Just as Lady Victoria Gardella is preparing for her debut into London Society, she learns the shocking and impossible truth about her family legacy: she is one of the very few who has the power—and responsibility—to hunt and slay the evil vampires that infest the city. With infinite questions (where will she hide her stake? how will she know a vampire when she encounters one? how will she sneak out at night?), Victoria agrees to shoulder the responsibility and carry the stake—despite the societal restrictions and expectations of her as a female.

At forty-eight, Jacqueline Finch has a nice, easy life with few responsibilities: she's been a librarian in Chicago for twenty-five years and she's just coasting along. That is, until the Universe (helped by three old crones) has other ideas. All at once, Jacqueline's staid (and boring) life is upended, and the next thing she knows, she's heading off to Button Cove to start a new life as the owner of Three Tomes Bookshop.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up.

India Steele is desperate. Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who’ll accept her–an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he’s ill.

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

England, 1914. Joanna Blalock's keen mind and incredible insight lead her to become a highly skilled nurse, one of the few professions that allow her to use her finely tuned brain. But when she and her 10-year-old son witness a man fall to his death, apparently by suicide, they are visited by the elderly Dr. John Watson and his charming, handsome son, Dr. John Watson Jr. Impressed by her forensic skills, they invite her to become the third member of their investigative team.

The Gardener Estate is one of the most storied and beloved places on the West Coast: a magnificent house in vast formal grounds, home to a family that shaped California—and fought hard to conceal the turmoil and eccentricities within their walls. And now, just as the turmoil seems buried and the Estate prepares to move into a new future, construction work unearths a grim relic of the estate's history: a skull, hidden away some fifty years ago.

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

This boxed set contains the first three books in C. J. Archer's popular Ministry of Curiosities series. Titles in the set include The Last Necromancer, Her Majesty's Necromancer, and Beyond the Grave. Description of The Last Necromancer: For five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man.

As the city prepares to celebrate Queen Victoria's golden jubilee, Veronica Speedwell is marking a milestone of her own. After burying her spinster aunt, the orphaned Veronica is free to resume her world travels in pursuit of scientific inquiry - and the occasional romantic dalliance. As familiar with hunting butterflies as she is fending off admirers, Veronica wields her butterfly net and a hatpin with equal aplomb, and with her last connection to England gone, she intends to embark upon the journey of a lifetime.

Beast, with Jane Yellowrock in the background of her mind, observes the lumber camp of white men who are destroying her hunting grounds. She decides to take revenge on the leader of the lumberjacks.

Lady Preshea Villentia has four dead husbands and a nasty reputation. What society doesn't know is that all her husbands were marked for death by Preshea's employer. And Preshea has one final assignment. It was supposed to be easy, a house party with minimal bloodshed. Preshea hadn't anticipated Captain Gavin Ruthven - massive, Scottish, quietly irresistible, and...working for the enemy. In a battle of wits, Preshea may risk her own heart - a terrifying prospect, as she never knew she had one.

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.