English Theater

Perry returns to Franklin City to find his home under the control of a being of unimaginable power. To stop the mad god’s cruel games, Perry has to win… if he can even remember he’s playing. And even as Perry struggles to save his city, an unstoppable force from the dawn of the age of capes grows in power, laying their plans to extinguish humanity from the face of the Earth. Join Paradox as he walks the fine line between Madness and Sanity, Hero and Villain… Life and Death.

Every self-respecting lich has a few hundred phylacteries at a minimum, and Harold wants to check in on a few thousand of his. Rumors reach him that the vicious Mantis Queen has one of them. Naturally, she's at the other end of the region. It's just a casual stroll across the deserted and inhospitable Flaming Steppes. Inhospitable for the living, that is!

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

In December 1943, with the rising realization that the Allies are planning to invade Fortress Europe, Field Marshal Erwin Rommel is assigned the title of General Inspector for the Atlantic Wall. His mission is to assess their readiness. His superior, theater commander, crusty old Field Marshal Gerd von Rundstedt, who had led the Reich to victory in the early years of the war, is now fed up with the whole Nazi regime. He lives comfortably in a plush villa in a quiet Paris suburb, waiting for the inevitable Allied invasion that will bring about their final defeat.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

John Ratey, best-selling author and clinical professor of psychiatry at Harvard Medical School, lucidly explains the human brain's workings, and paves the way for a better understanding of how the brain affects who we are. Ratey provides insight into the basic structure and chemistry of the brain, and demonstrates how its systems shape our perceptions, emotions, and behavior. By giving us a greater understanding of how the brain responds to the guidance of its user, he provides us with knowledge that can enable us to improve our lives.

Picking up where his previous memoir leaves off, Sledge, a young marine in the First Division, traces his company's movements and charts his own difficult passage to peace following his horrific experiences in the Pacific. He reflects on his duty in the ancient city of Peiping (now Beijing) and recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life haunted by the shadows of close combat.

In the treacherous waters of the Taiwan Strait, the fate of freedom and trade hangs in the balance. As the world watches with bated breath, one question looms large: can China successfully invade Taiwan? The answer lies in the uncharted waters of military history, where the tides of war have shaped the destiny of nations. From D-Day to today's digital deterrence, amphibious assault is usually bloody. Why China CANNOT Invade Taiwan. examines this vital military tactic through history, exploring its evolution alongside the unique challenges posed by Taiwan's strategic location in the Pacific ...

Hi there! I'm Magical Girl Crystal Genocide, one of the twelve magical girls, and sworn protectors of Earth! We were like a superhero squad, but with more sparkles! We fought day and night to keep the baddies at bay and the Earth safe. But, one day, our best wasn't good enough. So, we huddled up for a superhero brainstorm and decided to pool our powers for this mega, super-duper save-the-day plan. We kinda goofed. Big time. Instead of saving the day, we accidentally wiped out a quarter of the Milky Way.

Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

In the glorious chronicles of the US Marine Corps, no name is more revered than that of Lt. Gen. Lewis B. "Chesty" Puller. The only fighting man to receive the Navy Cross five separate times - a military honor second only to the Congressional Medal of Honor - he was the epitome of a professional warrior.

If you read a standard history of magic, you learn that it begins in ancient Egypt with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.

When Mexican-born novelist Lucia lands her first TV writing job, she immediately feels out of place in the White, male-dominated writers' room. Before long, she’s drawn to the only other Latino around, a janitor named Abel, and the two begin an unlikely friendship—one that’s tested when Abel’s confidences start showing up in Lucia’s scripts.

Betrayed and left for dead by a group of slaving nobles, he thought there was nothing left but to bleed out as he counted the number of bricks on the ceiling. But fate had other plans.

Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day.

From Broadway debuts to landmark productions. Score a front row seat to hear hundreds of stories about the most important stages in the world, seen through the eyes of the producers, actors, stage hands, writers, musicians, company managers, dressers, designers, directors, ushers, and door men who bring The Great White Way to life each night. You'll never look at Broadway the same way again.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.