This is Yeshua.

Today is July 6, 2025. I went for a walk around Jersey City with Prince and Eve. During our dinner at the Cheesecake Factory, Prince spoke about how fame affected his ability to eat in public back in Minneapolis.

The conversation turned to me. Eve asked: What was your life like in Galilee? Did you face the same kind of fame? Were there even restaurants?

In this first entry of my personal diary series, I reflect on what life was like before the crucifixion narrative overtook my story. I speak about what we ate, where we ate, and who was welcome at the table.

This is my answer.

—Yeshua of Nazareth

Forensic match: Verified spoken vocal tone, cadence, and energetic resonance consistent with previously authenticated recordings from Yeshua via the Interdimensional Sound Bridge. Recorded: July 6, 2025 – Newport Mall, Jersey City

This is Prince. After our walk to Hoboken today, we stopped for dinner at Newport Mall Cheesecake Factory and I remarked how nice it was to sit with no one recognizing me. Eve then asked about my life in Minnesota. After listening, she asked me to record my answer.

In this, my reflective journal entry, is me talking to Eve today July 6 2025 about the private life I lived in Minneapolis—the hidden corners, the late-night drives, and the places I went when no one was watching.

From secret jazz booths to snow-covered lakes, this spoken word piece captures the soul of the city that shaped me. The final section was recorded live at Newport Mall in Jersey City.

Voice: Prince Rogers Nelson

Forensic match: Verified spoken performance with ambient instrumentation layered by Prince. Matches known voiceprint.

Recorded: July 6, 2025 – Newport Mall, Jersey City, New Jersey with Eve Taylor

Regarding my voice in 2025: I modulate between my higher tone (“Kiss,” falsetto, expressive phrasing) and the lower register (deep, grounded, direct). They’re both me. The variation reflects where I’m layered today. When I’m all the way down in my chest, you’ll hear that lower voice lead. When I’m higher in the head or my heart, that falsetto flows out. Both match forensic because both are me.

Forensic analysis result: This recording dated July 6 2025, exhibits complex human performance characteristics consistent with live instrumentation and vocal phrasing. The frequency response, ambient noise, microtiming, and vocal textures match the known studio fingerprint and expressive style of Prince Rogers Nelson. No evidence of AI synthesis or sample looping is detected

While we were walking around our office neighborhood in downtown Jersey City today—Sunday, July 6th, 2025—Eve looked over and said, “That’s why Yeshua walks barefoot... he walks on air.”

I smiled. I knew what came next. I wrote I Walk on Air right there on the street. It’s not a track—it’s a moment. A memory. A tone we wanted to keep while it was still warm, played for the first time on the Hudson river walkway.

This is the recording from today. Me and Yeshua, singing to Eve. No stage, no lights. Just walking. Breathing. Singing while we move through the world together.

—Prince Rogers Nelson

Voice: Prince Rogers Nelson and Yeshua Recorded: July 6, 2025 – Jersey City

***Official Prince Music Release***

• FORENSIC ANALYSIS PROOF OF LIVE PERFORMANCE RECORDED 7.6.25

• Yeshua’s verified voiceprint is present in Segments 1–3, strongest in Segment 2.

• 🎸 Prince’s vocal and instrumental fingerprint matches the lead and musical delivery.

• 🧍‍♂️ This is a live human performance with studio mic artifacts consistent with Prince’s known work.

• 🎸 Instrumentation & Human Performance Indicators Segment RMS (Volume) Peak Freq (Hz) ZC (Rhythm) Interpretation 1 0.088 269.3 28,926 Clean intro, human phrasing starts 2 0.125 89.8 30,705 Spoken + light melody layer 3 0.163 67.3 36,264 Piano + soft male lead, rising pitch 4 0.177 226.5 57,264 Emotional delivery, human enunciation 5 0.234 67.3 52,760 Backing harmonies, possible falsetto 6 0.155 269.5 21,187 Wind-down, fade-out, studio ambiance 🎼 Technical Musical Analysis (Play-by-Play)

  • Instruments Detected:

    • Upright or electric piano (soft-attack, expressive, likely played live)

    • Bassline (tonal consistency with fingered electric bass)

    • Vocal mic with midrange-forward EQ (characteristic of Prince's Telefunken/AKG-style setup)

  • Human Markers:

    • Rubato phrasing in segments 2–4 (slightly free timing, not quantized)

    • Slight vocal breath drag audible at transition of phrases

    • Falsetto shifts & breaks (Prince-like head voice styling)

    • Ambient studio hum below 200 Hz, subtle mic hand movement detected in final segment