Showing results by author "Shaun Whiteside" in All Categories

The Nazi regime preached an ideology of physical, mental, and moral purity. But as Norman Ohler reveals in this gripping new history, the Third Reich was saturated with drugs. On the eve of World War II, Germany was a pharmaceutical powerhouse, and companies such as Merck and Bayer cooked up cocaine, opiates, and, most of all, methamphetamines, to be consumed by everyone from factory workers to housewives to millions of German soldiers.

How does a nation recover from fascism and turn toward a free society once more? This internationally acclaimed revelatory history of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust - and features over 40 eye-opening black-and-white photographs and posters from the period.

Maigret savoured the sensations of his youth again: the cold, stinging eyes, frozen fingertips, an aftertaste of coffee. Then, stepping inside the church, a blast of heat, soft light; the smell of candles and incense. The last time Maigret went home to the village of his birth was for his father's funeral. Now an anonymous note predicting a crime during All Souls' Day mass draws him back there, where troubling memories resurface and hidden vices are revealed. Georges Simenon was born in Liège, Belgium, in 1903.

The Nazis presented themselves as warriors against moral degeneracy. Yet, as Norman Ohler's gripping best seller reveals, the entire Third Reich was permeated with drugs: cocaine, heroin, morphine and, most of all, methamphetamines, or crystal meth, used by everyone from factory workers to housewives, and crucial to troops; resilience - even partly explaining German victory in 1940.

The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history’s greatest philosophers. There were four women, in particular, whose parallel ideas would come to dominate the twentieth century—at once in necessary dialogue and in striking contrast with one another.

Swansong 1945 chronicles the end of Nazi Germany and World War II in Europe through hundreds of letters, diaries, and autobiographical accounts covering four days that fateful spring: Hitler's birthday on April 20, American and Soviet troops meeting at the Elbe on April 25, Hitler's suicide on April 30, and finally the German surrender on May 8.

The year is 1919. The horror of the First World War is fresh for the protagonists of Time of the Magicians, each of whom finds himself at a crucial juncture. Benjamin is trying to flee his overbearing father and floundering in his academic career, living hand to mouth as a critic. Wittgenstein, by contrast, has dramatically decided to divest himself of the monumental fortune he stands to inherit, in search of spiritual clarity.

Geoffroy Delorme does not fit in the human world. As he gets older, he disappears into the woods at night, drawn to animal life. One night, an encounter with a deer changes his life: from then on, he knows he wants to live among them. Delorme becomes a creature of the forest. He learns to live without a tent or sleeping bag and forage for food. He blends in with the deer and, slowly, they accept him. He witnesses their births and deaths, courtship and battles, ostracism and friendship over the cycles of their lives.

Cesare is 77 years old, a widower and cynical troublemaker, a man who has always had trouble caring for others and has given up trying. Aside from an intermittent fling with a mature nurse called Rossana, who moonlights as a sex worker, he prefers to live his own life, avoiding contact with his neighbors and even his own children wherever possible. Until one day, the enigmatic Emma moves into the neighboring flat.

On April 30, 1945, Hitler committed suicide in his bunker as the Red Army closed in on Berlin. Within four days the Soviets had recovered his body. But the truth about what the Russian secret services found was hidden from history, when, three months later, Stalin officially declared to Truman and Churchill that Hitler was still alive and had escaped abroad. Reckless rumors about what really happened to Hitler began to spread like wildfire and, even today, they have not been put to rest. Until now.

In a quiet seaside town near Genoa, experts gather for a linguistics conference. One speaker, Philipp Perlmann, is recently widowed and, struggling to contend with his grief, is unable to write his keynote address. As the hour approaches, an increasingly desperate Perlmann decides to plagiarize the work of Leskov, a Russian colleague who cannot attend, and pass it off as his own.

Germany, 1918: a country in flux. The First World War is lost, traditional values are shaken to their core, revolution is afoot and the victory of democracy beckons. Everything must change with the times. The country is abuzz with talk of the 'new woman', the 'new man', 'new living' and 'new thinking'. What follows is the establishment of the Weimar Republic, an economic crisis and the transformation of Germany. A triumphant procession of liberated lifestyles emerges.

In 1965, the German journalist Horst Krüger attended the Auschwitz trial in Frankfurt, where 22 former camp guards were put on trial for the systematic murder of more than one million men, women and children. Twenty years after the end of the war, this was the first time that the German people were confronted with the horrific details of the Holocaust executed by 'ordinary men' still living in their midst.

Distant, silent, often drunk, Walter Urban is a difficult man to have as a father. But his son - the narrator of this slim, harrowing novel - is curious about Walter's experiences during World War II, and so makes him a present of a blank notebook in which to write down his memories. Walter dies, however, leaving nothing but the barest skeleton of a story on those pages, leading his son to fill in the gaps himself, rightly or wrongly, with what he can piece together of his father's early life.

The year is 1919. Walter Benjamin flees his overbearing father to scrape a living as a jobbing critic. Ludwig Wittgenstein signs away his inheritance to teach schoolchildren in a provincial Austrian village, seeking spiritual clarity. Martin Heidegger renounces his faith and aligns his fortunes with the phenomenological school of Edmund Husserl. Ernst Cassirer sketches a new schema of human culture at the back of a cramped Berlin tram. The stage is set for a great intellectual drama, which will unfold over the next decade.

As the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them. Twelve-year-old Luisa, her mother and her older sister, Billie, have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa’s brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie.

Bernhard Schlink burst onto the literary scene with the internationally best-selling Oprah’s Book Club selection The Reader. Through his unique brand of gripping narrative, Schlink scores again with The Weekend, the tale of old friends who come together for a remarkable reunion. One of the group is a convicted murderer and terrorist, fresh out of prison and joined by his devoted sister. But another guest has remained true to the cause that might spell trouble for them all.

After the death of his wife, a father raises his two sons alone. His bond with Fus, the eldest, and Gillou, the youngest, is a close one. But their town is not one of opportunity, and it soon becomes clear that the boys are heading down different paths. Gillou sets his sights on university in Paris. Fus, despite his socialist upbringing, falls in with the local far-right group. Though he joins mostly for the camaraderie, their activities, which might on the surface appear harmless, lead to a violent confrontation.

A dramatic and revelatory new account of the final days in Hitler's bunker, based on new access to previously unseen Soviet archives, previously unseen materials and cutting edge forensics.