Showing results by author "Jane Smiley" in All Categories

In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In "Long Distance," a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned....

For the 150th anniversary of the publication of Louisa May Alcott's Little Women, Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley explore their strong, lifelong personal engagement with Alcott's novel - what it has meant to them and why it still matters. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives.

Why don’t we know the name of John Atanasoff as well as we know those of Alan Turing and John von Neumann? Because he never patented his computing machine, and because the developers of the far-better-known ENIAC almost certainly stole critical ideas from him. Jane Smiley tells the quintessentially American story of John Atanasoff with technical clarity and narrative drive, making the race to develop digital computing as gripping as a real-life techno-thriller.

Of Charles Dickens, Jane Smiley says that "his novels shaped his life as much as his life shaped his novels". Smiley's Charles Dickens is at once a sensitive profile of the great master and a fascinating meditation on the writing life. Smiley evokes Dickens as he might have seemed to his contemporaries: convivial, astute, boundlessly energetic, and lionized.

Kate Karlson's only focus in life is her Midwestern horse farm. Ignoring her husband, she spends long days giving riding lessons and training horses. To showcase her teaching ability, she enters her three sons and daughter in all the equestrian shows. But when her family dares to thwart her interests, the results bring tragedy and devastation.

Margaret Mayfield is nearly an old maid at twenty-seven in post–Civil War Missouri when she marries Captain Andrew Jackson Jefferson Early. He’s the most famous man their small town has ever produced: a naval officer and a brilliant astronomer—a genius who, according to the local paper, has changed the universe. Margaret’s mother calls the match “a piece of luck.”

Everyone has keys to Susan's New York apartment: all her friends, and friends of friends. So one afternoon, when Alice unlocks Susan's door to water the plants, she isn't surprised to find two men sitting in the living room. That they are both dead is a shock, however.

Now the Congress of Animals is in control, unforgiving, and debating the fate of the planet’s most reviled species. The popular ruling: Exterminate humankind without exception. But a curious mare, coming of age, is making a case for a seemingly gentle person she longs to save - a wish for mercy that could once again unbalance the new and righteous nature of the world.

Jane Smiley has long been acclaimed as one of America’s preeminent novelists. Less known is her nonfiction, her steady and penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. Her approach is both enthusiastic and meticulous, always quick to dive beneath surface-level interpretations of authors and their work. This volume of nonfiction begins with a personal introduction that traces Smiley’s migration from Missouri to California a quarter-century ago.

1920: After his return from the battlefields in France, Walter Langdon and his wife Rosanna begin their life together on a remote farm in Iowa. As time passes, their little family will grow: from Frank, the handsome, willful first-born, to Joe, whose love of animals and the land sustains him; from Lillian, beloved by her mother, to Henry who craves only the world of his books; and Claire, the surprise baby, who earns a special place in her father's heart.

Pulitzer Prize-winner Jane Smiley details a beautiful erotic interlude in an otherwise sordid real estate deal; Mary Gaitskill celebrates the unexpected ardor of one middle-aged couple; Steve Almond reminisces about the best one-man/three-girl Ecstasy party ever; Nelson George recounts the erotic escapades that befall a young man who accompanies a celebrity athlete when he picks up a gaggle of girls; and Carol Queen explores the joys of making love with summer fruit.

"Nunca más volveré a ser feliz", musita Dana en el asiento trasero del coche familiar, sin reparar en que piensa en voz alta. Al oírlo, Dave, su marido, siente que ambos están a punto de perder todo aquello que una vez desearon: sus años de apacible matrimonio, tres hijas, la próspera clínica dental que comparten. Ahora Dave está convencido de que Dana se ha enamorado de otro hombre y, de manera inesperada, decide que la mejor manera de salvar su relación es evitar que su esposa descubra que él lo sabe.

Bob Miller ha creado el paraíso con el que siempre soñó: una granja en lo alto de un valle, a cinco kilómetros del pueblo más cercano, donde él y su esposa Liz viven y crían a su hijo de siete años, Tommy, cultivando su propia comida, hilando y tejiendo su ropa, fabricando sus propios muebles. Él mismo construyó la casa en la que habitan, sin teléfono ni televisor, sin automóvil, sin más conexión cotidiana con el mundo exterior que los viajes diarios de Tommy a la escuela. Allí viven, piensa Bob, y allí vivirán siempre.

Oscar-winning writer-director Max, whose star is clearly beginning to dim, wakes up the morning after the 2003 Academy Awards lying next to his lover and feeling understandably groggy from the previous evening's festivities. But this is no time for Max to lounge about and chat his way idly through a hangover. There's a houseful of guests to worry about, and they all need attention.

Exuberant and riveting, a sly commentary on truth and beauty and fulfillment that resonates with our times, Lidie delivers a panoramic portrait of a volatile era and the headstrong women trying to live an honest life in it.

Monterey, 1851. Ever since her husband was killed in a bar fight, Eliza Ripple has been working in a brothel. It seems like a better life, at least at first. The madam, Mrs. Parks, is kind, the men are well behaved, and Eliza has attained what few women have: financial security. But when the dead bodies of young women start appearing outside of town, a darkness descends that she can't resist confronting. Side by side with her friend Jean, and inspired by her reading, especially by Edgar Allan Poe's detective Dupin, Eliza pieces together an array of clues to try to catch the killer.

Paras is a spirited young racehorse living in a stable in the French countryside. That is until one afternoon when she pushes open the gate of her stall and, travelling through the night, arrives quite by chance in the dazzling streets of Paris. She soon meets a German shorthaired pointer named Frida, two irrepressible ducks and an opinionated crow, and life amongst the animals in the city’s lush green spaces is enjoyable for a time.

The third novel in the dazzling Last Hundred Years trilogy from the winner of the Pulitzer Prize. It's 1987. A visit from a long-lost relative brings the Langdons together again on the family farm - a place almost unrecognisable from the remote Iowan farmland Walter and Rosanna once owned. Whilst a few have stayed, most have spread wide across the US, but all are facing social, economic and political challenges unlike anything their ancestors encountered.

While her 77-year-old husband lies upstairs, dying, Anna Robison spends her depleting energy defending their home. Their three middle-aged daughters and 23-year-old granddaughter have invaded, radiating vigor and good intentions. But the younger women temper their help with squabbling, ill-considered advice, and an abundant supply of their own problems.

It's 1953. When a funeral brings the Langdon family together once more, they little realize how much, over the coming years, each of their worlds will shift and change. For now Walter and Rosanna's sons and daughters are grown up and have children of their own. Frank, the eldest - restless, unhappy - ignores his troubled wife and instead finds himself distracted by a face from the past.