Showing titles in Russian & Soviet

"No es una novela, aún menos un poema y aún menos una crónica histórica": así presentaba Lev N. Tolstói su monumental Guerra y paz, que, publicada por entregas en la revista El Mensajero Ruso entre 1865 y 1867 y en forma de libro en 1869, no dejó de causar desconcierto en su tiempo y luego, hasta nuestros días, apasionados intentos de definición. El propio autor decía que los libros más relevantes de la literatura rusa −como Almas muertas de Gógol y Memorias de la casa muerta de Dostoievski− se resistían a encajar en ningún género literario "europeo".

Russie, début du XIXe siècle. À l'Ouest de l'Empire, les guerres napoléoniennes font rage et se rapprochent dangereusement des frontières. De Moscou à Saint-Pétersbourg, la noblesse et la grande bourgeoisie vivent inconscientes du danger, et organisent dîners et bals. Ainsi le comte Rostov qui s'apprête à célébrer la fête de sa fille Natacha ; du prince André Bolkonski et de sa jeune épouse, Lise, enceinte.

Многие произведения Михаила Афанасьевича Булгакова (1891 — 1940), знаменитого русского писателя, драматурга и театрального деятеля были запрещены советской цензурой, и уже сам этот факт характеризует его как свободномыслящего человека. За свою литературную деятельность он создал множество пьес, романов и повестей, киносценариев и рассказов. Произведения Булгакова стали знамениты по всему миру, но слава пришла к нему только после смерти. Его талантом восхищаются читатели во всем мире, его произведения переведены на разные языки и по многим из них сняты фильмы.

After narrowly avoiding a firing squad when he was just twenty-eight years old, Dostoevsky never took things lightly. His great novels burst upon the European literary scene like a succession of thunderbolts. His understanding of the darker and more extreme recesses of the human mind cast a forceful light into these areas of experience. The raw psychology and passionate involvement of his books galvanized writers and thinkers as disparate as Nietzsche and Kafka.

Преступление и наказание — произведение классика русской литературы и одного из лучших романистов мирового уровня Ф. М. Достоевского (1821–1881).Герой книги Родион Раскольников решил проверить свою теорию о существовании людей, которым разрешено совершать убийства, и тех, кто этого делать не может. Роман называют энциклопедией жизни России 60-х годов XIX века. Произведение является обязательной частью школьной программы. Достоевский написал много замечательных произведений: Идиот, Братья Карамазовы, Бесы, Бедные люди, Униженные и оскорбленные, Игрок, Белые ночи, Кроткая, Мальчик у Христа на елке, Неточка Незванова.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St. Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law.

Братья Карамазовы - последний роман Ф. М. Достоевского, который автор писал два года. Роман был напечатан частями в Русском вестнике. Достоевский задумывал роман как первую часть эпического романа "История Великого грешника". Роман был окончен в ноябре 1880 года.

In 1851 Leo Tolstoy enlisted in the Russian army and was sent to the Caucasus to help defeat the Chechens. During this war a great Avar chieftain, Hadji Murád, broke with the Chechen leader Shamil and fled to the Russians for safety. Months later, while attempting to rescue his family from Shamil’s prison, Hadji Murád was pursued by those he had betrayed and, after fighting the most heroic battle of his life, was killed.

This is the story of the unhappy family of Anna Karenina. The novel contains much concerning Tolstoy's spiritual crisis and his search for the meaning of life. But it is also chiefly about marriage, and the growth and death of love.

Step into the rich history and culture of Mother Russia with this classic collection by esteemed writer Fyodor Dostoyevsky. With his penchant for gripping prose and powerful themes that unmasked the social struggles and intellectual clashes of his day, this audiobook collection brings his work to life for the contemporary listener.

From the Man Booker Prize-winning, New York Times best-selling author of Lincoln in the Bardo, a literary masterclass on how to become both a better writer and reader, on what makes great stories work and what they can tell us about how to live. In A Swim in a Pond in the Rain, George Saunders guides the listener through seven classic Russian short stories he's been teaching for 20 years as a professor in the prestigious Syracuse University graduate MFA creative writing program.

Raskolnikov, a student in St. Petersburg, murders an old woman, a money-lender, to prove his theory that violence purifies the strong. But no sooner is the deed done than Raskolnikov begins to feel remorse. What follows is one of the greatest psychological studies in world literature.

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

Anna Karenina is beautiful, married to a successful man, and has a son whom she adores. But a chance meeting at a train station in Moscow sets her passionate heart alight, and she is defenceless in the face of Count Vronsky's adoration. Having defied the rules of nineteenth-century Russian society, Anna is forced to pay a heavy price.

Despite his early death from tuberculosis at the age of 44, Chekhov was a prolific writer and produced more than 250 short stories in addition to several novellas and a novel. The Russian was also a practicing doctor. A celebrated playwright, Anton Chekhov is often recognised as an influential figure of early modernism of the theatre in addition to being held in high esteem by the likes of George Bernard Shaw and Virginia Woolf, although much praise was not as forthcoming until after his death in 1904.

The fortunes of the Rostovs and the Bolkonskys, of Pierre, Natasha, and Andrei, are intimately connected with the national history that is played out in parallel with their lives. Balls and soirées alternate with councils of war and the machinations of statesmen and generals, scenes of violent battles with everyday human passions in a work whose extraordinary imaginative power has never been surpassed. The prodigious cast of characters, both great and small, seem to act and move as if connected by threads of destiny as the novel relentlessly questions ideas of free will, fate, and providence.

In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.

В романе "Идиот" Достоевский стремился, по его словам, "изобразить вполне прекрасного человека".

Н.В. Гоголь начал работу над своим главным трудом - "Мертвые души" в 1835 году. Ни над одним из своих произведений ранее писатель не работал так кропотливо и тщательно, так вдумчиво и напряженно.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system.