Showing results by author "Mary SHELLEY" in All Categories

Frankenstein, or, The Modern Prometheus was written by the English author Mary Shelley. It recounts the tale of Victor Frankenstein, a scientist who creates a grotesque, living creature in an unorthodox scientific experiment. The first edition was published anonymously in 1818 when Shelley was only 20 years old. Her name finally appeared in the second edition, published in France in 1823. She was supposedly influenced by knowledge of alchemist experiments carried out by Johann Dippel in the Frankenstein Castle in Germany.

Frankenstein is the classic story of of a young doctor, Victor Frankenstein, who creates what comes to be known as "the monster." Interestingly, many people refer to "the monster" as "Frankenstein" when in fact Dr. Frankenstein is the creator of the monster.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein's life with terror, dread and misery.

First published in the English literary anthology annual The Keepsake in 1833 by Mary Shelly, master of Gothic fiction, The Invisible Girl is a story about the turbulence of secret love. Like much of her work, Shelly blends the dark and the supernatural with elements of romance and intimacy and unravels this story within a story with aplomb, and the setting of rural Wales in the early 19th century lends to the foreboding and bittersweet tone of the tale.

"Fu in una lugubre notte di novembre che vidi la realizzazione delle mie fatiche. Preso da grande angoscia, raccolsi i miei speciali strumenti così da poter infondere una scintilla di vita nella cosa inanimata che giaceva ai miei piedi. Era già l'una di notte; la pioggia picchiettava ossessiva contro i vetri, e la mia candela era quasi consumata, quando, alla debole luce semi-estinta, scorsi l’occhio giallo, fermo, della creatura aprirsi; respirava a fatica e un moto convulso agitava le sue membra. [...]"

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

Frankenstein begins in epistolary form, documenting the correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame and friendship. The ship becomes trapped in ice, and, one day, the crew sees a dog sled in the distance, on which there is the figure of a giant man. Hours later, the crew finds a frozen and emaciated man, Victor Frankenstein, in desperate need of sustenance.

After a fun day at the park, Max and Zoe are ready to get some ice cream. Unfortunately, Max takes a big fall and has to go to the doctor instead. Thankfully, Zoe is there to make him feel better.

One of the greatest classic horror stories, Mary Shelley's gothic novel sees Dr Frankenstein manufacture life - The Monster - only to see it go beyond his control. The original novel is more sympathetic to the monster's plight than is generally presented on film, making it an important book to be read.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

After he is found adrift in the Arctic by Captain Fredrick Walton, a gravely ill Victor Frankenstein recounts the story of his life up to his discovery. He tells how his obsession with science led to the creation of an abomination who, to his horror and shame, he abandoned. The creature's quest for both revenge and understanding from his creator leaves a violent trail of devastation in Victor’s life that affects all those he holds dear. Frankenstein is a powerful story of love and ambition, of friendship and morality, and of horror and violence.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.

Angeline, la protagonista de esta historia, se enfrenta a una historia de amor y desamor, de ilusión y desencuentro. El amor que se ha prometido con Hipólito se empaña, al mismo tiempo que su amistad, casi maternal, con Faustina.

Victor Frankenstein is a driven man. His single-minded scientific drive has controlled his life from childhood. It has driven him to do the unthinkable, to carry out fiendish, craven tasks, to do that which only God has done before. His goal of creating life - a living, thinking being, a man - has come to pass. Little did he expect that his zeal would forge a monster, an intelligent being set upon Victor's complete destruction.

Middle Unearthed: The Best Fantasy Short Stories 1800-1849 is annotated and edited by Andrew Barger. Before there were lovable green ogres called Shrek and kid wizards named Harry Potter, there were the 10 best fantasy short stories published in English during the first half of the nineteenth century. These excellent stories have been uncovered by Andrew Barger, awarding winning editor of 6a66le: The Best Horror Short Stories 1800-1849 and BlooDeath: The Best Vampire Short Stories 1800-1849. In old magazines and forgotten journals, Andrew read well over 100 fantasy short stories and settled...

The classic and influential horror story by Mary Shelley tells the tale of a young scientist named Victor Frankenstein who successfully creates a living creature in the exaggerated image of man through his experimentation. Frankenstein must face the consequences of his actions, and so too must the now sapient and lonely creature. The story deals with themes of life and death, fear and longing, duty and vengeance.

In this series we explore the many facets of love through literary talents that span both time and country. There are times when love is not a revelation and a calling from one soul to another but a carefully navigated path, or maybe a badly chosen path that decimates happiness. Which way will our literary leviathans take us? Inevitably it will be more than one.

Mary Shelley, recien salida de la adolescencia fue la companera del celebre poeta ingles Percy Shelley, con quien se fugo a Suiza, a pesar de estar el casado. Cuando su esposa se suicido, los dos amantes contrajeron matrimonio. En una reunion, a la que asistio Byron, este ultimo propuso que cada uno escribiera una historia de horror y la joven sorprendio a todos cuando llego con la historia de "Frankenstein, o el moderno Prometeo", un clasico de la literatura de horror.

Schon über 200 Jahre alt und dennoch unvergessen: Die Geschichte des jungen Schweizer Naturwissenschaftlers Viktor Frankenstein, der aus toter Materie einen künstlichen Menschen zusammenbaut. Erst durch die Grausamkeit und Ignoranz seiner Umwelt wird dieser zu dem Monster, für das ihn alle halten. Mit ihrem Debüt "Frankenstein" stellt die damals 19-jährige Mary Shelley bis heute gültige Fragen nach dem Umgang mit der Natur, der Verantwortung von Wissenschaft, nach Normen und Ausgrenzung. Eindrucksvoll liest Regina Münch den berühmtesten Schauerroman der Literaturgeschichte.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.