Por primera vez en once años, la reportera de sucesos regresa a la inmensa mansión en la que creció, donde se tendrá que enfrentar a los recuerdos de su hermana, que murió en plena adolescencia; pero lo que más perturba a Camille es la presencia de su madre, una mujer fría y manipuladora que despierta la admiración de sus vecinos y que vive obsesionada con su salud y la de los suyos.

Tras las recientes declaraciones de la existencia de fenómenos aéreos no identificados por el gobierno de los Estados Unidos y la creciente ola de avistamientos por todo el mundo, se desata una frenética carrera por descubrir la verdad detrás del supuesto artefacto extraterrestre. Todos quieren poseerlo: fanáticos, investigadores de ovnis, científicos, hasta una banda de narcotraficantes. Pero es Victoria Collins, investigadora de la NASA, quien tiene los medios para analizarlo y evitar que caiga en las manos equivocadas.

The classic love story takes place on the De la Garza ranch, as the tyrannical owner, Mama Elena, chops onions at the kitchen table in her final days of pregnancy. While still in her mother's womb, her daughter to be weeps so violently she causes an early labor, and little Tita slips out amid the spices and fixings for noodle soup. This early encounter with food soon becomes a way of life, and Tita grows up to be a master chef. She shares special points of her favorite preparations with listeners throughout the story.

Hay una revolución en marcha, una tecnología prodigiosa que nos va a permitir curar enfermedades, derrotar virus y tener hijos más sanos. A su cabeza está la reciente premio Nobel Jennifer Doudna y sus colegas, protagonistas del nuevo libro de Walter Isaacson.

Avery Stafford ha vivido una vida de riqueza y privilegio, tiene una exitosa carrera política y pronto va a casarse con su encantador prometido. Pero un encuentro fortuito suscita dolorosas preguntas que la empujan a investigar en la historia oculta de su familia...y a destapar secretos que pueden llevarla a la destrucción o la redención.

In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

In 1985, Lore Rivera marries Andres Russo in Mexico City, even though she is already married to Fabian Rivera in Laredo, Texas, and they share twin sons. Through her career as an international banker, Lore splits her time between two countries and two families—until the truth is revealed and one husband is arrested for murdering the other. In 2017, while trawling the internet for the latest, most sensational news reports, struggling true-crime writer Cassie Bowman encounters an article detailing that tragic final act. Cassie is immediately enticed by what is not explored:

When Reyna Grande was nine years old, she walked across the US-Mexico border in search of a home, desperate to be reunited with the parents who had left her behind years before for a better life in the City of Angels. What she found instead was an indifferent mother, an abusive, alcoholic father, and a school system that belittled her heritage. With so few resources at her disposal, Reyna finds refuge in words, and it is her love of reading and writing that propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz.

In Dancing with Butterflies, Reyna Grande renders the Mexican immigrant experience in “lyrical and sensual” (Publishers Weekly, starred review) prose through the poignant stories of four women brought together through folklorico dance.

Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.

It’s 1863. Napoleon III has installed a foreign monarch in Mexico to squash the current regime. Maximilian von Habsburg of Austria accepts the emperor’s crown. But it is his wife, the brilliant and ambitious Princess Charlotte, who throws herself passionately into the role. Known to the people as Empress Carlota, she rules deftly from behind the scenes while her husband contents himself with philandering and decorating the palace. But Carlota bears a guilty secret.

The untold story of the iconic Jenni Rivera through the perspective of her former managers, Pete Salgado and Gabriel Vazquez and it will be the basis for a TV series that will air on Univision. This book will take us into the boiler room and offer a behind-the-scenes look into the strategies and moments that lead to national headlines.

Mi negro pasado, continuación de Como agua para chocolate, es una defensa de la independencia femenina, y la mejor receta contra los males de nuestros días: el desarraigo, la obesidad y el consumismo vacío. María, adicta a la comida, sufre el injusto fin de su matrimonio, en mitad de una avalancha de reproches racistas y machistas. Deshecha, recibe de manos de Lucía, su abuela por mucho tiempo ausente, el diario de Tita.

Always Coming Home is Ursula K. Le Guin’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives.

Monica Campo is pregnant with her first child when, moments before being wheeled into emergency heart surgery, her mother confesses a long-held secret: Monica’s father is not the man who raised her. But when her mother wakes up and begins having delusional episodes, Monica doesn’t know what to believe—whether the confession was real or just a channeling of the telenovela her mother watches nightly. In her despair, Monica wants to speak with only one person: her ex-boyfriend of five years, Manny.

Ximena Salomé is a gifted Mexican healer who dreams of building a family with the man she loves on the coveted land she calls home. But when Texas Rangers storm her ranch and shoot her husband dead, her dreams are burned to ashes. Vowing to honor her husband’s memory and defend her country, Ximena uses her healing skills as a nurse on the frontlines of the ravaging war.

For generations, the Olivares women have sought to control their daughters’ destinies, starting with their names. In life, Olvido constantly clashed with her carefree daughter. Then teenage Angustias discovered she was pregnant and left her mother’s home in search of her own. Ten years later, Felicitas finally meets her estranged grandmother and is terribly disappointed when Olvido is nothing like a grandmother should be. She is strict, cold, and…dead. Now, Olvido is convinced the only way her spirit will cross over is if she resolves her unfinished business.