Showing titles in Latino American

Love sometimes hurts, but it is often full of joy. For those who genuinely open their hearts to this feeling, it is always a journey of transformation and renewal. The poetry of "Love: All of them and just one" introduces you to a poetic universe where emotions flow between nostalgia and fleeting passions. Through this book, you can explore the memories of lost loves, the glow of fleeting loves, and the intimate journey of transformation in search of self-love. These poems are a flash of emotions, a window into the heart's labyrinths, a journey of self-discovery and redemption, and a ...

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

With The Barbarian Nurseries, Héctor Tobar gives our most misunderstood metropolis its great contemporary novel, taking us beyond the glimmer of Hollywood and deeper than camera-ready crime stories to reveal Southern California life as it really is, across its vast, sunshiny sprawl of classes, languages, dreams, and ambitions.

They call her many things. Witch, Nagual Warrior, lady, Pantera. And after defeating the Obsidian Butterfly, Leonora carries a new title: Godslayer. Peace in Mexico City is fragile. Rebellion brews in the North, and when the people’s safety is at risk, Pantera must once again become the demure viceregent Leonora to stop a war before it begins. But her friends are scattered, Tezca is gone, and one wrong move could seal her fate. Caution is her ally, for the real Prince of Asturias—her former betrothed—has arrived at court, reigniting rumors that Leonora and Pantera are one.

Lucas Pereyra, an unemployed writer in his 40s, embarks on a day trip from Buenos Aires to Montevideo to pick up 15,000 dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly, the tension he has with his wife. While she spends her days at work and her nights out on the town - with a lover, perhaps, he doesn’t know for sure - Lucas is stuck at home all day staring at the blank page, caring for his son, Maiko, and fantasizing about the one thing that keeps him going: the woman from Uruguay.

David has a mind that never stops running. He reads Dante and Moby Dick, he sinks into Hemingway and battles with Milton. But on Florida’s Gulf Coast, one can slip into deep water unconsciously; at the age of fourteen, David runs away from home to pursue a girl and, on his journey, tries crack cocaine for the first time. He’s hooked instantly. Over the course of the next decade, he fights his way out of jail and rehab, trying to make sense of the world around him—a sunken world where faith in anything is a privilege.

Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, 15-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead. But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls in love with Carmen.

The Mexican American War has ended, but in a California divided between two nations, Anglo squatters continue to antagonize citizens of Mexican descent by making claims on their land. Against this charged backdrop, the lives of the Alamar family - the rightful owners of a San Diego ranch - become politically, economically, and romantically entwined with a family of New England settlers, the Darrells. Inspired by experiences in her own life, Ruiz de Burton insightfully captured a troubling time in American history - a period of intense corruption, greed, racism, and classism.

Xavier Velasco cuenta cómo se convirtió en novelista y lo que significa ser escritor de tiempo completo.

«Te diré que a Dios no podrían importarle menos los pobres. Dime, ¿por qué tenemos que vivir aquí de este modo? ¿Qué hemos hecho para merecer esto? Eres tan bueno y, sin embargo, sufres tanto», le dice un niño a su madre en este clásico en literatura migrante de Tomás Rivera. Fuera del gallinero en el que viven, su padre llora de dolor por los insoportables calambres que le provoca trabajar todo el día en el campo a merced del sol. El niño no es capaz de entender la fe de sus padres para con un dios capaz de imponer semejante sufrimiento, pobreza e injusticia a personas inocentes.

A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon or fully occupy, writes a novel of her days as a translator living in New York. A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s and whose ghostly presence haunts her in the city's subways. And Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before.

Intimate and uncompromising, Rev. Julián Jamaica Soto’s debut collection Spilling the Light, is a luminous offering to their communities and a defiant declaration of their worth in a world hostile to their queer, disabled, and brown being.

La conspiración shandy, o sociedad secreta de los portátiles, fue fundada en 1924 en la desembocadura del río Níger y quedó disuelta tres años después, tras un espectacular escándalo, en Sevilla. Formaron parte de la conjetura shandy, entre otros, Duchamp, Scott Fitzgerald, Walter Benjamin, César Vallejo, Rita Malú, Valery Larbaud, García Lorca, Pola Negri, Berta Bocado, Alberto Savinio y Georgia O'Keefe.

La conversación perdida entre dos Premios Nobel, dos de los máximos exponentes de la literatura universal.

Es septiembre de 2017 y el huracán María acaba de arrasar con Puerto Rico. Camila se siente perturbada por la muerte de su hermana, Marisol. Todo empezó cuando le arrancó un pedacito, el meñique que sobresalía del fango, tras el deslizamiento de tierra que se la llevó. Incapaz de desprenderse de ella, Camila carga con su cuerpo hasta llegar al supuesto paraíso perdido llamado «Memoria».

La cercanía a Dios a través del pecado. Un sacerdote que ha caído en el vicio se encuentra en medio de una violenta revolución en un país latinoamericano. Característica de los revolucionarios es su tendencia atea y de repente el sacerdote, a pesar de sus vicios, se encuentra en el dilema que le permitirá volver a sus creencias.

Miraflores never knew her father, and never thought he wanted to know her. But when she returns to the Chicago suburb where she grew up to care for her ailing mother, she discovers that her mother and father were greatly in love, and that her father had wanted a daughter more than she could have imagined. Now, Miraflores secretly plots a trip to Panama, in search of the man she hopes can heal her mother-and who can help her find the pieces of her own identity. What she finds is unexpected, exhilarating, and holds the power to change the course of her life.

Peru, the 1980s and 1990s: It was a cruel, bloody and terrifying era. The rebels of Sendero Luminoso ("Shining Path"), founded by philosophy professor, Abimael Guzman, slaughtered vilagers in the mountains and hung dogs from power lines, their carcasses canvases for Maoist slogans. The government responded with a corrosive mix of assasination, bribery and intrigue which brought down the rebel leader but triggered the fall of the president.

Luz De Los Santos thought her job was easy. Being the Sex and Relationship Director of Modern Magazine, no one knew the art of dating and hookups like she did. When the commitment-phobe beauty gets singled out by her editor to write a challenging column for the coveted, annual Valentine's issue, Luz is forced to confront her issues about relationships with her newly pitched project.

Escrita a finales de los años sesenta y prohibida por la censura, Si te dicen que caí constituye una secreta y nostálgica despedida de la infancia, así como un cuadro a la vez sórdido y poético de la vida durante el franquismo, que está disponible ahora en su versión audiolibro.