When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

A young man named Samuel dies in a horrible car crash. Was it an accident, or was it suicide? To answer that question, an unnamed writer with an agenda of his own sets out to map Samuel's last day alive. Through conversations with friends, relatives, and neighbors, a portrait of Samuel emerges: the loving grandchild, the reluctant bureaucrat, the loyal friend, the contrived poseur. The young man who did everything for his girlfriend, Laide, and shared everything with his best friend, Vandad.

Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox’s car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be.

Clara Bishop hasn’t touched a piano since a concert hall fire nearly took her life a decade ago, ending her career as a rising star in the world of classical music. Significantly scarred and unable to play, she has turned away from everything and everyone associated with music, especially her ruthless mentor Madame, whom Clara blames for her injuries. Her life is upended when Madame dies, leaving Clara an unexpected inheritance: an ornate nineteenth-century metronome with a cryptic message hidden inside.

Anna is shattered by the violent death of her son, Alex, and tormented by the question of whether it was an accident or a suicide. Samantha is Alex’s best friend, and the only eyewitness to his death. She keeps returning to the cliff where she watched him either jump or fall, trying to sift through the shards. Aviva is an “upload,” a digital entity composed of the sense memories of a human tether. But she’s “emancipated,” having left her human behind.

Adrift in the winter of 2021 after a sudden breakup and the ensuing depression, the novelist Catherine Lacey began cataloguing the wreckage of her life and the beauty of her friendships, a practice that eventually propagated fiction both entirely imagined and strangely true. Betrayed by the mercurial partner she had trusted with a shared mortgage and suddenly catapulted into the unknown, Lacey’s appetite vanished completely, a visceral reminder of the teenage emaciation that came when she stopped believing in God.

Bo is running out of time. Yet time is one of the few things he’s got left. These days, his quiet existence is broken up only by daily visits from his home care team. Fortunately, he still has his beloved elkhound Sixten to keep him company … though now his son, with whom Bo has had a rocky relationship, insists upon taking the dog away, claiming that Bo has grown too old to properly care for him. The threat of losing Sixten stirs up a whirlwind of emotion, leading Bo to take stock of his life, his relationships, and the imperfect way he’s expressed his love over the years.

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

The Ophelia is your typical billionaire yacht: ridiculously luxurious, owned by a ruthless money man, and staffed by a crew whose only job is to indulge the guests’ every wish. Model-gorgeous Sasha is a last-minute hire for a weeklong Atlantic crossing. She joins fellow stewardesses Jade, Imogen, Euphemia, and Lola. The Ophelia’s stewardesses are almost identical—blonde and model-gorgeous—and all were lured to the Ophelia by high wages and a chance to leave their problems behind when they set sail. But despite its sleek opulence, the Ophelia isn’t as heavenly as it seems.

Divorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend, a fellow academic, and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town. One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel.

Harvard, 1996. Anna is about to graduate when she falls hard for Christoph, a visiting German student. Captivated by his beauty and intelligence, she follows him to Germany, where charming squares and grand facades belie the nation’s recent history and the war’s destruction. Christoph condemns his country’s actions but remains cryptic about the part his own grandfather played. Anna, meanwhile, cannot forget the photos taken by her American GI grandfather at the end of the war, preserved in a scrapbook only she has seen.

Sharif is a good person. He knows that he is good because he’s aware of the privilege that he holds as a white man. He knows he is good because he chose to be a social worker at a nonprofit in Brooklyn, scraping by in New York City. And he knows he is good because his wife, Adjoua, a progressive Black novelist, has always said so.

When Hazel Blum’s father gets a tenured job at a prestigious college, she and her family relocate from the hustle and bustle of Brooklyn to a middle-of-nowhere college town in Maine. With her mother, Claire, a clothing designer, and her father, Gus, an American Studies professor, Hazel and her eleven-year-old brother, Wolf, spend the summer at the town pool, where they acclimate to their new lives and connect with the town’s sprawling community.

A surrealist story of mourning and messiahs, deserts and droughts, cowboys and junkies, miracles and mass hysteria, the lure of despair and the solace of friendship. Peter Mendelsund's Weepers is a novel for this age: our age of anesthesia and anger.

It’s an autumn weekend at a comfortable New York country house where two deeply intertwined families have gathered to mark the host’s fifty-second birthday. Together, the group forms an enviable portrait of middle age. The wives and husbands have been friends for over thirty years, their teenage daughters have grown up together, and the dinners, games, and rituals forming their days all reflect the rich bonds between them.