Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

Ten strangers are lured to an isolated island mansion off the Devon coast by a mysterious "U.N. Owen". At dinner a recorded message accuses each of them in turn of having a guilty secret, and by the end of the night one of the guests is dead. Stranded by a violent storm, and haunted by a nursery rhyme counting down one by one...one by one they begin to die. Who among them is the killer? And will any of them survive?

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Here in one recording is every Sherlock Holmes story ever written by Sir Arthur Conan Doyle. Originally appearing in serial form, these famous stories are here presented in the order in which they were first published beginning in 1887. Included in this definitive, award-winning collection are four novels and 56 short stories, a total of 60 titles. The 56 short stories are aggregated into five named collections, just as they were originally published in book form.

First appearing in print in 1890, the character of Sherlock Holmes has now become synonymous worldwide with the concept of a super sleuth. His creator, Conan Doyle, imbued his detective hero with intellectual power, acute observational abilities, a penchant for deductive reasoning and a highly educated use of forensic skills. Indeed, Doyle created the first fictional private detective who used what we now recognize as modern scientific investigative techniques.

The Mystery of the Yellow Room is Gaston Leroux's masterpiece, and it turned out to be his most successful book during his lifetime. It is one of the classics of early twentieth century detective fiction.

A dying young playwright staying in a turn-of-the-century hotel becomes captivated by a painting of a beautiful stage actress from the previous century. Obsessed, he begins to study everything he can about the woman and her time and becomes convinced he belongs with her. Through self-hypnosis, he transports himself to 1896, where he finds the soul mate he was fated to meet. But will he be able to stay?

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

Unexplained events are happening at Oxford these days. Several students have been attacked at night by some strange form of wild animal. It can scale walls with cat-like agility. Its arms are as thin and as strong as steel bands. And there is one student who conducts midnight studies in his room with certain Egyptian artifacts. The most significant of which is a 6'7" tall mummy.

Wealthy Sir Hubert Handesley's original and lively weekend house parties are deservedly famous. To amuse his guests, he has devised a new form of the fashionable Murder Game, in which a guest is secretly selected to commit a 'murder' in the dark, and everyone assembles to solve the crime. But when the lights go up this time, there is a real corpse....

Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.

Beneath the brilliance that was behind The Age of Innocence and Ethan Frome was a dark side. A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".

Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a private asylum in a remote corner of England. She has no memory of the past few weeks. The doctor Maynard Straker tells her that she admitted herself under the name Lucy Ashton the day before and then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: "Your patient must be an imposter." Suddenly her voluntary confinement becomes involuntary....

Watt tells the tale of Mr Knott's servant and his attempts to get to know his master. Watt's mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to 'know' ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor.

Robert Aickman, the supreme master of the supernatural, brings together eight stories in which strange things happen that the reader is unable to predict. His characters are often lonely and middle-aged, but all have the same thing in common: they are brought to the brink of an abyss that shows how terrifyingly fragile our piece of mind actually is. 'The Unsettled Dust', 'The House of the Russians', 'No Stronger Than a Flower', 'The Cicerones' and 'Ravissante' first appeared in the Sub Rosa collection in 1968, but the stories were published together as The Unsettled Dust in 1990.