
Iago
The Strategies of Evil
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Narrated by:
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Simon Vance
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By:
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Harold Bloom
About this listen
In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.
One of Shakespeare's most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theater alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago's motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use fake news to destroy Othello and several other characters in his path? What can Othello tell us about racism?
Bloom is mesmerizing in the classroom, treating Shakespeare's characters like people he has known all his life. He writes about his shifting understanding - over the course of his own lifetime - of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. This is a provocative study for our time.
©2018 Harold Bloom (P)2019 HighBridge, a division of Recorded BooksListeners also enjoyed...
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Story
Fundamentalism and American Culture has long been considered a classic in religious history, and to this day remains unsurpassed. Now available in a new edition, this highly regarded analysis takes us through the full history of the origin and direction of one of America's most influential religious movements.
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- By Caleb on 07-16-24
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The Modern Scholar: Rediscovering Shakespeare - The Tragedies
- By: Professor Matthew Wagner
- Narrated by: Professor Matthew Wagner
- Length: 4 hrs and 58 mins
- Unabridged
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A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.
What listeners say about Iago
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Darwin8u
- 02-13-20
A Moor's Not Nice Guy - friend
"But we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion."
- Iago in Othello, Act I, Scene 3
I like Bloom. He's for sure problematic, but interesting. That is why I flirt (on and off) with his sometimes far-out criticisms. I enjoyed (within reason) his take on Falstaff in his Shakespeare Personalities series. This one? Meh.
I'm not sure Bloom is adding much of value, or much of a novel take here. Maybe one thing: his take that Desdemona died a virgin. But, I'm not sure that bloodless token is enough to give this three stars. It wasn't even Iago: the Banality of Evil. That Arendt approach would have at least been interesting. Anyway, I'll sleep on it and if my wife hasn't removed nor choked my meh conception, I shall groan withal.
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4 people found this helpful
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- Paul Alexander
- 05-13-23
Very Little Content
Most of this shorrt text is taken up with extended excerpts from the play followed by short glosses, including vocab help. It's really more a Cliffnotes primer than an original work of criticism. Useful for new readers who would like extra help deciphering the text but is largely redundant for anyone familiar with the play. Simon Vance excellent as always.
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