Showing results by narrator "Kobna Holdbrook Smith" in All Categories

There have been ghosts on the London Underground, sad, harmless specters whose presence does little more than give a frisson to traveling and boost tourism. But now there's a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive, and seem to be looking for something. Enter PC Peter Grant, junior member of the Metropolitan Police's Special Assessment Unit, AKA The Folly, AKA the only police officers whose official duties include ghost hunting.

My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit - we do paperwork so real coppers don't have to - and finding a way to climb into the panties of the outrageously perky WPC Leslie May.

It is the end of the 19th Century and the world is awash with marvels. But there is nothing so marvellous as the Wastelands: a terrain of terrible miracles that lies between Beijing and Moscow. Nothing touches this abandoned wilderness except the Great Trans-Siberian Express: an impenetrable train built to carry cargo across continents, but which now transports anyone who dares to cross the shadowy Wastelands. On to the platform steps a curious cast of characters. But the old rules are changing, and there are whispers that the train isn't safe.

Darkness threatens to overtake Earthsea: the world and its wizards are losing their magic. Despite being wearied with age, Ged Sparrowhawk - Archmage, wizard, and dragonlord - embarks on a daring, treacherous journey, accompanied by Enlad's young Prince Arren, to discover the reasons behind this devastating pattern of loss. Together they will sail to the farthest reaches of their world - even beyond the realm of death - as they seek to restore magic to a land desperately thirsty for it.

Why are humans the only species to have escaped—only very recently—the subsistence trap, allowing us to enjoy a standard of living that vastly exceeds all others? And why have we progressed so unequally around the world, resulting in the great disparities between nations that exist today? Galor’s gripping narrative explains how technology, population size, and adaptation led to a stunning “phase change” in the human story a mere two hundred years ago.

Exclusive to Audio! Somewhere amongst the shadowy stacks and the many basements of the British library, something is very much amiss - and we're not talking late returns here. Is it a ghost, or something much worse? PC Peter Grant really isn't looking forward to finding out....

New York City, New York. Meet Augustus Berrycloth-Young - fop, flaneur, and Englishman abroad - as he chronicles the Jazz Age from his perch atop the city that never sleeps. That is, until his old friend Thomas Nightingale arrives, pursuing a rather mysterious affair concerning an old saxophone - which will take Gussie from his warm bed, to the cold shores of Long Island, and down to the jazz clubs where music, magic, and madness haunt the shadows.

Ben Aaronovitch has stormed the bestseller list with his superb London crime series. A unique blend of police procedural, loving detail about the greatest character of all, London, and a dash of the supernatural. A mutilated body in Crawley. Another killer on the loose. The prime suspect is one Robert Weil; an associate of the twisted magician known as the Faceless Man? Or just a common or garden serial killer? Before PC Peter Grant can get his head round the case a town planner going under a tube train and a stolen grimoire are adding to his case-load. So far so London.

I was my dad's vinyl-wallah: I changed his records while he lounged around, and that's how I know my Argo from my Tempo. And it's why, when Dr Walid called me to the morgue to listen to a corpse, I recognised the tune it was playing. Something violently supernatural had happened to the victim, strong enough to leave its imprint like a wax cylinder recording.

Meet Augustus Berrycloth-Young—fop, flaneur, and Englishman abroad—as he chronicles the Jazz Age from his perch atop the city that never sleeps. That is, until his old friend Thomas Nightingale arrives, pursuing a rather mysterious affair concerning an old saxophone—which will take Gussie from his warm bed, to the cold shores of Long Island, and down to the jazz clubs where music, magic, and madness haunt the shadows . . .

The year is 1949, the city London. Amidst the smog of the capital stumbles Dennis Knuckleyard, a hapless eighteen year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How? Dennis has stumbled on a book from the Great When, a magical version of London beyond time and space, where reality blurs with fiction and concepts such as Crime and Poetry are incarnated as wondrous, terrible beings.

There is only one way to travel across the Wastelands: on the Trans-Siberian Express, a train as famous for its luxury as for its danger. The train is never short of passengers, eager to catch sight of Wastelands creatures more miraculous and terrifying than anything they could imagine. But on the train's last journey, something went horribly wrong, though no one seems to remember what exactly happened. Not even Zhang Weiwei, who has spent her life onboard and thought she knew all of the train’s secrets.

Peter Grant is facing fatherhood and an uncertain future with equal amounts of panic and enthusiasm. Rather than sit around, he takes a job with émigré Silicon Valley tech genius Terrence Skinner's brand-new London start-up - the Serious Cybernetics Company. Drawn into the orbit of Old Street's famous 'silicon roundabout', Peter must learn how to blend in with people who are both civilians and geekier than he is. Compared to his last job, Peter thinks it should be a doddle. But magic is not finished with Mama Grant's favourite son.

In the fifth of his best-selling series Ben Aaronovitch takes Peter Grant out of whatever comfort zone he might have found and takes him out of London - to a small village in Herefordshire where the local police are reluctant to admit that there might be a supernatural element to the disappearance of some local children. But while you can take the London copper out of London you can't take the London out of the copper. Travelling west with Beverley Brook, Peter soon finds himself caught up in a deep mystery and having to tackle local cops and local gods. And what's more all the shops are closed by 4pm....

One hundred and fifty years from now, in a world where Africa is the dominant technological and economic power, and where crime, war, disease and poverty have been banished to history, Geoffrey Akinya wants only one thing: to be left in peace, so that he can continue his studies into the elephants of the Amboseli basin. But Geoffrey's family, the vast Akinya business empire, has other plans.

David Olusoga's Black and British is a rich and revealing exploration of the extraordinarily long relationship between the British Isles and the people of Africa. Drawing on new genetic and genealogical research, original records, expert testimony and contemporary interviews, Black and British reaches back to Roman Britain, the medieval imagination and Shakespeare's Othello.

Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm. Rather than sit around, he takes a job with émigré Silicon Valley tech genius Terrence Skinner's brand new London start up - the Serious Cybernetics Company. Drawn into the orbit of Old Street's famous "silicon roundabout", Peter must learn how to blend in with people who are both civilians and geekier than he is.

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable.

Nathan Treeves is dead, murdered by the Master of Mordew, his remains used to create the powerful occult weapon known as the Tinderbox. His companions are scattered, making for Malarkoi, the city of the Mistress, the Master’s enemy. They are hoping to find welcome there, or at least safety. They find neither—and instead become embroiled in a life and death struggle against assassins, demi-gods, and the cunning plans of the Mistress.

Peter Grant is learning magic fast. And it’s just as well - he's already had run-ins with the deadly supernatural children of the Thames and a terrifying killer in Soho. Progression in the police force is less easy, especially when you work in a department of two. A department that doesn't even officially exist. A department that if you did describe it to most people would get you laughed at.