Showing titles in Death, Grief & Loss

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

Michael Faudet's latest book delves deeper into the meaning of love, the intricacy of relationships, self-empowerment, seduction, and sex. Taking the listener on a whimsical and sometimes heartbreaking journey, where fantasy and reality collide. Cult of Two is much more than just a beautiful collection of poetry, prose, and short stories. It is a compelling invitation to confront and explore the conflicting emotions that live within all of us.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

This is number six in a series of poetry books that I've been writing over the last six years. Like Volume V this one also contains a few poems that I wrote years ago. This volume is also different from all the others: it includes poetry that expresses emotions of rage, depression, and injustice at the hands of those who took advantage of the presence of the Chinese virus to force people to do what it was NEVER necessary for them to do in order to remain healthy in body, mind, and soul. I speak here of governors of certain states and mayors of many large cities. This book of poems is a ...

From the bestselling author of Pillow Thoughts and Watering the Soul comes another deeply honest and moving collection of poetry and prose that explores the strength and resilience we embody in the face of hardship and change. Presented in six captivating sections—Reflecting, Repairing, Change, Awakening, Emerging, and Rebirth—Time Will Tell tells the story of a curious, lost soul who crashed down to Earth on the search for purpose.

Wild Hope is Donna Ashworth's powerful new collection of wisdom to help us find hope, peace, self-acceptance and inspiration on the days we feel worn down, helpless or sad. Written with love and understanding, Donna reminds us that amidst our daily struggles and constant outpourings of bad news we have so much to hope for, and that every one of us can play a part, big or small, in making the world a better place.

Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful - the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

Wraith Like Me is the journey of a woman from childhood through her mid-30s. These strange poems chronicle her experiences with trauma, abuse, anxiety, and a bottomless rage. The words begin the trails of healing, hope, and self-acceptance (a story that will continue in future poetry collections).

The poem expresses some of the heart wrenching universal truths and conflicting emotions anyone who goes to war must face: that you'd rather be home than at war and that death is there with you at all times, either waiting for you to die or waiting for you to kill.

Linda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.”

In Big Man Katie Kemple creates a portrait of fatherhood in the shadow of loss: the untimely death of partners, unresolved trauma as a veteran, and chronic pain. Kemple shows a father moving forward despite it all with the generosity and grace to love and be loved. He's the teacher who gives hitchhiking students a lift to the mall, the dad who chaperones Girl Scout fieldtrips, the husband who clings to the last flame of his wife's life. A man who stayed open to "rocks, sea glass, / shells and pinecones. Small things we / might have passed into his big hands."

After receiving the news that in vitro would be her only hope for biological children, award-winning poet Emily Adams had to learn to live in a new world of needles, embarrassing tests, long waiting periods, and expensive doctor appointments.

So very rarely is a book of poetry so engaging that it, upon release, immediately becomes essential listening. The emotional rollercoaster that is Damaged, written by Jimmy Broccoli, whips you around on unstable rails, transporting you to a poetic wonderland that challenges the traditional while embracing the unexplored. It’s multicolored, neon graffiti on darkened walls in dimly lit rooms. It’s hesitant confessions gently leaving the lips of the accused. It’s the unexpected invitation to the dance. Damaged is exposed and vulnerable verse that whispers in bold type.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

Saris and a Single Malt is a moving collection of poems written by a daughter for and about her mother. The audiobook spans the time from when the poet receives a phone call in New York City that her mother is in a hospital in New Delhi to the time she carries out her mother's last rites. The poems chronicle the author's physical and emotional journey as she flies to India, tries to fight the inevitable, and succumbs to the grief of living in a motherless world.

“What Breaks Us” by Megan Davis is a cathartic collection of poetry that channels pain and angst into strength for healing and self-discovery. This poetry collection is a candid reflection on heartache, loss, and the difficult work of self-examination to uncover unhealed wounds. With topics ranging from love to spirituality, grief to psychology, Davis’s poetry is an outpouring of emotion that balances the deeply personal with the universality of the human experience.

A parent's worst nightmare is to receive the news that their child is gone. The grief that follows is overwhelming. Through her love of poetry, Wanda Weathersby shares her journey of grief after the death of her precious son Calvin. Her journey shows the power of celebrating the memories and the importance of a strong support system to help through these difficult times. If you have lost a child or a loved one, experience the healing and love that God poured out for this mom during these difficult times and be inspired to find your own path of healing with him.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”