Showing titles in Death, Grief & Loss

We Are the Winter People is the collected works of Jenny Rowbory. The diverse range of poetry deals with love, loss, and the poet's ever-changing relationship with faith. Despite the struggles depicted within the work, it is an ultimately empowering collection, filled with strength, determination, and hope.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

Metamorphosis explores generational trauma, heartbreak, shadow work, and ultimately coming to truth, self-love, and wholeness.

Sämtliche Gedichte von Egon Schiele – lernen Sie die andere Seite des Genies kennen. Die kurzen Skizzen, meist einfache Sätze mit starker Suggestionskraft, kreieren eine Atmosphäre des Malerischen. Verstärkt wird dieser Eindruck durch die häufige und gezielte Verwendung von Farbadjektiven. Wenn Schiele schreibt, trennt er sich nicht von der Malerei, er versucht – im Gegenteil – seine Worte „rollrundschwarzglänzend“, „zittergün“ oder „rot“ anzumalen.

A. H. Jerriod Avant’s debut collection, Muscadine, cultivates the vine of familial memory, eulogizing our collective losses while exalting the succor of this human life, how the native grape’s “thick skin [that] teeth / pierce breaks to pour // sweetly across the tongue.” Throughout, a deeply Southern sensibility balances an environmental awareness of deficit and bounty—appetite pains the stomach and delights the palette.

Written during the first nine months of the Covid-19 lockdowns, Wisps of Life is a work of heart. The lonely heart. The grieving heart. The hopeful heart. The joyful heart reunited. It is dreams. Dreams on hold. Dreams come true. Dreams reborn. It is the memory of dreams. It is a study in being human. We human thinkers have been around for thousands of generations. We are the products of infinite permutations of culture, religion, civilization, and perception. Yet, there have only ever been a handful of emotions to go around.

In Tired Wonder, Eric Overby offers a personal account of his last two years. 2021-2023 has seen both the continuation of a struggle with infertility and the birth of his daughter. Eric also changes careers and struggles with his new identity and the changes that come along, ultimately leading him to circle back around and return to it.

Written with vivid prose, a bit of lyrical poetry, and the mystical essence of works by Rumi and Hafiz, this blog-to-audiobook story illustrates the beauty of letting go of the old to usher in the new.

The Silver Lining of Tomorrow is a collaboration of poems and tidbits for all the Daddy’s girls out there. Traci Mahrt lost her father Melvin at the early age of 24. With a collection of poems found after his passing, Traci weaves in her own poems and shares her own life experiences with love, depression, and finding God.

Asesinato. En este corto poema el autor relata en forma de diálogo un crimen que realmente ocurrió en la calle 42 de Nueva York. El relato de la violencia que este acto físico supuso le sirve al poeta para plasmar el dolor de su ánimo. Ciudad sin sueño. Intenta transmitir el poeta su propia insatisfacción por analogía con la noche, la vigilia, que no le permite dormir ni soñar ni encontrar alivio o esperanza. Navidad en el Hudson. En este poema identifica el protagonista su sensación de soledad con respecto al resto del mundo en el río Hudson.

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

A powerful story of love, loss, and redemption. The slow fall from grace. The search for spirit. A journey back to light. A Week of Years takes listeners on a poetry-driven excursion into a young man's soul. Divided into seven days, each day serves as a life chapter. The author captures the pain of love lost and the struggle to find purpose and meaning beyond the end of innocence. A deeply personal journal, encompassed and enhanced by poetry that dances intimately with life’s many faces.

Perhaps Poe's most famous work, "The Raven" was first published in 1845 in the New York Evening Mirror. Known for its tight rhymes and rhythm and the repetitive response given by the eponymous raven - "nevermore" - the poem focuses on that raven and a forlorn man who is distraught over his lost lover, Lenore.

Behind the eyes of madness, lies hurt, pain, anger, and memories that tear at the fabric of a person. In this book, one will find a collection of letters and poems written by individuals on the brink of sanity Through the words inked in the letters and across the verses of the poems, one can make a clear connection with hurt and pain that of the writers of the letters and poems that are contained in these pages. Many of the letters and poems were intended to reach out to loved ones while the writer was on the edge.

This serves a collection of poems written by service members that were deployed to Iraq. These poems were written during deployments overseas.

Library of Small Catastrophes, Alison Rollins's ambitious debut collection, interrogates the body and nation as storehouses of countless tragedies. Drawing from Jorge Luis Borges's fascination with the library, Rollins uses the concept of the archive to offer a lyric history of the ways in which we process loss. "Memory is about the future, not the past", she writes, and rather than shying away from the anger, anxiety, and mourning of her narrators, Rollins's poetry seeks to challenge the status quo.

This collection of Sona Van’s poems is a tribute to the victims of genocide and war. With extraordinary feminine sensitivity, the poet looks at the world in all its striking contrasts, constantly probing the depths of her consciousness with new modes of expression. The collection consists of ephemeral poems characterized by dramatic encounters with nothingness in which an uncanny ability to capture extreme situations prevails. Sona Van’s poetry represents the truest testimony of historical experience and the reality in which it still lives.

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is. Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a “mongrel,” someone born out of diverse cultures.

Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss. With searing vulnerability and profound perceptiveness, Donish finds a fierce new aesthetic for the disorientation of grief.