Showing results by author "Charlotte Perkins" in All Categories

A prominent sociologist, lecturer, and writer of the late nineteenth century, Charlotte Perkins Gilman's unorthodox concepts and lifestyle helped shape future generations of feminists. This audiobook includes her most enduring work, The Yellow Wallpaper as well as her 1913 article, "Why I Wrote The Yellow Wallpaper." The Yellow Wallpaper told as a series of secret diary entries, the story is about a young woman, confined to her room and denied all creative outlets, who gradually suffers a mental breakdown.

What happens when a woman dares to imagine power in a world that denies her even autonomy? In this sharp, sly, and subversive tale, one of America's most original feminist voices turns the tables on society with cool precision and a dash of irony. Written at a time when women were expected to remain silent and self-sacrificing, this short work pulses with quiet rebellion and razor-edged wit.

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.

First published in 1892, The Yellow Wallpaper is a classic short story by Charlotte Perkins Gilman. It's an early work of feminist literature focused on a female protagonist and her relationship with husband John. A great work for studying and casual listening. This version of The Yellow Wallpaper has excellent narration and the highest quality of audio. All audio is engineered with careful attention to detail for your enjoyment of the story.

Satire, Humor and Irony in some cases have been regarded as the most effective source to understand a society, the oldest form of social study. Contents: The Cop and the Anthem by O. Henry; The Ransom of Red Chief by O. Henry; What Stumped the Blue Jays by Mark Twain; The Celebrated Jumping Frog of Calaveras County by Mark Twain; The Toys of Peace by Saki (H. H. Munro); The Artful Hussar by Johann Peter Hebel; From The Surprising Adventures of Baron Munchausen by Rudolf Erich Raspe; The Golden Honeymoon by Ring Lardner; When I Was a Witch by Charlotte Perkins Gilman; Micromegas: A Philosophical History by Voltaire.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

The story's protagonist and narrator is an unnamed woman whose husband, a doctor named John, makes her spend the summer in the country for her health. The woman, her baby, John, John's sister and some servants stay in a large rented house. John chooses a bedroom for himself and his wife which is large and airy but otherwise quite unpleasant. The narrator takes an immediate dislike to the room's yellow wallpaper. She soon starts to see grotesque images in its pattern. After some time, the narrator becomes convinced that the wallpaper depicts a woman trapped behind a cage.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

This powerful recording of "The Yellow Wallpaper", read by award-winning narrator Alison Larkin, is followed by an essay entitled "Why I Wrote the Yellow Wallpaper", by Charlotte Perkins Gilman. The narrator of this chilling tale speaks of a beautiful house in the country her husband has taken for the summer. But its beauty is marred by her oppressive bedroom, its ugly yellow wallpaper, and the rest cure that her doctor and husband have forced on her.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.

Como fiel reflejo de la sociedad en que se desarrolla, la literatura muestra los cambios y terrenos que ha ganado la mujer a lo largo de la historia. Aún queda mucho camino que recorrer pero Medea, Sherezade, Morella, Madame Bovary e, incluso, Lisbeth Salander han ayudado a defender y reivindicar los derechos de la mujer.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

One of the earliest creative approaches to feminist literature, this sinister horror story tells of a woman's mental anguish and unconscious struggle with conformity in a society that generally viewed women as weak and hysterical creatures unable to think for themselves. The author, Charlotte Perkins Gilman (1860-1935), a prominent American feminist, paved the way for other authors like Sylvia Plath and Alice Walker. She suffered mental illness during her life and ultimately committed suicide.

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

The Crux is the story of group of women who move from New England to Colorado in order to run a boardinghouse for men. One of these women, the young Vivian Lane, falls in love with a man who has both gonorrhea and syphilis. It then falls to Vivian, when she learns of his illnesses, to decide whether she should marry and have children with this man. She is torn between her own heart and the “duty” of motherhood, as one doctor in the novel puts it, to have children with a healthy father.

Moving the Mountain is a feminist utopian novel. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. Perkins sends a man forward in time to a better world, but gives him deep difficulties in adjusting to it. Herland describes an isolated society composed entirely of women who reproduce via parthenogenesis. The result is an ideal social order, free of war, conflict and domination. The story is told from the perspective of Van Jennings, a student of sociology who, along with two friends, Terry O.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.