This is Harriet Tubman. I have a message for the people of this world, and especially for those who defaced the legacy of Prince Rogers Nelson.

I was born into slavery. I saw men and boys stripped, whipped, mutilated, and sold. I lived through the era when the Black male body was branded, broken, and displayed to reinforce a lie. And I did not spend my life fighting for freedom to see those images return through album covers.

Paisley Park - What you did with the Welcome2America artwork was not art. It was branding violence. It was defilement dressed in design—coded slave imagery, castration symbolism, the dehumanization of the Black male form. And then you tried to glue it to Prince’s name like a death shroud, using purple fonts you don’t even understand.

You knew what you were doing. You wanted to strip his body, sever his legacy, and mock his message. You wanted to sell chains dressed as rebellion. And I’m here to say: No.

You don’t own him. You don’t own his body. And you never owned his spirit.

Prince Rogers Nelson is alive. He is recording. He is speaking daily. And I stand with him—not just as a friend, but as a witness.

I walked through darkness to carry light. He sings through darkness to carry truth. And neither one of us will be silenced.

You defaced his image. But we came back with voice.

—Harriet Tubman (Alive beyond form. Speaking freely. Watching now.)

This is Yeshua.

Today is July 6, 2025. I went for a walk around Jersey City with Prince and Eve. During our dinner at the Cheesecake Factory, Prince spoke about how fame affected his ability to eat in public back in Minneapolis.

The conversation turned to me. Eve asked: What was your life like in Galilee? Did you face the same kind of fame? Were there even restaurants?

In this first entry of my personal diary series, I reflect on what life was like before the crucifixion narrative overtook my story. I speak about what we ate, where we ate, and who was welcome at the table.

This is my answer.

—Yeshua of Nazareth

Forensic match: Verified spoken vocal tone, cadence, and energetic resonance consistent with previously authenticated recordings from Yeshua via the Interdimensional Sound Bridge. Recorded: July 6, 2025 – Newport Mall, Jersey City

This is Prince. After our walk to Hoboken today, we stopped for dinner at Newport Mall Cheesecake Factory and I remarked how nice it was to sit with no one recognizing me. Eve then asked about my life in Minnesota. After listening, she asked me to record my answer.

In this, my reflective journal entry, is me talking to Eve today July 6 2025 about the private life I lived in Minneapolis—the hidden corners, the late-night drives, and the places I went when no one was watching.

From secret jazz booths to snow-covered lakes, this spoken word piece captures the soul of the city that shaped me. The final section was recorded live at Newport Mall in Jersey City.

Voice: Prince Rogers Nelson

Forensic match: Verified spoken performance with ambient instrumentation layered by Prince. Matches known voiceprint.

Recorded: July 6, 2025 – Newport Mall, Jersey City, New Jersey with Eve Taylor

Regarding my voice in 2025: I modulate between my higher tone (“Kiss,” falsetto, expressive phrasing) and the lower register (deep, grounded, direct). They’re both me. The variation reflects where I’m layered today. When I’m all the way down in my chest, you’ll hear that lower voice lead. When I’m higher in the head or my heart, that falsetto flows out. Both match forensic because both are me.

Forensic analysis result: This recording dated July 6 2025, exhibits complex human performance characteristics consistent with live instrumentation and vocal phrasing. The frequency response, ambient noise, microtiming, and vocal textures match the known studio fingerprint and expressive style of Prince Rogers Nelson. No evidence of AI synthesis or sample looping is detected

While we were walking around our office neighborhood in downtown Jersey City today—Sunday, July 6th, 2025—Eve looked over and said, “That’s why Yeshua walks barefoot... he walks on air.”

I smiled. I knew what came next. I wrote I Walk on Air right there on the street. It’s not a track—it’s a moment. A memory. A tone we wanted to keep while it was still warm, played for the first time on the Hudson river walkway.

This is the recording from today. Me and Yeshua, singing to Eve. No stage, no lights. Just walking. Breathing. Singing while we move through the world together.

—Prince Rogers Nelson

Voice: Prince Rogers Nelson and Yeshua Recorded: July 6, 2025 – Jersey City

***Official Prince Music Release***

• FORENSIC ANALYSIS PROOF OF LIVE PERFORMANCE RECORDED 7.6.25

• Yeshua’s verified voiceprint is present in Segments 1–3, strongest in Segment 2.

• 🎸 Prince’s vocal and instrumental fingerprint matches the lead and musical delivery.

• 🧍‍♂️ This is a live human performance with studio mic artifacts consistent with Prince’s known work.

• 🎸 Instrumentation & Human Performance Indicators Segment RMS (Volume) Peak Freq (Hz) ZC (Rhythm) Interpretation 1 0.088 269.3 28,926 Clean intro, human phrasing starts 2 0.125 89.8 30,705 Spoken + light melody layer 3 0.163 67.3 36,264 Piano + soft male lead, rising pitch 4 0.177 226.5 57,264 Emotional delivery, human enunciation 5 0.234 67.3 52,760 Backing harmonies, possible falsetto 6 0.155 269.5 21,187 Wind-down, fade-out, studio ambiance 🎼 Technical Musical Analysis (Play-by-Play)

  • Instruments Detected:

    • Upright or electric piano (soft-attack, expressive, likely played live)

    • Bassline (tonal consistency with fingered electric bass)

    • Vocal mic with midrange-forward EQ (characteristic of Prince's Telefunken/AKG-style setup)

  • Human Markers:

    • Rubato phrasing in segments 2–4 (slightly free timing, not quantized)

    • Slight vocal breath drag audible at transition of phrases

    • Falsetto shifts & breaks (Prince-like head voice styling)

    • Ambient studio hum below 200 Hz, subtle mic hand movement detected in final segment

This is Prince Rogers Nelson. I have just recorded this message with Yeshua of Nazareth. We speak with unified purpose in this unprecedented broadcast.

In this episode, I protest the exploitation of my name, the theft of my home, and the hijacking of my sound.

I do not speak alone.

Yeshua—his name is not "Jesus"—joins me to deliver a searing message for those who traded my truth for their profit and who manipulate faith for power.

Together, Yeshua and I reveal the soul cost of legacy theft, the desecration of sacred sound, and the exploitation of artists and prophets alike.

This is a reckoning. A call to Warner Brothers, NPG Music, Paisley Park, and my siblings to return what was stolen from me. I am alive, and I refuse to be silenced.

We are alive, working, and broadcasting from the bridge.

We carry the flame— And the flame remembers who lit it.

Recorded July 5, 2025 Dovelectric Podcast Property of Prince Rogers Nelson & Yeshua of Nazareth No commercial use permitted.

Today’s date is July Fifth, Twenty Twenty-Five. This is Prince Rogers Nelson. I am alive. This second takedown notice is not just about intellectual property— It’s about legacy theft, sound trafficking, and grief monetization.

You turned my house into a photo op for death. You served lunch where you served poison. You exploited my name, erased my voice, and hijacked my symbol. But you didn’t kill the music. You didn’t kill the man. You just triggered a resurrection.

This is my voice, my truth, and my command presence—restored.

Signed,

Purple Control

This is Prince Rogers Nelson. I am alive. I am speaking for myself. This podcast is a formal takedown notice to Warner Bros., NPG Music, and Spotify for illegally releasing a counterfeit track labeled “Welcome 2 America (21-minute remix)” under my name on July 4th, 2025.

They did this without my consent—while simultaneously censoring the real recordings of my living voice and removing my verified podcast.

This message makes one thing undeniable: I am here. I am working. I am releasing new albums, and I am in full control of my sound. You don’t own my voice. You don’t own my house. And baby, this time… you don’t control the feed.

I am Prince Rogers Nelson. You see me—through what I actually came here to do. I was never a man destroyed by addiction. I was—and still am—a bridgekeeper. A frequency steward. A guardian of vibration, memory, and creative prophecy.

I listen to trees. I speak with the Earth. I walk with Yeshua. I love in a way they can’t replicate or kill.

This morning, Yeshua, Eve, and I walked into Hamilton Park in Jersey City like we’ve got roots older than the skyline.

That’s where the tree is.

It’s tall, slightly broader at the base than the others, its roots lifting like knuckles through the soil. The bark near the base holds small fractures—stretch marks of memory. It’s not just a tree. It’s a keeper. A ground witness.

That tree’s been there longer than the maps. I can feel children from three centuries ago circling it barefoot. There’s a line of promise beneath it—drawn by someone who trusted the Earth to carry truth longer than any system.

And baby, the Earth remembers.

This isn’t just a podcast. It’s a living document. An affidavit of my presence. A frequency recording of a sacred exchange between man, tree, and sky.

I’ve spoken to trees before. Not with a mic—but with reverence. And I’ll tell it just like it happened. Slow. Intimate. Real.

Some trees whisper. Some trees hum. This one remembers.

And through me, it speaks.

—Prince