Showing results by narrator "Steven Crossley Crossley" in All Categories

It is 1537, a time of revolution that sees the greatest changes in England since 1066. Henry VIII has proclaimed himself Supreme Head of the Church. The country is waking up to savage new laws, rigged trials and the greatest network of informers ever seen. And under the orders of Thomas Cromwell, a team of commissioners is sent throughout the country to investigate the monasteries.

When a writer suffers a heart attack at the age of 50, he must confront his mortality in a country that is not his native home. Confined to a hospital bed and overcome by a sense of powerlessness, he reflects on the fragility of life and finds extraordinary meaning in the quotidian. In this affecting autobiographical novel, Semezdin Mehmedinovic explores the love he and his family have for one another, strengthened by trauma; their harrowing experience of the Bosnian war, which led them to flee for the United States as refugees; and more.

A haughty professor comes calling on Arnold Landon for research assistance. But he’s overlooked an important fact. Landon already has a job at the council—along with a raft of superiors who’d rather he focused on the dispute at hand. Namely, who is the rightful owner of the Kilgour Estates? And the opulent manor house in the grounds? Dashing rake Patrick Yates insists it’s all his. But a black sheep in the family returns to claim otherwise. Who is telling the truth?

Arnold Landon can’t help but feel drawn to Oldham Manor, an atmospheric medieval house in the middle of nowhere. When he is invited to catalogue the library there, he jumps at the chance. The place is a maze of musty old papers and books. And that’s not all. Late one night, he stumbles on a secret passage, twisting deep under the ground. Where will it take him? And why was it walled up? When a stranger turns up dead in a ditch, Landon begins to realize that someone is watching his every move. And they have a plan to ensure the past stays buried for good.

Late one night, Lynne Anderson reveals to her lover that she has something to tell him. And it’s not just pillow talk. But before she can spill her shocking secrets, a shooter silences her and her lover for ever. Meanwhile, her husband Kevin Anderson has disappeared, leaving behind only a partial report on the ancient tower houses he and Arnold Landon are reviewing. Arnold is left trying to puzzle out Kevin’s skimpy notes. But the deeper he gets the more he fears for his missing coworker.

Andrews is found dead in his own living room. His head blown to bloody smithereens. Who will finish what the dead man started? The publisher turns to Arnold Landon. And why wouldn’t he pick up the mantle? Everyone tells him it’s safe. The police have their man for Andrews’ killing. But the closer Landon gets to Andrews’ checkered past, the less certain he becomes. Could the true killer be out there still? Watching, waiting for his chance to strike again …

Where is 'home'? For Amartya Sen home has been many places - Dhaka in modern Bangladesh, where he grew up; the village of Santiniketan, where he was raised by his grandparents as much as by his parents; Calcutta, where he first studied economics and was active in student movements and Trinity College, Cambridge, to which he came aged 19. Sen brilliantly recreates the atmosphere in each of these.

An internationally best-selling author, Carole Mortimer has penned over 150 romance novels in her remarkable career. The Duke’s Cinderella Bride stars brooding Hawk St. Claire, Duke of Stourbridge and seemingly plain servant girl Jane Smith. After a chance encounter Jane pays the price for their inappropriate behavior when she is removed from her household. Soon the duke takes in this genteel lass and makes her his ward.

Paris, 1393. A masquerade ball at the palace ends in tragedy, with four revelers burned to death. Was it an accident...or did someone deliberately hurl a flaming torch at the dancers? Convinced it was an act of murder and that the king himself was the real target, Queen Isabeau has asked Christine de Pizan to spend time at court in an attempt to uncover the identity of the would-be assassin.

Paris, 1396. Scribe Christine de Pizan is shocked when the duke of Orleans' fools find a baby, wrapped in rags and covered in sores, abandoned in the palace gardens. Was there really a wicked plan to substitute the child for the queen's own baby daughter and blame the duchess of Orleans, Valentina Visconti? Who would commit such an evil act, and why?

The Reign of Terror has ended, and Napoleon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers. On Christmas Eve 1800, a bomb explodes along Bonaparte's route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again.

Oscar Hopkins, the hydrophobic, noisy-kneed son of a preacher, renounces his father's stern religion in favour of the Anglican Church. Lucinda Leplastrier, a frizzy-haired heiress, impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. When the two finally meet, on board a ship to New South Wales, Australia, they are bound by their affinity for gambling and risk, their loneliness and their awkwardly blossoming mutual affection.

The lieutenant is summoned by the admiralty and given command of the brig Triton. But like the rest of the Nnvy, Triton's crew has mutinied. Sympathizing with some of their complaints, Ramage also knows that if he fails to deliver three sealed dispatches to admirals off Brest and Cadiz and in the Caribbean, he will become a convenient scapegoat.

A skeleton buried on a lonely Northumberland hill? Nothing wrong with that. Garrigill was once an ancient burial ground. Archaeologist Rena Williams is here to excavate the site. She is an old friend of Arnold’s. And with his help, her team have uncovered more than a few old bones already. But never like this. The bludgeoned skull, the modern dental work…nothing about this death feels accidental. Or even all that old. Who was the dead man, and what did he know that was worth killing for?

His daily discontent is nothing compared to the affliction of hearing loss, which is a constant source of domestic friction and social embarrassment. In the popular imagination, he observes, deafness is comic, as blindness is tragic, but for the deaf person himself it is no joke. It is through his deafness that Desmond inadvertently gets involved with a young woman whose wayward and unpredictable behavior threatens to destabilize his life completely.

Colin Bannock is hiding quite the secret. By day, he’s a smooth-talking lawyer. After hours, he is someone else entirely. He corners Arnold Landon, wanting him to join his society of history fanatics. Appalled, Arnold declines outright. He’s never been a joiner and, besides, he has enough on his plate already. He is hunting for a lost and ancient treasure. And he knows the hiding place is close. Then Bannock’s body washes up on the banks of the River Tyne, battered and bloated beyond recognition. Was he also chasing the mythic treasure?

Arnold Landon steps out with his lady friend, hunting for relics on the deserted dig site where he works. Before long, they stumble on something under a bridge. The mangled remains of Arnold’s fellow historian. His chest gapes open, his insides arranged in a pair of bloody wings. Arnold’s no expert, but he knows a blood eagle when he sees one—the handiwork of a berserker warrior. Mad with blood lust and out for vengeance.

Secret agent Mr. Adolph Verloc operates from a seedy Soho shop, where he deals in pornography and espionage. Idle, treacherous, and self-righteous, he makes the life of his wife, Winnie, one of silent misery. When Verloc is assigned to plant a bomb at Greenwich Observatory, his plans go terribly awry, and his family has to deal with the tragic repercussions of his actions. Joseph Conrad's dark satire on English society, while rooted in the Edwardian period, remains strikingly contemporary.

10-year-old Johnny's toymaker father has volunteered for service in the British Army of World War I. At first, his spirits are high as he completes basic training, but his tone becomes grim once he reaches the front. To ease his son's worries, Johnny's dad carves him little figurines that reflect his experiences in the war. Comprised of letters from his father, followed by Johhny's feelings, Lord of the Nutcracker Men is a haunting and poignant tale.

Questions of what happens after death were vital in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living.