Showing titles in Drama

The second part of the award winning stage perfomance of Shakespeare's greatest work by Sir John Gielgud.

In this play, the past revisits Paual Tanqueray, resulting in dire consequences.

The Tempest is a beautiful and sweeping drama by William Shakespeare and is one of the Bard’s last plays. With a role written as a farewell to the theater, this emotional drama is a beautiful testament to Shakespeare’s talents as a storyteller and writer. The play centers around Prospero, a usurped ruler and powerful sorcerer who lives out his days on a remote island with few humans with whom to interact. Prospero seeks his revenge on his brother by causing his ship to wreck on his island, and the adventure of the play begins.

Gil Bailie examines William Shakespeare's Julius Caesar through the lens of René Girard's mimetic theory to reveal the dynamics of the volatile transition from Republican Rome to Imperial Rome.

Enregistrée par Pierre Bellemare dans la Cathédrale de Périgueux. "La Passion", de Charles Péguy, est extraite du "Mystère de la charité de Jeanne d'Arc". La Passion est l'acte physique le plus métaphysique de la Bible, sur lequel repose toute la culture des sociétés de l'Occident chrétien, fondée en partie sur l'idée de culpabilité héritée de ce martyre.
Le texte de Charles Péguy met en scène une réflexion lyrique tout à fait opposée à la pensée Saint-Sulpicienne, qui ne s'empare pas de la dimension humaine des événements bibliques.

No existe en la historia de la literatura una parábola más sencilla y luminosa que la de Sherezada y Sahrigar para explicar la razón de ser de la ficción en la vida de los seres humanos. Para Sherezada contar cuentos que capturen la atención del Rey es cuestión de vida o muerte. Si Sahrigar se desinteresa o se aburre de sus historias, será entregada al verdugo con las primeras luces del alba. Ese peligro mortal aguza su fantasía y la lleva, sin saberlo, a descubrir que el mundo de la ficción es, como el mundo real, uno, diverso e irrompible.

Esta versión de Fuenteovejuna es la más barata que también tiene audio de calidad superior. Nosotros editamos el audio para su placer. Usamos procesos de la computadora y trabajo manual para crear una experiencia buena de volumen y calidad sin ruidos malos. ¡Es nuestro distinto placer presentarle nuestra versión de Fuenteovejuna por Lope de Vega, narrado por Ciel Vivona!

Travel back in time to 16th century Denmark, as renowned vocal actor David Ian Davies introduces you to Shakespeare's timeless play, Hamlet. Filled with all of the excitement and zest you would expect from the Bard, this production is an audio treasure from beginning to end.

Dvadcat' chetvjortogo dekabrja detjam sovetnika mediciny Shtal'bauma ves' den' ne razreshalos' vhodit' v prohodnuju komnatu, a uzh v smezhnuju s nej gostinuju ih sovsem ne puskali. V spal'ne, prizhavshis' drug k drugu, sideli v ugolke Fric i Mari. Uzhe sovsem stemnelo, i im bylo ochen' strashno, potomu chto v komnatu ne vnesli lampy, kak jeto i polagalos' v sochel'nik. Fric tainstvennym shjopotom soobshhil sestrjonke (ej tol'ko chto minulo sem' let), chto s samogo utra v zapertyh komnatah chem-to shurshali, shumeli i tihon'ko postukivali.

Spektakl MHAT im. Gorkogo. 20 fevralja 1598 g. Uzhe mesjac, kak Boris Godunov zatvorilsja vmeste so svoej sestroj v monastyre, pokinuv «vse mirskoe» i otkazyvajas' prinjat' moskovskij prestol. Narod ob#jasnjaet otkaz Godunova venchat'sja na carstvo v nuzhnom dlja Borisa duhe: «Ego strashit sijanie prestola».

Medea hat Jason geholfen, das Goldene Vlies zu erringen und dafür ihre Familie verraten. Nun verstößt Jason sie - und die Tragödie beginnt. Weltberühmter Stoff und noch heute vielgespieltes Stück!

Full-cast performance with comprehensive commentary and analysis for any student to fully understand and appreciate the novel. Dickens' tale of Pip, a young man "removed from his present sphere of life" and cast into a Victorian nightmare, is a powerful audio drama to be enjoyed and appreciated as an important piece of social criticism.

Henry V defeats the French army at Agincourt to claim the throne of France and Catherine de Valois as his bride. This play contains Henry's famous "Feast of Saint Crispin" address, perhaps the greatest pep-rally speech ever given!

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.

The play takes place in Russia in the 1820s, in the house of the old Moscow master Paul Afanasevich Famusov, who has feudal beliefs and is an ardent opponent of education. Suddenly his former pupil Alexander A. Chatsky arrives, who had long been in love with Famusov's daughter, Sophia. He cannot wait to meet her.

Martin ze Stvolna opouští z pověření Karla IV. s malou výpravou České země. Jeho úkolem bude získávat v zahraničí pro katedrálu svatého Víta ostatky svatých. Ani na této cestě není ochuzen o ženskou společnost -⁠ doprovází jej Johanka, stále ještě zákonná manželka třeboňského kata. Nejprve putují do Německa, kde se Martin ze Stvolna setkává s dávným přítelem a později nepřítelem na život a na smrt, Konrádem z Wormsu. Potíže s inkvizicí však způsobí, že královský vyslanec musí brzy uprchnout do Itálie.

In survey after survey, Abraham Lincoln is universally ranked as the greatest of America's presidents, setting standards for honesty, courage, compassion and ethical responsibility. John Drinkwater's play was the British poet's first theatrical success, opening in England in 1918 to surprising acclaim and making its way to Broadway in 1919, to even stronger public enthusiasm. It was produced on radio by Orson Wells on August 15, 1938, on his program, The Mercury Theater on the Air.

Passion and intrigue among the upper classes form the basis of Lady Windermere's Fan, Oscar Wilde's first successful play, which displays his trademark wit and wisdom. Beautiful and innocent Lady Windermere finds out that her husband has been keeping company with the scandalous and mysterious Mrs. Erlynne. Her discovery unleashes a host of tensions at her 21st birthday party, where London's elite have gathered to gossip.

The Importance of Being Earnest is probably the wittiest comedy in the English language; it is certainly the least earnest. The subtitle, "A Trivial Comedy for Serious People", gives a clear indication of its nature. It is a play about the only subjects that Oscar Wilde would admit taking seriously: wit, elegance, and paradox.