Showing results by narrator "Robert Bethune" in All Categories

Sigmund Freud's Psychopathology of Everyday Life is surely the most approachable and enjoyable of all his works. By turning the spotlight of his ideas about the nature and function of the unconscious mind onto simple and easily understandable incidents that we have all experienced, such as slips of the tongue, forgetfulness, and the like, he shows us, often in rather humorous ways, just how our unconscious minds have a powerful influence on everything we do.

English society in the 1860s was on the brink of enormous change, and some of the biggest changes coming to birth in that time were tremendous changes in the status of women - changes affecting politics, economics, law, government, business, education, psychology, religion, and sexuality, and the list goes on. The changes John Stuart Mill foresaw in 1861 as he wrote The Subjection of Women were just beginning to surface in his own time and have not yet run their full course in ours.

Frost weaves together themes of innocence and experience, love and joy and pain, in a sequence of poems that relate to each other while also standing alone as vivid, fresh expressions of intense feeling that speak as freshly today as they did when they were written.

Here are two terrifying and sobering stories of ghosts who will stop at nothing. In Henry James' "The Romance of Certain Old Clothes", a woman's envy of her dead sister threatens to destroy her. In "Lost Hearts", three children learn that a classical scholar's love of the past has led him into a terrible and bloody delusion.

When Lytton Strachey published Emininent Victorians, he took the general perception of the Victorian age among English-speaking readers and turned it upside-down. Four of the most eminent and idealized heroic figures of the Victorian age came under his witty and unsparing gaze and emerged, astonishingly enough, as human beings.

Thomas Carlyle's The French Revolution is a landmark of literary history. Conceived not as a dry recounting of facts, but as a personal, vivid, direct and dramatic encounter with the turbulent times of revolutionary France, it is in fact an extended dramatic monologue in which we meet not only the striking personalities and events of the time, but the equally striking personality and mind of Thomas Carlyle himself.

Imagine a boardinghouse in the days when the Civil War was still a decade in the future, in which an erudite, polished, witty, sophisticated, learned gentleman holds forth each day at breakfast, entertaining the boarders with fascinating talk: observations on people and nature, occasional flights of verse, remarks on current events, moralizations and philosophical thoughts, and anything else that comes to his mind.

This volume of Lord Byron’s poetry contains four sets of his poems, starting with his famous book of poetry, Hebrew Melodies, and continuing with the Poems of the Separation, poetry he wrote in the period 1816-1823, his “Jeux d’Esprit”, and a group of poems written in homage to the great poets of Italy. Hebrew Melodies is a collection of lyrics Byron wrote to be set to music, as indeed they were, by a composer named Isaac Nathan.

In Merlin, Edwin Arlington Robinson delves into the minds and hearts of a gallery of characters from the story Camelot. He places the action at the moment when Guinevere and Lancelot have fled to Joyeux Gard, and Arthur, goaded on by Modred and Gawaine, is reluctantly preparing an army to make war on them. It is at this time that he needs the advice and support of his old mentor, Merlin, more than ever before in his reign and his life, but it is at just this crucial time that Merlin has found that the love of Vivian is more important to him than kings, knights, or Camelot itself.

First published in 1849, this essay argues that individuals have rights and duties in relation to their government. Motivated by his disgust over both slavery and the Mexican-American War, Thoreau argued that individuals must not permit nor enable their government to act against their own consciences. This version of "On the Duty of Civil Disobedience" was recorded as part of Dreamscape's Walden and On the Duty of Civil Disobedience.

Frost's third book of poetry, North of Boston, is an extraordinary set of poems that are nearly dramas, conversations drawn from the heat of life, love, and death. From "Home Burial" and "Death of the Hired Man" to "A Hundred Collars" and "The Generations of Man", Frost's work in this volume spans the whole range of human experience, expressed always in his characteristic dry, matter-of-fact, yet wonderfully musical verse.

For everyone who loves, who ever loved, who searches for love, who suffers from love, who rejoices in love, these poems are for you. Are you in love? Have you ever been in love? Do you wish you were in love? Or perhaps you wish you weren't in love? This set of 70 poems is for you. It ranges in time from the classical Greece to the voices of the early 20th century.

At one point in his moody, erotic, and barbarous romance of She, H. Rider Haggard puts into the mouth of his narrator, Horace L. Holly, the observation that her story sounded like some extraordinary invention of a speculative brain. That, precisely, is what She is: a really marvelously inventive story, combining an amazing variety of what should be utterly implausible ideas into a fabric that constantly feels like truth.

The best way to appreciate this long and fascinating poem, really a novel in verse, is to just let it wash over you. Don't try to get caught up in the story, for Byron won't let you do that; don't try to figure it out, for Byron doesn't want you to do that either. Just listen to the man converse with you and enjoy his playful talk - that's why he wrote it, and that's what it's for.

When Lord Byron published Childe Harold's Pilgrimage, he woke up one moring to find himself famous. Not long after that, when the word of his separation from Lady Byron got out, he woke up one morning to find himself infamous. Ever since then, his name has been linked inextricably with great lyric poetry and great sexual scandal. Women found him irresistible; he found them irresistible, and the resulting fireworks flared through the skies of the English upper classes of the Regency with tremendous color and enormous noise.

Robert Frost's second book of poetry. Sometimes puckishly humorous, sometimes elegiac, sometimes terrifying, these poems show the young artist using his new-found voice to explore a world - a village in New Hampshire - that meant everything to him. This volume includes some of his best-known and best-loved works, such as "The Road Not Taken", "Out! Out!", "Birches", and "The Hill-wife". It also includes one of his poem-dramas, "Snow".

We hope you will enjoy these fine, old-fashioned stories that Lord Byron wrote in an old-fashioned way. He tells these tales in rhyming verse and heroic couplets, and he makes them dashing, romantic, and even melodramatic in a way that has become foreign to us with the passing of time.

Renowned experts delve into the stark reality of the Alien presence on Earth. Riveting case studies of Air Force and Naval Alien encounters, UFO crash retrievals, interactions with E.T.'s, suppressed Alien technology and more are explored suggesting a foreboding and spellbinding conclusion for the fate of Mankind.

In this, the 13th of the series, Dumas, the novelist-historian, finds ample scope for his favorite approach. His subject is a well-documented historical figure: Ali Tepelini, most often known as Ali Pasha and known even in his own day as The Lion of Tepelen. Dumas presents us with an extraordinary character, a man of tremendous courage, unstoppable tenacity, matchless duplicity, extreme debauchery, disgusting cruelty, and amazing ingenuity.

George Gordon, later Lord Byron, published Fugitive Pieces in 1806 when he was only 18 years old. It was printed, but Byron's friends, particularly Reverend Thomas Beecher, advised him that it contained poems that were scandalously amorous, particularly the poem "To Mary". Byron suppressed it by having all the copies destroyed - or so he thought. As it happened, Thomas Beecher himself kept his copy, and there were three other copies that were not destroyed.