Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads the obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

After an emergency leaves her short on rent, thirty-year-old Freya Arnalds bails on her lackluster life as bartender in Maine and returns to her suburban hometown of Somers, New York, to live in the house she inherited from her estranged parents. Despite attempts to lay low, Freya encounters childhood friends, familial enemies, and old flames—as well as her fifteen-year-old niece, Aubrey, who is secretly living in the derelict home. As they reconnect, Freya and Aubrey lean on each other, working to restore the house and come to terms with the devastating events that pulled them apart.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach. Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinx-like elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

Dok-go lives in Seoul Station. He can’t remember his past, and the only thing he knows for certain is that he could really use a drink. When he finds a lost wallet filled with documents, his life is drastically changed.

A beautiful and heartwarming portrait of a young woman who looks at the world differently, June in the Garden encourages others to do the same. Because thinking unconventionally is not a flaw, it’s often the key to appreciating the wonder and bloom that surrounds us.

Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox’s car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be.

Sidney and Ida Whipple are living the suburban 1950s American dream, complete with two children and a white picket fence, which didn’t seem possible when they first met at the height of WWII in France. Reveling in the present, they can almost convince themselves that their past is behind them. But when their neighbors show off a newly purchased Man Ray photograph, Ida comes face-to-face with the person she loved and lost in the war: Arlette.

Shaw Connolly is no stranger to trauma. As a fingerprints analyst, she’s one of the first on-site for crimes, including murder scenes and a mysterious string of arsons popping up throughout the rural Maine community her department serves. But the tragedy of her little sister’s disappearance sixteen years ago has always weighed on her the most; Thea is never far from her thoughts or dreams, and Shaw knows that her obsession with finding the truth about Thea is driving her husband away and impacting her two boys. Still, she can't let it go.

Nora Davies doesn’t exactly fit in to Winter Park, Florida, where old-guard Floridians mix with the tax-fleeing coastal elite. Twenty-eight and barely making ends meet working at a country club, Nora feels like she’s going nowhere fast. Enter Will Somerset: a prominent forty-six-year-old lawyer, father to a teenage daughter, and recently divorced. The two set Winter Park’s social scene agog when they fall in love and marry after a whirlwind Cinderella-style courtship. But Winter Park is fully upended when Will disappears the morning after a birthday bash Nora throws for him.

Rei, Kiki, and Ai are three sisters divided by distance and circumstance. Ambitious Rei works in finance in London; Kiki is the single mother of a young son, working in a retirement home in Tokyo; and Ai, the youngest, is a peripatetic Japanese music idol. Having lost both parents, one way or another, the sisters rely on each other as family, far-flung as they are.

Stretching from the late-nineteenth century to the present day, The Lost Masterpiece is wrapped around an enigmatic and powerful painting, Party on the Seine. Stolen by the Nazis. Believed to be destroyed for almost a century. Possibly haunted by the anguished spirit of Impressionist painter Berthe Morisot. Survivor of a flood, an earthquake and a fire when all the other artworks around it were destroyed. What secrets does it hold? What power?

1941. Following the Japanese invasion of Shanghai, the wealthy Tang family has settled in Hong Kong, believing it to be protected under British occupation. As the First Wife of the family, Mingzhu leads a glamorous, if at times lonely, existence—mothering the son of her husband’s concubine, overseeing her daughter Qiang’s education, and directing their household of servants, including her long-time confidante, Biyu. But when the Japanese invade Hong Kong, the paths of Mingzhu, Qiang, and Biyu wildly diverge.

Chloe Vance, dreamer of the family, needs to tell her pragmatic mom, Edie, that she has accepted a low-paying art instructor role at a Christian school in Prague. Her older sister, Lauren—the "responsible one"—is doing all she can to hide the fact she's been fired for a foolish mistake and is desperately seeking her next career move. Meanwhile, Edie, estranged from her own sister following their mother's recent death, is frankly in no mood for anything else to change.

When barrister Gabriel Ward steps out of his rooms at exactly two minutes to seven on a sunny May morning in 1901, his mind is so full of his latest case—the disputed authorship of bestselling children’s book Millie the Temple Church Mouse—that he scarcely registers the body of the Lord Chief Justice of England on his doorstep. But even he cannot fail to notice the judge’s dusty bare feet, in shocking contrast to his flawless evening dress, nor the silver carving knife sticking out of his chest.

In the quaint English town of Hoslewit, the biggest names in crime writing have congregated to celebrate all things bookish and murderous. Author Jane Hepburn is determined to make her time at the Killer Lines festival worthwhile. This is her chance to change her fortunes and make her fictional Private Detective Baker a household name. And if she has to resort to sneaking into the book tent after hours to rearrange some books so hers are front and center, so be it. But when Jane encounters the dead body of renowned literary agent Carrie Marks, the festival takes on a decidedly different tone.

Fulfillment tells the story of two half brothers—Joel, a successful academic and author, whose marriage is in deep trouble, and his younger sibling, Emmett, paralyzed by indecision and working in a shipping warehouse—who find themselves at their family home in Kentucky and upend each other’s lives in devastating ways.

Colette Marceau has been stealing jewels for nearly as long as she can remember, following the centuries-old code of honor instilled in her by her mother, Annabel: take only from the cruel and unkind, and give to those in need. Never was their family tradition more important than seven decades earlier, during the Second World War, when Annabel and Colette worked side by side in Paris to fund the French Resistance. But one night in 1942, it all went wrong.