Showing results by narrator "Bernadette Dunne" in All Categories

What do Hedy Lamarr, avant-garde composer George Antheil, and your cell phone have in common? The answer is spread-spectrum radio: a revolutionary inven­tion based on the rapid switching of communications sig­nals among a spread of different frequencies. Without this technology, we would not have the digital comforts that we take for granted today. Only a writer of Richard Rhodes’s caliber could do justice to this remarkable story. Unhappily married to a Nazi arms dealer, Lamarr fled to America at the start of World War II; she brought with her not only her theatrical talent....

In the summer of 1924, the Honourable Daisy Dalrymple Fletcher is off on a holiday by the sea with her step-daughter Belinda, Belinda's chum Deva, and Daisy's husband, Detective Chief Inspector Alec Fletcher of Scotland Yard. Daisy is anticipating a relaxing, nondramatic holiday. But Daisy doesn't have that kind of luck.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

Molly is terrified that she may lose her farm because her idle husband has left her for a rich hobby winemaker and is demanding his half of the land. Meg enlists Mother's help to find Molly a divorce lawyer, which Mother is all the more willing to do because the unfaithful husband's new girlfriend is the bete noire of the wine pavilion. She is so universally disliked that Meg begins to worry about her safety. But it's the unfaithful husband whose murdered body she and Michael find that night.

Poststructuralism changes the way we understand the relations between human beings, their culture, and the world. Following a brief account of the historical relationship between structuralism and poststructuralism, this Very Short Introduction traces the key arguments that have led poststructuralists to challenge traditional theories of language and culture.

Meg Langslow is at Trinity Episcopal locking up after an event and checking on the toucan that Rev. Robyn Smith is fostering in her office. After hearing a hammering in the crypt, Meg finds an elderly parishioner lying dead on the floor. Several niches have been chiseled open, several urns knocked out, and amid the spilled ashes is a gold ring with a huge red stone. The curmudgeonly victim had become disgruntled with the church and ranted all over town about taking back his wife's ashes.

Kevin, Meg's cyber-savvy nephew who lives in the basement, comes to her with a problem. He's become involved as the techie for a true-crime podcast, one that focuses on Virginia cold cases and unsolved crimes. And he thinks their podcast has hit a nerve with someone...one of the podcast team has had a brush with death that Kevin thinks was an attempted murder, not an accident. Kevin rather sheepishly asks for Meg's help in checking out the people involved in a couple of the cases.

In this beautifully written and brilliantly reasoned collection of essays, Ayn Rand throws new light on the nature of art and its purpose in human life. Once again, she demonstrates her bold originality and her refusal to let conventional ideas define her sense of the truth. Rand eloquently asserts that one cannot create art without infusing it with one's own value judgments and personal philosophy - even an attempt to withhold moral overtones only results in a deterministic or naturalistic message.

The race to the Still Blue has reached a stalemate. Aria and Perry are determined to find this last safe haven from the Aether storms before Sable and Hess do - and they are just as determined to stay together. Within the confines of a cave they're using as a makeshift refuge, they struggle to reconcile their people, Dwellers and Outsiders, who are united only in their hatred of their desperate situation. Meanwhile, time is running out to rescue Cinder, who was abducted by Hess and Sable for his unique abilities. Then Roar arrives in a grief-stricken fury, endangering all with his need for revenge.

Smart, sassy, and unapologetically feminine, In Praise of Difficult Women is an ode to the bold and charismatic women of modern history. Karen Karbo spotlights the spirited rule breakers who charted their way with little regard for expectations: Amelia Earhart, Helen Gurley Brown, Edie Sedgwick, and Shonda Rhimes, among others. Their lives provide inspiration and instruction for the new age of feminism we have entered. Karbo distills these lessons with wit and humor, examining the universal themes that connect us to each of these mesmerizing personalities today.

Meg Langslow's eccentric parents have a new hobby: growing roses and entering them in highly competitive shows. Dad's gardening skill and Mother's gift for selecting and arranging the blossoms should make them an unbeatable team - and Meg is relieved they've taken up such a safe, gentle hobby. She even volunteers to help when the Caerphilly Garden Club sponsors its first annual rose show. But after a few hours of dealing with her parents' competitors, Meg sees trouble....

Hidden away from the world by his mother, the powerful sorceress Heloise Oliver, Pierce has grown up working in her restaurant in Desolation Point. One day, unexpectedly, strangers pass through town on the way to the legendary capital city. "Look for us," they tell Pierce, "if you come to Severluna. You might find a place for yourself in King Arden's court."

Meg Langslow and Michael's house is serving as the marshalling point for the annual Caerphilly holiday parade. The theme is the 12 Days of Christmas, and it features 12 drummers from the school's marching band, 11 bagpipers, 10 leaping lords costumed in medieval finery from the college's drama department, and so on. There are also assorted floats, a live nativity scene on a flatbed truck, the three wise men on Caerphilly Zoo camels, and Santa in a bright-red horse-drawn sleigh.

Meg has been roped into participating in a weaponsmithing competition, a Forged in Fire wannabe organized by a blacksmith friend. Meg originally turned down an invitation to participate, but the night before the filming starts, someone attacks Faulk, her blacksmithing mentor, breaking his arm and eliminating him from the contest before it begins. Meg agrees to step in as his replacement to keep the project from failing. She's not thrilled that the filming will take place during December—Christmas is already a crazy time for her.

On a winter night on a remote Nebraska road, 27-year-old Mark Schluter flips his truck in a near fatal accident. His older sister, Karin, returns to nurse Mark back from a traumatic head injury. But when he emerges from a coma, Mark believes that this woman is really an impostor who looks just like his sister. Shattered, Karin contacts the cognitive neurologist Gerald Weber, who eagerly investigates. What he discovers in Mark slowly undermines even his own sense of being.

Meg's neighbors, the Smetkamps', have won a makeover for their old home from Marvelous Mansions, a flashy, yet dubious company, focused on making historic homes more "modern." The company already several days into its makeover of the Smetkamps' house, and tensions are running high—not only between the officious, demanding Mrs. Smetkamp and her neighbors, but also between her and the renovation crew.

Martha Gellhorn (1908-1998) was a war correspondent for nearly 50 years. From the Spanish Civil War in 1937 through the wars in Central America in the mid-'80s, her candid reports reflected her feelings for people no matter what their political ideologies, and the openness and vulnerability of her conscience. "I wrote very fast, as I had to," she says, "afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place."

When the young girl washed up on their shore, no one knew she had been a Vessel. That she had carried a Product. That it had been carved from her belly. Stolen. Claire had had a son. She was supposed to forget him, but that was impossible. When he was taken from their community, she knew she had to follow. And so her journey began. But here in this wind-battered village Claire is welcomed as one of their own. In the security of her new home, she is free and loved. She grows stronger.

A journey around the United States in search of the truth about the threat of earthquakes leads to spine-tingling discoveries, unnerving experts, and ultimately the kind of preparations that will actually help guide us through disasters. It's a road trip full of surprises.

The hilly terrain next to the old Sprocket house that Meg Langslow and her fiancé, Michael, are refurbishing is the perfect location for an extreme croquet field - even the legs of cows and sheep are convenient extra wickets. Croquet has become all the rage in Caerphilly...until it appears someone in town has taken the rage a bit too literally. While stumbling down a steep bank after her ball, Meg encounters the body of a fresh female corpse with a mallet-sized dent in her head.