
The Western Canon
The Books and School of the Ages
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Narrated by:
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James Armstrong
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By:
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Harold Bloom
About this listen
Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism.
Insisting instead upon "the autonomy of aesthetic," Bloom places Shakespeare at the center of the Western Canon. Shakespeare has become the touchstone for all writers who come before and after him, whether playwrights, poets, or storytellers. In the creation of character, Bloom maintains, Shakespeare has no true precursor and has left no one after him untouched. Milton, Samuel Johnson, Goethe, Ibsen, Joyce, and Beckett were all indebted to him; Tolstoy and Freud rebelled against him; and while Dante, Wordsworth, Austen, Dickens, Whitman, Dickinson, Proust, and the modern Hispanic and Portuguese writers Borges, Neruda, and Pessoa are exquisite examples of how canonical writing is born of an originality fused with tradition.
©1994 by Harold Bloom (P)1997 by Blackstone AudiobooksListeners also enjoyed...
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Cleopatra is one of the most famous women in history - and thanks to Shakespeare, one of the most intriguing personalities in literature. Award-winning writer and beloved professor Harold Bloom delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime.
By: Harold Bloom
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The Closing of the American Mind
- By: Allan Bloom
- Narrated by: Christopher Hurt
- Length: 14 hrs and 39 mins
- Unabridged
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In one of the most important books of our time, Allan Bloom, a professor of social thought at the University of Chicago and a noted translator of Plato and Rousseau, argues that the social and political crisis of 20th-century America is really an intellectual crisis.
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VERY IMPORTANT WORK!
- By Douglas on 06-29-10
By: Allan Bloom
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Paradise Lost
- Penguin Classics
- By: John Milton, John Leonard
- Narrated by: Adrian Schiller
- Length: 12 hrs and 39 mins
- Unabridged
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In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....
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Subtle voice changes help with understanding
- By Danielle Alysse on 02-07-21
By: John Milton, and others
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The Life and Writings of C. S. Lewis
- By: Louis Markos, The Great Courses
- Narrated by: Louis Markos
- Length: 6 hrs and 5 mins
- Original Recording
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What can we still learn from C.S. Lewis? Find out in these 12 insightful lectures that cover the author's spiritual autobiography, novels, and his scholarly writings that reflect on pain and grief, love and friendship, prophecy and miracles, and education and mythology.
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Basically a collection of sermons
- By Richard on 11-20-13
By: Louis Markos, and others
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Great Books
- My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World
- By: David Denby
- Narrated by: Edward Asner
- Length: 5 hrs and 59 mins
- Abridged
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At the age of 48, film critic David Denby returned to his alma mater, Columbia University, to re-experience the core humanities courses he had taken as a freshman 30 years before. Facing the question of what he really knows, Denby re-examines the besieged Western classics, ranging from Homer, Sappho, and Sophocles to Dante, Nietzsche, and Woolf. What relevance do the writers and thinkers of the past have to our current life? The answer surprised Denby and will surprise and enlighten his listeners.
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Read this book, don't listen to it
- By Myles on 07-01-10
By: David Denby
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How to Save the West
- Ancient Wisdom for 5 Modern Crises
- By: Spencer Klavan
- Narrated by: Spencer Klavan
- Length: 6 hrs and 33 mins
- Unabridged
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It has been proclaimed many times, but perhaps never more convincingly than now, when every news cycle seems to deliver further confirmation of a world gone mad. Is this the endgame? Author Spencer Klavan is a classicist, with a Ph.D. from Oxford, and a deep understanding of the West. His analysis: The situation is dire. But every crisis we face today, we have faced before. And we can surmount each one. Klavan brings to the West’s defense the insights of Plato, Aristotle, the Bible, and the Founding Fathers to show that in the wisdom of the past lies hope for the future.
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Spectacular! A must read!
- By M.A. on 02-15-23
By: Spencer Klavan
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The Great Debate
- Edmund Burke, Thomas Paine, and the Birth of Right and Left
- By: Yuval Levin
- Narrated by: Mike Chamberlain
- Length: 10 hrs and 31 mins
- Unabridged
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Author Yuval Levin explores the roots of the left/right political divide in America by examining the views of the men who best represented each side at its origin: Edmund Burke and Thomas Paine. Striving to forge a new political path in the tumultuous age of the American and French revolutions, these two ideological titans sparred over moral and philosophical questions about the nature of political life and the best approach to social change: radical and swift, or gradual and incremental. The division they articulated continues to shape our political life today.
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absolutely worth your time
- By Coffin Family on 10-30-22
By: Yuval Levin
What listeners say about The Western Canon
Highly rated for:
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- AH-SAN WONG
- 04-20-12
The pronunciation of "Borges" is wrong!
What made the experience of listening to The Western Canon the most enjoyable?
The book is too long for me. Having it on audio makes it feel like attending a series of lectures, and it's much easier.
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- The Masked Reviewer
- 07-30-16
Bloom's True Masterpiece Performed Better Than He
If you could sum up The Western Canon in three words, what would they be?
The Western Canon is Bloom at his natural bent, doing what he was meant to do: defend great literature from the poo poo pseudo-popes of political poppycock.
What about James Armstrong’s performance did you like?
Armstrong does a good enough job, mainly in sounding as we might imagine Bloom to actually sound (though Bloom's own actual reading voice is cracking and brittle in comparison).
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Bloom made me see my own perceptions of canonical authors in light of his own long savoring of them, which is exactly the best one could ever get from Bloom.
Any additional comments?
Bloom DESTROYS Freud, which is a special bonus.
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6 people found this helpful
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- Mark
- 05-12-07
For every student and teacher of literature
This book helps reinforce why the classics are classic and why this generation needs to pass this wisdom to the next.
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3 people found this helpful
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- EB
- 04-27-15
A true master of literature
This is a wonderful book. Bloom is terrific except that overdoes his complaints about diversity and technology. For lovers of literature the canon continues to be important.
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5 people found this helpful
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- Daniel
- 11-23-11
Outstanding--a Giant Education
Beautifully written, beautifully read. If you want an introduction to the classics of Western literature, and a deeper understanding of what makes them classic look no further. This is it.
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2 people found this helpful
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- Richard
- 11-26-16
Audible Performance only
This review reflects only the audible performance, and not the book per se (I listened to, and read, the book simultaneously).
First, there are numerous instances of pronunciation that amount to fingernails on a chalkboard (FooKALT, DareEEDuh, YEETS) to name a few. Second, there are several instances of splicing where what appears to be recordings from different sessions are merged together with great differences in sound quality and volume. Third, there is virtually no pause between chapters; there is greater pause between some sentences than the chapters themselves. These issues are responsible for my rating of three stars from a performance perspective. The text itself is a typically brilliant example of Bloom's genius (even if a bit loquacious).
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- Leslie
- 04-19-10
interesting, but....
You won't get much out of this if you haven't read the specific books he talks about. He makes no effort to provide an overview before discussing each work. After I while, I just skipped over chapters about works I hadn't read. The sound editing is a little poor in places.
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7 people found this helpful
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- Andrew
- 06-16-18
All is Compared to Shakespeare
I first came across this book in my first year of college, a required purchase for a general literature course. Interesting thing was: we never looked inside. I imagine the reasoning behind this was the fact that my college course was not one on Shakespeare’s influence. As amazing an author that Shakespeare was, he is Harold Bloom’s god, and all works and characters discussed herein must be compared to the greatest Shakespearean characters: mainly Hamlet, Iago, Othello, King Lear, and Falstaff. About halfway through the book I noticed that there were not two consecutive pages without comparison to Shakespeare or one of his characters. At first, this bothered me; but, after coming to realize that everyone would be compared, I let it go and enjoyed it.
Also, one might consider it important that you read the books Bloom speaks of before reading this one. There are major spoilers as he breaks down at least one book or poem by each author and, if you’ve not read them, then you’ll be told nearly every intricate part.
James Armstrong’s reading of the book was alright. It took him awhile to begin to read excerpts in a different voice so that, if I had not been reading along, I probably would not have known that someone was being quoted. About a third of the way in, he began to speak as various characters (sometimes taking on accents) and it helped very much. One strange thing was that the ends of chapters were usually in the middle of a track. Also, there was a distinct difference in sound between the beginning of a track and the end, as if it started out muffled and static, but became better.
All in all, the book was great, and I very much look forward to reading and rereading the books discussed in this book. I highly suggest buying the book, though, because there are four appendixes where Bloom lists the most influential authors of their times (along with their most inspiring works.) I have begun a collection of these books and, even if they are not mentioned in the book but just listed in an appendix, they are wonderful.
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- Colin
- 03-24-03
zzzz
a book that states its case clearly and sets out to map the milestones of an entire culture. i have to admit, i found it heavy going at 22 hours but if you're less shallow than me and if you want to know why certain authors have been held as worthy of praise, check this one out.
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25 people found this helpful
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- Bruce
- 04-26-13
The Western Canon by Harold Bloom
If you could sum up The Western Canon in three words, what would they be?
Wise, erudite, enlightening.
What other book might you compare The Western Canon to and why?
The Western Canon is unlike any other book I've read. However, although they are very different, if you liked David Denby's Great Books, you'll like The Western Canon.
Would you be willing to try another one of James Armstrong’s performances?
No. The man is an ignoramus. He mispronounces the names of many of the greatest writers and philosophers of the western tradition. He clearly has never heard of Jorge Luis Borges, Foucault, Nietzsche, and many others, and it shows in his reading.
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4 people found this helpful