Showing titles in Actors

Zivot najvece filmske i kazalisne dive nasih prostora Mire Furlan bio je vise od zivota, prepun uzbudjenja, velicanstvenih uspjeha, padova, ljubavi i izdaja. U autobiografskoj knjizi dovrsenoj pred preranu smrt Mira Furlan pripovijeda, literarno mocno, svoj zivot i zivote svojih bliznjih – od sudbine majke Branke i oca Ivana te bake Ljube do supruga Gorana i sina Marka, kojem je knjiga i posvecena. Bez zadrske Mira Furlan citatelja uvodi u vlastiti svijet, u svoje intimne drame, razmisljanja i karijeru.

In this deeply moving and resourceful memoir, beloved actor-director and New York Times best-selling author Joe Pantoliano takes aim at the stigma attached to what he calls “brain dis-ease” by writing candidly and humorously about his own journey through clinical depression and addiction.

“The Poor Dead K’Ehleyr Show” is a 35-minute odyssey strewn with backstage stories from my journeys through guest-starring as 4 different alien species -- tales that include people like Gene Roddenberry and Michael Westmore -- and then, most saliently, featuring: The Return of K’Ehleyr!

At the age of two, Mimi began working as a child actress, sharing the screen with the some of the legends from the Golden Age of Hollywood: Cary Grant, Sophia Loren, John Wayne, Loretta Young, Jane Wyman, Dorothy McGuire and many, many more. This is a tale of the kid-actors filming on the sound stages of 1950s Hollywood, kid-actors playing their parts in a very adult world, learning hard lessons with sometimes life-altering consequences.

Shirley Temple (April 23, 1928 - February 10, 2014) was an American actress, singer, dancer, and diplomat, who was Hollywood's number-one box-office draw as a child actress from 1934 to 1938. Temple began her film career in 1931 when she was three years old. In 1935, she received a special Juvenile Academy Award for her contributions in motion pictures. Temple embarked on her U.S. diplomatic career in 1969, later being named Ambassador to Ghana and Czechoslovakia, and also served as Chief of Protocol of the United States.

At the height of Hollywood's golden age; of the 1940s through the early 60s, many of the industry's brightest stars could boast of unique stories describing how they were discovered. Their distinctiveness as on-screen personalities was an important part of that stardom, but one unlikely actor, a mismatch of contrasts, dialects, looks, and personal behavior, was to become an icon of the age, revered and disdained, but in the end, fondly remembered by the movie industry and fan base.

From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. Soon a deep friendship blossomed unexpectedly, unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. At the end of the 20th century, the American Film Institute ranked Gregory Peck 12th in its list of best actors, and it's not hard to see why.

Zivot najvece filmske i kazalisne dive nasih prostora Mire Furlan bio je vise od zivota, prepun uzbudjenja, velicanstvenih uspjeha, padova, ljubavi i izdaja. U autobiografskoj knjizi dovrsenoj pred preranu smrt Mira Furlan pripovijeda, literarno mocno, svoj zivot i zivote svojih bliznjih – od sudbine majke Branke i oca Ivana te bake Ljube do supruga Gorana i sina Marka, kojem je knjiga i posvecena. Bez zadrske Mira Furlan citatelja uvodi u vlastiti svijet, u svoje intimne drame, razmisljanja i karijeru.

She is a one-name legend, a global icon, the ultimate diva. Yet most of what we know about Barbra Joan Streisand is the stuff of caricature.

Henry Fonda’s performances - in The Grapes of Wrath, Young Mr. Lincoln, The Lady Eve, 12 Angry Men, On Golden Pond - helped define "American" in the 20th century. He worked with movie masters from Ford and Sturges to Hitchcock and Leone. He was a Broadway legend. He fought in World War II and was loved the world over. Yet much of his life was rage and struggle. McKinney’s Fonda is dark, complex, fascinating, and a product of glamour and acclaim, early losses, and Midwestern demons - a man haunted by what he’d seen and who he was.

Jeff Corey (1914-2002) made a name for himself in the 1940s as a character actor in films like The Killers (1946). Everything changed in 1951, when he was summoned before the House Un-American Activities Committee. Corey refused to name names and was promptly blacklisted, which forced him to walk away from a vibrant livelihood as an actor and embark on a career as one of the industry's most revered acting instructors. In Improvising Out Loud: My Life Teaching Hollywood How to Act, Corey recounts his extraordinary story.

Nicolas Cage: leading man or character actor? Action hero or goofball comedian? Internet joke or one of the greatest actors of his generation? Beyond the gif bait and easy punchline, Nicolas Cage continually frustrates easy categorization or understanding. In National Treasure, pop culture writer Lindsay Gibb studies Nicolas Cage’s acting style and makes sense of the trajectory of his eclectic career. In the process, Gibb debunks the common claim that Cage makes bad choices.

It is something of a cliché to say that an actor’s life was like a movie he or she might have starred in, but in the case of Myrna Loy, the cliché is true. It is easy to picture her as a little girl, riding the range with her rancher father, sitting around the table and participating charmingly in family discussions of current events.

Of all the great movie stars, there may be none more enigmatic than Greta Garbo, who remains internationally famous despite the fact her life and career raise more questions than answers. How did a Swedish actress with very little film acting experience in her native land arrive in the United States and achieve instant stardom? Most actresses had to wait years before they were offered starring roles in major films, yet Garbo was ushered to the front of the line and perched atop the MGM pantheon.

Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart's screen image has resonated with viewers more than perhaps any other actor.

In The World According to Tom Hanks, through deep research and interviews, Gavin Edwards will explore and celebrate how Tom Hanks lives his life, mirroring the way that he embodies optimism and integrity in his movie roles. This book will give insight into the actor by collecting the best stories about how he behaves in the world, providing a loving retrospective of his film career, and putting it all into the context of his all-American philosophy.

Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Marion Davies was, in so many ways, created by and for William Randolph Hearst - their symbiotic relationship spanned from 1915 when W. R. first ogled her chorus-girl charms until his death in 1951. But she was much more quickly superannuated, cinema-historically speaking, by the Orson Welles-Herman Mankiewicz dumb-blonde caricature in Citizen Kane, paradoxically the most important film in her life.