When crime reporter Molly Cates’s father died more than twenty-five years ago, the case was ruled a suicide, and Molly’s efforts to prove otherwise led to nothing but anguish and the breakup of her family. But now new information has come her way and she reopens the investigation–and a rush of old wounds–with a vengeance. Soon the personal becomes dangerously political as Molly’s search for the truth leads her from the stately halls of Texas government to the mean streets of Austin’s down-and-out–and ultimately to a moral dilemma she never could have anticipated.

Texas-based crime reporter Molly Cates has just published her first book, describing the blood-curdling exploits of serial killer Louie Bronk. Now on death row, Louie's sentence is about to be carried out. Molly will be there as a witness, and she wants to write about it--the final coda to Louie's story. But suddenly, she's being strongly discouraged by her boss at the Lone Star Monthly and by Charlie McFarland, the millionaire real estate developer whose first wife, Tiny, was Bronk's most famous victim.

Jason Bennett is a suburban dad who owns a court-reporting business, but one night, his life takes a horrific turn. He is driving his family home after his daughter’s field hockey game when a pickup truck begins tailgating them, on a dark stretch of road. Suddenly two men jump from the pickup and pull guns on Jason, demanding the car. A horrific flash of violence changes his life forever.

At Cold Mountain Penitentiary, the convicted killers on E Block await their turn to walk the Green Mile and keep a date with the electric chair. Paul Edgecombe has seen his share of oddities in his years working as a guard on the Mile, but he's never met anyone like John Coffey.

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when - or if - it will go away.

Even four years after the sudden death of his wife, best selling novelist Mike Noonan can't stop grieving, nor can he return to his writing. He moves into his isolated house by the lake, which becomes the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here - and what do they want of Mike Noonan?

In The Power, the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets.

In a future so real and near it might be now, something happens when women go to sleep: They become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place.... The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease.

Since his wife died, Ralph Roberts has been having trouble sleeping. Each night he wakes up a bit earlier until he's barely sleeping at all. During his late-night walks, he observes some strange things going on in Derry, Maine. He sees colored ribbons streaming from people's heads, two strange little men wandering around town after dark, and more. He begins to suspect that these visions are something more than hallucinations brought on by lack of sleep.

The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature...and then begins to evolve.

Andy McGee and Vicky Tomlinson participated in a drug experiment run by a veiled government agency known as The Shop. One year later, they marry. Two years later, their little girl, Charlie, sets her teddy bear on fire by simply staring at it. Now that Charlie is eight, she doesn't start fires anymore. Her parents have taught her to control her pyrokinesis, the ability to set anything - toys, clothes, even people - aflame. But The Shop knows about and wants this pigtailed "ultimate weapon".

Carolyn's not so different from the other human beings around her. After all, she was a normal American herself once. That was a long time ago, of course - before the time she calls "adoption day", when she and a dozen other children found themselves being raised by a man they learned to call Father.

Four chiller novellas set to keep listeners awake long after bedtime. One Past Midnight: "The Langoliers" takes a red-eye flight from LA to Boston into a most unfriendly sky. Only 11 passengers survive, but landing in an eerily empty world makes them wish they hadn't. Something's waiting for them, you see.

The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything's Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and "Riding the Bullet", King's original e-book, which attracted over half a million online readers and became the most famous short story of the decade. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the twisted imagination that produced his best-selling novels. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad deny the ultimate embodiment of evil that goes by the name he gave it - and signs its crimes with Thad's bloody fingerprints?