Showing results by narrator "Andrew Smith" in All Categories

Humanity thought the war with demonkind was over. Now, after less than a generation to rebuild, the demon corelings have returned with a vengeance. The Spear of Ala–the fortress that stands at the gates of the demon’s hive–is the last bastion against the horde, and reports say it may already have fallen.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

They are in the midst of wedding planning when a blast from the past returns, threatening to tear down everything they've worked so hard to build. They pray their relationship is strong enough to withhold the troubles, but are the actions too heartbreaking for them to bounce back one last time?

Stumbling into Restown’s hunting grounds, the companions are welcomed by a flourishing society which stands in counterpoint to Mutieville, a place where enslaved muties are subject to human whims. At the heart of Restown lies an ambitious plan to utilize cryogenic technology to escape the brutal present of the Deathlands and awaken to the glorious future that’s being constructed for the baronial family by their slaves.

McKenzie is doing all she can to move on from Malakai and what they shared. She is focusing on motherhood and enjoying the fruits of her labor while trying to make her family work with Chase. Although skeptical at first, McKenzie decides to officially give Chase a chance to prove he can be a faithful family man. With McKenzie giving him another chance, Chase finally lets Diane go and dedicates himself to being the man he knows Kenzie wants.

They say that home is where the heart is. And no one knows that better than Perley Gates. After helping the lovely Miss Emma Slocum reunite with her sister’s family in Bison Gap, Perley can’t wait to rejoin his own kin at the Triple-G Ranch. No sooner does Perley settle in when he receives an alarming telegram from Bison Gap. Emma’s brother-in-law has been murdered. Her sister wants justice. And Perley is their only hope to get it. Perley can’t refuse a family in need. So he saddles up with his salty cowhand Possum Smith and heads to Bison Gap.

In the wake of her son’s sudden death, Margaret Dobrescu struggles to keep it together in the face of her grief…and her guilt. She can’t help but blame herself for Kyle’s own lifelong struggles—namely, the alcoholism that plagued him. But within mere days of his funeral, secrets and suspicions begin to surface, and Margaret’s husband admits that Kyle once confessed to having a daughter. Clinging to the hope that some part of her son is still out there, Margaret embarks on a search to find her rumored granddaughter.

Throughout history, technological revolutions have been driven by the invention of machines. But today, the power of the technology transforming our world lies in an intangible and impenetrable cosmos of software: algorithmic code. So symbiotic has our relationship with this code become that we barely notice it anymore. We can't see it, are not even sure how to think about it, and yet we do almost nothing that doesn't depend on it. In a world increasingly governed by technologies that so few can comprehend, who—or what—controls the future?

Jamie MacCallister remembers the Alamo—especially one brave frontiersman who died fighting there. Now the fallen veteran’s granddaughter needs Jamie’s help. She’s found a letter written by her grandfather with a map to the spot where Alamo legend Jim Bowie supposedly hid a fortune in silver and gold. Jamie never believed the story. Countless treasure hunters had scoured the area and come up empty handed. But his friend’s granddaughter is convinced it’s hidden where no one has ever dared to search—deep in the heart of Comanche country.

Deviant. Depraved. Dangerous. Denounced for their transgressive themes and inflammatory ideas, these 20th-century classics have all been considered so seditious that they had to be suppressed. Find out what made these iconic works so threatening to governments worldwide in these superlative dramatisations, featuring stellar casts and specially composed music.

In Elizabethan London, young Emilia Bassano is a ward of English aristocrats. Her education has endowed her with a sharp wit and a gift for storytelling, but still she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees the theatre, Emilia discovers the power of stories to beguile audiences. Secretly, she forms a plan to bring a play of her own to the stage – by paying an actor named William Shakespeare to front her work.

The Chalet des Anglais should be the ideal locale for recently widowed Oxford don Emily to begin cutting through the fog of her grief. With no electricity, running water, or access by car, the rustic chalet nestled at the foot of the snow-topped Alps should afford Emily space to heal. Joining her will be a collection of friends from the university, as well as other fellows, graduates, and undergraduates.

Set in Mexico City during the early 50s, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. Burroughs' only realist love story, Queer is a haunting tale of possession and exorcism.

Burroughs’ first novel, a largely autobiographical account of the constant cycle of drug dependency, cures, and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through time spent kicking and time spent dealing, through junk sickness and a sanatorium, Junky is a field report from the American postwar drug underground. A cult classic, it has influenced generations of writers with its raw, sparse, and unapologetic tone.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

Fergus is back on Earth at last, trying to figure out how to live a normal life. However, it seems the universe has other plans for him. When his cousin sends him off to help out a friend, Fergus accidently stumbles across a piece of an ancient alien artifact that some very powerful people seem to think means the entire solar system is in danger. And since he's the one who found it, they’re certain it’s also his problem to deal with.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

Jack and Karen are an ordinary, happily married couple. They've been together for years and are convinced every problem can be worked through. Until Karen finds an odd text on Jack's phone, and her confrontation leads to a shock revelation: Jack is gay, and he wants a male lover. Seeking stability for themselves and security for their teenage children, they settle on a 'closed loop' arrangement, whereby they stay together and Jack has a boyfriend. So begins a new type of marriage, where small deceptions and unspoken fantasies are replaced with radical honesty.

In the complete series one to four of the multi-award-winning hit show from the people who brought you Cabin Pressure and Armando Iannucci's Charm Offensive, stand-up comedian Marcus Brigstocke has been put in charge of a thing! In each episode, Marcus finds he's volunteered to be in charge of a big old thing - a hospital, a prison, the banking system.

When the Colonial Marines set out after their deadliest prey, the Xenomorphs, it’s what Corporal Hicks calls a bug hunt—kill or be killed. Here are fifteen all-new stories of such “close encounters,” written by many of today’s most extraordinary authors. Set during the events of all four Alien films, sending the Marines to alien worlds, to derelict space settlements, and into the nests of the universe’s most dangerous monsters, these adventures are guaranteed to send the blood racing—one way or another.