Showing titles in Asian American & Pacific Islander

China, 1937: When Japanese bombs begin falling on the city of Nanking, 19-year-old Hu Lian and her classmates at Minghua University are ordered to flee. Lian and a convoy of more than 100 students, faculty, and staff must walk 1,000 miles to the safety of China’s western provinces, a journey marred by hunger, cold, and the constant threat of aerial attack. And it is not just the student refugees who are at risk: Lian and her classmates have been entrusted with a priceless treasure, a 500-year-old collection of myths and folklore known as the Library of Legends.

It’s spring 1999, and 25-year-old Lia Cope and her prickly 73-year-old grandmother, Mineko, are sharing a bedroom in Curtain, Texas, the ranching town where Lia grew up and Mineko began her life as a Japanese war bride. Both women are at a turning point: Mineko, long widowed, moved in with her son and daughter-in-law after a suspicious fire destroyed the Cope family ranch house, while Lia, an architect with a promising career in Austin, has unexpectedly returned under circumstances she refuses to explain.

Audrey Zhou left Hickory Grove, the tiny central Illinois town where she grew up, as soon as high school ended, and she never looked back. She moved to New York City and became the person she always wanted to be, complete with a high-paying, high-pressure job and a seemingly faultless fiancé. But if she and Manhattan-bred Ben are to build a life together, in the dream home his parents will surely pay for, Audrey can no longer hide him, or the person she’s become, from those she left behind.

Everyone agrees that the food at Ho-Lee Noodle House is delicious - unless it happens to be deadly. Lana Lee’s stake in her family’s Chinese restaurant is higher than ever now that she’s been made manager. So when she enters Ho-Lee into Cleveland’s Best Noodle Contest, Lana makes it her business to win - at all costs. But when a local food critic receives a threatening note in a fortune cookie and is later found dead, face-down in a bowl of lo mein, all bets are off....

Jia Song has always been destined for greatness. As the daughter of Korean bodega owners, she promised herself that she would have every Fifth Avenue luxury when she grew up, and it is all finally within reach. She has just made junior partner at her prestigious Manhattan law firm, she can count on her two best friends to have her back, and she is about to score the ultraluxe gold-on-gold Birkin bag of her dreams. So when her boss asks her to sit in on the hush-hush family implosion of a high-level client, she accepts without hesitation.

Set in New York and China over three decades, Paper Names explores what it means to be American from three different perspectives. There’s Tony, a Chinese-born engineer turned Manhattan doorman, who immigrated to the United States to give his family a better life. His daughter, Tammy, who we meet at age nine and follow through adulthood, grapples with the expectations of a first generation American and her own personal desires. Finally, there’s Oliver, a handsome white lawyer with a dark family secret and who lives in the building where Tony works.

Ji-won’s life tumbles into disarray in the wake of her Appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment.

Debut novelist Shilpi Somaya Gowda pens this compelling tale about two families, worlds apart, linked by one Indian child. After giving birth to a girl for a second time, impoverished Kavita must give her up to an orphanage. The baby, named Asha, is adopted by an American doctor and raised in California. But once grown, Asha decides to return to India.

Eighteen-year-old Shelley, born into a much-despised branch of the Zheng family in Yunnan Province and living in the shadow of his widowed father’s grief, dreams of bigger things. Buoyed by an exuberant heart and his cousin Deng’s tall tales about the United States, Shelley heads to San Francisco to claim his destiny, confident that any hurdles will be easily overcome by the awesome powers of the “Chinese groove,” a belief in the unspoken bonds between countrymen that transcend time and borders.

Ocean Yoon has never felt very Korean, even if she is descended from a long line of haenyeo, Jeju Island’s beloved female divers. She doesn’t like soju, constantly misses cultural references, and despite her love of the game, people still say that she doesn’t play Hwatu like a Korean. Ocean’s also persona non grata at the Alliance, Korea’s solar system-dominating space agency, since a mission went awry and she earned a reputation for being a little too quick with her gun.

Two sisters - Miranda, the older, responsible one, always her younger sister's protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When their mother dies and Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. But Lucia impetuously plows ahead, marrying a bighearted, older man only to leave him, suddenly, to have a baby with a young Latino immigrant.

He was born anew in a world where martial arts were indistinguishable from magic. He only received a neuronet and meaningless desires from his past life. What lies ahead? He dreamed of adventure and freedom, but those dreams were taken away from him. The same way his mother, father, and sister had been taken away. They took the kingdom, they took his own destiny. But he is willing to wage a war, against the whole world if need be, to bring everything back.

A concubine at the palace learns quickly that there are many ways to capture the emperor's attention. Many paint their faces white and style their hair attractively, hoping to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of seduction to draw his interest. Young Mei knows nothing of these womanly arts, yet she will give the emperor a gift he can never forget.

For 12-year-old Ernest Young, a charity student at a boarding school, the chance to go to the World's Fair feels like a gift. But only once he's there, amid the exotic exhibits, fireworks, and Ferris wheels, does he discover that he is the one who is actually the prize. The half-Chinese orphan is astounded to learn he will be raffled off - a healthy boy "to a good home". The winning ticket belongs to the flamboyant madam of a high-class brothel, famous for educating her girls.

Jin-Lu has the most dangerous job in the wasteland. She’s a magebike courier, one of the few who venture outside the domed cities on motorcycles powered by magic. Every day, she braves the wasteland’s dangers—deadly storms, roving marauders, and territorial beasts—to deliver her wares. Her most valuable cargo? A prince’s love letters addressed to Yi-Nereen, a princess desperate to escape the clutches of her abusive family and soon-to-be husband. Jin, desperately in love with both her and the prince, can’t refuse Yi-Nereen’s plea for help.

The wedding of Radhika Singh and Raj Joshi, a weeklong affair at a luxury resort in Cabo, isn’t just going to be the event of the season—it will also mark the union of two highly influential and wealthy Indian-American families. No expense will be spared for what Radhika and Raj have coined “R&R,” a week of rest, relaxation, and celebrating their love.

Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation, American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator - one about a white photographer, the other about a Filipino schoolteacher.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

When her boyfriend of seven years suddenly breaks up with her, relationship advice columnist Gemma Cho is convinced that real love doesn’t exist. As a bisexual woman who’s had zero luck with both men and women, she’s ready to give up on her own romantic prospects. That is, until she's paired up with world-renowned photographer Celeste Min on a potentially career-saving piece on modern love.

During the turbulent months following the 1941 bombing of Pearl Harbor, 21-year-old Emi Kato, the daughter of a Japanese diplomat, is locked behind barbed wire in a Texas internment camp. She feels hopeless until she meets handsome young Christian Lange, whose German-born parents were wrongfully arrested for un-American activities. Together they live as prisoners with thousands of other German and Japanese families but discover that love can bloom in even the bleakest circumstances.