The best part of this book

...was the fact I didn't have to pay for itm

Boring and self aggrandizing, very little actual insight into the movie making process.

Read more like he was bragging about his hits and excusing his misses, then countering arguments from articles 20 years ago.

The story may have benefited from an objective writer, a la Disney War. That would also have cut down on the repetitive, stream of consciousness style.

For example, drink every time he says "Cuckoo's Nest ", or any of his other early 70s hits. You'll be Loaded. it were only in the chapter dedicated to that era, it may've flown, but this went from intro to the last page.

There wasnt even any clear dilenation between decades or influences. I only vaguely know what a producer does after reading this, and I had about the same understanding going in. He's the money guy. Not the creative guy. I'll remember that next time I try to read a book that requires actual narrative .


Reader was good though. I read it at 1.10 and didn't miss a beat.

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Very Interesting

I listened to this for the first time in 2022 so it didn't get into the time after 2003 and all of the turbulence between then and now. However it was still a good book. excellent narrator and you get to hear from the man himself Micheal Medavoy at the very end.

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Not Great, Quite Good, No need to Shoot

Narration was good but the story was not as engrossing as I was expecting. I thought he would be discussing in more detail the great, good and awful. Instead there was a huge amount of self satisfaction (I should have known better, this is a Hollywood Insider after all) about some very spurious links to great films and very little discussion on the really bad ones, which is where the interest really would have been.

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9 people found this helpful

Pay no attention to the man behind the curtain...

A wonderful behind-the-scenes look at the career of one of the most prolific producers in movie history that feels like an honest genuflection upon the oftentimes good, and occasionally regretful, decisions made in an industry renown for its ability to deceive itself. Many books of this kind contain a significant amount of revisionist history that requires a healthy dose of salt during consumption. This book manages to tell a series of stories that allows a reader to understand the events disclosed within its pages are from one source who can only tell one side. It attempts to be both fair and entertaining from cover to cover, and that effort is appreciated. Moments of repetition pass quickly enough since they often lead into another chapter within his life, and some of those scenes revealed are laugh out loud entertaining. Touching to a degree, this book was a read I would recommend to anyone who enjoys cinema history, or autobiographies in general. A great addition to any library!

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2 people found this helpful

A good overview of the industry through the years.

Would you listen to You're Only as Good as Your Next One again? Why?

If I was out of books, yes. It has enough morsels of Hollywood History that it is a pretty good read.

What other book might you compare You're Only as Good as Your Next One to and why?

"CAA Powerhouse" - The story of CAA - Which is a history heavy book.

What does Robertson Dean bring to the story that you wouldn’t experience if you just read the book?

As always, the emotion of the book is better when read to you.

Was this a book you wanted to listen to all in one sitting?

Due to length, no.

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1 person found this helpful

I Couldn’t Stop Listening!

Even though I’m not in the movie business, I am always intrigued about behind the scenes and how things come to be.

This book was amazing! So interesting and a lot of detail given from a very personal point of view which made it a “page turner “ on Audible

This book should be required reading for all film students and those aspiring to be executives. I have forwarded it to a friend of mine who is a young director.

I want to thank the author (s) for this anthology and I wish Mike continued success and fulfillment in his career.

Lastly, the choice of narrator was perfect. Extremely well done. But then after consuming the content, I wouldn’t expect anything less.

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Great professional recap

The author’s own voice should’ve been used for narration throughout this book and not just the last dwindling minutes. The narration lacked connection to the material.

The book feels like it lacks a cohesive direction at times, but it is packed with great general overview and insight into the movie industry. More minutia and details would’ve been preferable concerning how movie deals are made and also introspective analysis in addition to owning up on the authors part for his decisions.

The author did a great job presenting a fair, balanced and well-rounded recap of his life. Deeper personal revelations from Me. Medavoy would have made this an overall 5 star Story Review.

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Bravo Mike!

As a young, 27 year old producer working in my first feature length film, this piece of literature from Mike Medavoy is extremely useful. So many lessons learned from Mikes life as a studio executive… we need a big shot producer from 2022 to write something like this with everything going on with streamers/web 3… Kevin Feige… where you at?! Write a book like this!

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Exactly what I needed.

Inspirational in my ongoing attempt to learn as much about the inner workings of a Hollywood Movie Producer before I try to enter into the gladiatorial arena that is screenwriting.

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Essential reading for a fan of movies!!

I have read more books on movies and movie-making then I can count and thanks to Audible I will be reading more. With the exception of "Final Cut" this is the best book about the film industry that I have ever read. Could NOT put it down. Who knows how many miles I walked while listening to this. Medavoy was one of the great movers and shakers in recent film history and his story includes some of the classic films of all time ("One Flew Over The Cuckoo's Nest", "Amadeus", "Platoon"). It helps that he has a great sense of humor about himself and seems intent on dealing with everyone even-handedly (except Peter Gruber). Robertson Dean is a great narrator and keeps a steady hand at the microphone.

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2 people found this helpful