Showing results by narrator "Janina Edwards" in All Categories

Parke “Pace” Jamieson VIII knows something is special about Harmony Reed, his sisters’ college friend who was almost stranded in St. Louis for Christmas. She checks all his boxes for compatibility: looks, charm, great sense of humor, and strong attraction. Plus, the Jamiesons love her.

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

Punishment Without Crime offers an urgent new interpretation of inequality and injustice in America by examining the paradigmatic American offense: the lowly misdemeanor. Based on extensive original research, legal scholar Alexandra Natapoff reveals the inner workings of a massive petty offense system that produces over 13 million cases each year.

Goodreads Choice Award-winning poet and USA Today best-selling author Amanda Lovelace presents the mermaid’s voice returns in this one - the third and final installment in her women are some kind of magic series, featuring a foreword from Lang Leav and 13 guest poems from leading voices in poetry such as Nikita Gill, KY Robinson, and Orion Carloto.

Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In this audiobook, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight white supremacy. It's a must-listen for anyone new to resistance work, and for the next generation of leaders building a better future.

The figure of the horse, at once earthly and transcendent, represented the contradictions of freedom and captivity that enabled young Octavia to develop her nuanced sense of voice and place. Drawing on previously unknown archival research, this volume illustrates how Butler's development as a writer was tied to her extraordinary resourcefulness and self-awareness growing up as an awkward, bookish Black girl in segregated, Cold War Pasadena.

Inspired by the number one New York Times best seller She Persisted by Chelsea Clinton and Alexandra Boiger comes a chapter book series about women who stood up, spoke up, and rose up against the odds. Listeners can now enjoy the first eight biographies in one audio collection!

Sara Bliss (yes, that’s her real name) tracked down more than 65 people who transformed their lives to learn how they did it so you can, too. Take the Leap is packed with inspiring profiles, quotes, and other pieces of creative advice from game changers, rule breakers, and side hustlers, including successful entrepreneurs like Barbara Corcoran, Bobbi Brown, writer turned actress (at 40) Jill Kargman, Black Crowes drummer turned sports radio host Steve Gorman, writer Simon Doonan, and NFL player turned artist/activist Aaron Maybin, and many more.

Through original essays and engaging conversations with dozens of indie musicians representing several subgenres, scenes, and eras, food takes center stage in stories about being on tour and eating on tour and how this basic human necessity can create a sense of community and interconnectedness in one of the most mobile industries in the world.

Saving for the future can seem anywhere from daunting to downright impossible—especially for Millennials and Gen Zers, who’ve had to contend with economic setbacks, recessions, and layoffs since graduating college. But everyone—yes, even YOU—can find a way to save for your future, and Your Best Financial Life can show you exactly how.

The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson’s career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world. For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth?

On a bus moving across rural landscapes from town to town, two young people are escaping with nothing to hold except hope. She has committed a horrifying act for which there will certainly be retribution. He is staggering from a devastating discovery. They will find each other and attempt to move forward, even as their grief leaves wounds on their new beginnings.

In Fantasies of Nina Simone, Jordan Alexander Stein examines the space between our collective and individual fantasies about Simone the performer, civil rights activist, and icon, and her own fantasies about herself. Stein outlines how Simone gave voice to personal fantasies through releasing dozens of covers of her white male contemporaries.

This debut collection is a complicated love letter to Washington, DC, and to those who call it home: a TSA agent who's never flown, a girl braving new worlds to play piano, and a teacher caught up in a mayoral race. These characters navigate life's "training school" - with lessons on gentrification and respectability - and fight to create their own sense of space and self.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

On the outside, clinical psychologist Dr. Olivia C. Maxwell appears to live a life others only dream about. She has a sexy husband, a big house, luxury cars, and two gorgeous children, and she attends all the see-and-be-seen events. To add to the mix, she is beautiful, tall, fit, and intelligent. But what people can't see is that inside, Olivia is living a nightmare. As the only dark-skinned member of her family, Olivia grew up hating the skin she's in and is desperately searching for acceptance. It's not long before those deep insecurities sabotage everything she loves.

In 1963, Birmingham, Alabama, thousands of African-American children volunteered to march for their civil rights after hearing Dr. Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world. Monica Clark-Robinson's moving and poetic words document this remarkable time.

A “daring, urgent, and transformative” (Brené Brown, New York Times best-selling author of Dare to Lead) exploration of Black achievement in a white world based on honest, provocative, and moving interviews with Black leaders, scientists, artists, activists, and champions.

The relationship between race and capitalism is one of the most enduring and controversial historical debates. The concept of racial capitalism offers a way out of this impasse. Racial capitalism is not simply a permutation, phase, or stage in the larger history of capitalism—since the beginning of the Atlantic slave trade and the colonization of the Americas, capitalism, in both material and ideological senses, has been racial, deriving social and economic value from racial classification and stratification.