Showing results by author "Lawrence Block" in All Categories

Kit Tolliver’s got a problem. Whenever she has sex with a man, she feels an irresistible urge to kill him. That’s fine, she enjoys the killing as much as the sex, but it does limit the possibilities for a satisfying long-term relationship. But she’s got a friend, a woman in Kirkland, Washington, and there’s a definite sexual undercurrent to the friendship. Is that a possibility? And would she even enjoy sex with a woman? And what would happen afterward? She’s in St. Louis, hoping a lesbian bar might hold the answer. And she’s not the bar’s only patron with a hidden agenda. ...

Twelve-year-old Ariel is a strange, solitary girl. Recently, Ariel and her mother have seen a ghostly figure in their house. As a result, they are both having dreams that are becoming stranger, yet more and more real. What is the link between this frightening manifestation and the house? Lawrence Block carefully blurs the boundaries between fear and obsession as he steadily increases the suspense. As Ariel's family moves toward tragedy, so does the reader's certainty that a terrible force is at work.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

Ed London is the type of private investigator that you call to clean up the mess when your mistress turns up dead. But after he dumps a body in Central Park, it appears this case is still alive and kicking. Seems that the dead girl was in possession of something special that some very shady characters want back. Now Ed, along with his pretty actress friend Maddy, will have to crack the case before he ends up dead himself. But there's more than a murder here; there's missing jewels, Israeli intelligence, Nazi spies, and a host of double-dealing, backstabbing thieves.

From Ian Rankin to Joe Lansdale, Seanan McGuire to David Morrell, each author reveals the dark truths and buried secrets that make institutions of higher learning such a hotbed of controversy. You'll encounter plagiarism, sexual misconduct, and brutal competition - not to mention secret societies, cover-ups of murder, and one near-future course of study that makes The Handmaid's Tale look like Mother Goose. So: collect your supplies, plan your schedule, and prepare to pull an all-nighter, because The Darkling Halls of Ivy is required listening.

In 2006, the estimable S J Rozan invited me to contribute a story to Bronx Noir, an anthology she'd been commissioned to edit for Akashic Books. As she'd been obliging enough to write a story for my own Manhattan Noir, I felt honor-bound to return the favor. To do so, I enlisted the homicidal services of a young woman who'd starred in "If You Can't Stand the Heat," my Hell's Kitchen story for Manhattan Noir. Although she seemed quite capable of standing the heat, I figured it was nevertheless time for her to get out of the Kitchen, so I sent her up to the Riverdale section of the Bronx. My ...

Lawrence Block on Lust Weekend: “LUST WEEKEND was written in 1962 and published that same year by Nightstand Books. The title’s an obvious play on THE LOST WEEKEND, Charles Jackson’s groundbreaking novel of alcoholism. The book was a sensation, as was the film adaptation starring Ray Milland. “The people at Nightstand generally changed the titles on my manuscripts. But LUST WEEKEND made the cut, and I’m sure I came up with the title first and wrote the book to fit. ‘Lust’ was a favorite word at Nightstand, where they wanted to excite the readers withoutd alarming the censors. ...

In Mike Nichols' extraordinary film, The Graduate, Anne Bancroft's Oscar-nominated performance as Mrs. Robinson added that character's name to our emotional vocabulary. As the older woman in Dustin Hoffman's life, Bancroft epitomized a phenomenon, at once seductive and predatory. Women like Mrs. Robinson have always been with us. Nowadays they call them Cougars. John Warren Wells spotted the phenomenon early on, and presents revealing interviews with 11 women who fit the job description with a purr and a growl. Here are four of them: MELANIE—One younger man was not enough. She could take ...

Lawrence Block remembers: “Well, maybe that’s not the best way to kick things off, because the fact of the matter is that Lawrence Block remembers virtually nothing about writing BUTCH. I have no difficulty recognizing it as my own work, and I remember hanging the title Butch on one of my monthly titles for Bill Hamling’s Nightstand Books—and, wonder of wonders, noting its appearance on the printed volume. “It’s not a bad title, but I don’t know that this was the right book for it. In Her Brogues Oxford-Style, who uploaded Harold McCauley’s reasonably fetching artwork to ...

Lawrence Block remembers: “Back in the 1960s, when I was writing erotic novels for several publishers, I trauned and employed several ghostwriters. The first, William Coons, was recruited by my friend Donald Westlake; MAN FOR RENT is half his work and half mine, and here’s what wrote about it in my memoir of those early years, A Writer Prepares…” This happened fairly early in Bill’s ghosting career, when he was living with his wife and daughter in Washington Heights—but not too early, because it was after Nightstand had upped their order to two Andrew Shaw titles a month. I’d ...

Lawrence Block has this to say about Flesh Parade: “FLESH PARADE was first published in 1962 by Midnight Reader, a sister imprint of Nightstand Books. The title was supplied by an editor, and we’ll never know what my own title may have been. The publisher was fond of two-word titles, often with favorite words: Flesh, Slut, Lust. They could slip past the censors while letting the reader know what kind of book he was getting. “I’ve had a complicated relationship with my early pseudonymous books. There was a time when I rejoiced in the fact that they had not been printed on acid-free ...

Lawrence Block writes: “As a prelude to the process of republishing The Wife-Swappers, I Googled my way to a textual analysis of Andrew Shaw titles by Lynn Munroe, perhaps the leading scholar of Midcentury Erotica. He says of this particular novel, ‘Perhaps the worst-written of the early Shaws (which is saying it's almost unreadable)…’ “I’m not sure it’s terribly wise of me to quote this observation as a way of introducing a book I’d presumably like you to buy. I have a feeling Lynn’s judgment may have been a little harsh, but maybe not. “Regardless, the literary merit ...

LAWRENCE BLOCK observes: “SIN BUM was published sometime in 1963 as Midnight Reader #472. (Midnight Reader was a sister imprint of Nightstand Books.) “It may have been the final book I wrote as Andrew Shaw, the last title of mine brought out by publisher William Hamling. Or not—it’s impossible to tell. There were other titles by other hands than mine that would be published under my Andrew Shaw pen name, and there would be a stream of retitled books reissued in the 1970s with their prose slightly tweaked to reflect relaxed taboos, but it was sometime in 1963 that I stopped writing ...

Lawrence Block on GIRLS ON THE PROWL: “GIRLS ON THE PROWL was first published by Nightstand Books in 1961, with Andrew Shaw credited as author. Harold W. McCauley provided the cover art. The principal characters—one hesitates to characterize them as titular—are Saundra, Marilyn, and Joan. (Joan is the lesbian.) “A mere forty-three years later, THE BURGLAR ON THE PROWL was first published by William Morrow in 2004, with Lawrence Block credited as author. Amy King provided the jacket design, Paul Oakley the jacket illustration, while the author photograph was the work of Athena ...

LAWRENCE BLOCK remembers: “Actually, the header’s mistaken. In point of fact, I remember next to nothing about Trailer Trollop. I’ve loaded it onto my Kindle in advance of republishing it, and I’ve made my way through a few of its chapters, and while there’s sufficient textual evidence to make it very clear that I wrote this book, the memory of the two or three weeks devoted to so doing has long since left me. “I can tell you where and when I wrote it. In the spring of 1960, my recently-acquired first wife and I took an apartment on West 69th Street in New York. I installed a ...

The author of dozens of acclaimed novels including those in the Scudder and Keller series, Lawrence Block has long been recognized as one of the premier crime writers of our time. Now, the breathtaking skill, power, and versatility of this grand master are brilliantly displayed once again in a mesmerizing new thriller set on the streets of the city he knows and loves so well.

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

When Don Westlake and I were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names—and I know it's hard to believe that any writers were less than we were back then, but it's true.) Well. We'd become ...

Hard Case Crime, die außergewöhnliche Krimi-Reihe als exklusive und ungekürzte Hörbuchproduktionen: Willkommen in einer Welt, in der die Sonne nur scheint, um tiefe Schatten zu werfen und in den Augen verkaterter, übernächtigter Männer zu brennen. Einer düsteren, brutalen Welt der Ganoven und Huren, in der die scheinbar ehrbaren Bürger moralisch verkommen sind, die Polizisten sowieso.