
The Lay of the Nibelungs
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Narrated by:
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David Rintoul
About this listen
One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.
Many of the figures known to us by Wagner’s opera cycle are here: Alberich, Siegmund, Sieglind, Siegfried, Brunhilda, Gunther and Hagen, sometimes in familiar roles, sometimes very different from expectations.
The tragedy is driven by the enmity between two women who were originally friends - Brunhilda, who becomes the wife of Gunther, and Kriemhilda, Siegfried’s wife. A feud between the sisters-in-law leads to conflict and mayhem. Hagen has the dark persona which prompts him to commit treacherous murder, leading the protagonists to a final terrible end.
Unlike the Wagnerian version (he drew in the main from the Volsung Saga version, but also made the saga his own), there is no interference from gods or giants, and apart from the appearance of the ‘hood of darkness’, Tarnhelm, which confers mysterious powers on its wearer, there is little magic.
But this does not lessen the immense power of The Lay of the Nibelungs, as it moves inexorably forward to its climactic conclusion. The structure of the poem is crucial to the drama of the telling.
The anonymous poet established a form based on a steady four-line stanza with rhyming couplets. But the strength of it lies in the metre, three metrical feet, a caesura, and another three metrical feet, for the first three lines, adding an extra metrical foot for the last line for emphasis.
This classic verse translation by Alice Horton, edited by Edward Bell and revised for this recording, is still regarded by scholars as perhaps the most faithful to the 13th century German original. Though modern prose versions are available, they do not have the poetic grandeur befitting such a tale, and Horton’s verse is ideal for an audio recording. David Rintoul brings his decades of experience in classical theatre to bear in his stirring performance.
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- Narrated by: Jackson Crawford
- Length: 6 hrs and 24 mins
- Unabridged
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The poems of the Poetic Edda have waited a long time for a modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological, and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc.
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Butchery of the language
- By Sigurdur J. on 03-26-19
By: Jackson Crawford
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Shahnameh
- The Epic of the Persian Kings
- By: Ferdowsi
- Narrated by: Marc Thompson, Francis Ford Coppola - introduction
- Length: 12 hrs and 1 min
- Unabridged
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The new, impeccable translation and adaptation of the Epic of Persian Kings by Ahmad Sadri brought to life a host of heroic characters and wove their adventures into a thrilling story spanning thousands of years. Containing four grand tragedies and four beautiful love stories, the audiobook is currently going into its fifth edition. It has been a smashing success. We are delighted to present a 12-hour audio experience of this text (performed by the award-winning voice actor, Marc Thompson) against the backdrop of evocative sound design and music editing of Hamid Rahmanian the creator of the Shahnameh project.
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Learn about Persian culture through epic tales
- By Anonymous User on 01-23-19
By: Ferdowsi
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Le Morte D'Arthur
- By: Sir Thomas Malory
- Narrated by: Chris MacDonnell
- Length: 37 hrs and 26 mins
- Unabridged
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To the modern eye, King Arthur and the Knights of the Round Table have many similarities to our own contemporary super-heroes. Equipped with magical powers, enchanted swords, super-strength, and countless villains to take on, they protect the weak and innocent and adhere to their own code of honor. Comparing Batman, Superman, and Captain America to Sir Launcelot, Sir Tristram, and Sir Galahad isn't a huge leap of the imagination.
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This is my go-to audio version of Malory
- By Arthurian Tapestry on 03-16-19
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The Faerie Queene
- By: Edmund Spenser
- Narrated by: David Timson
- Length: 33 hrs and 10 mins
- Unabridged
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This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement. The first epic poem in modern English, The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error....
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High Fantasy from the Renaissance
- By Jabba on 10-03-15
By: Edmund Spenser
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Perceval
- The Story of the Grail
- By: Chrétien de Troyes
- Narrated by: Mike Rogers
- Length: 16 hrs and 40 mins
- Unabridged
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Chrétien de Troyes' Perceval is the single most important Arthurian romance. It contains the very first mention of the mysterious grail, later to become the Holy Grail and the focal point of the spiritual quest of the knights of Arthur's court. Chrétien left the poem unfinished, but the extraordinary and intriguing theme of the Grail was too good to leave, and other poets continued and eventually completed it.
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Interesting story
- By Chris M. on 06-10-22
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Nibelungenlied
- By: div.
- Narrated by: Peter Wapnewski
- Length: 8 hrs and 38 mins
- Unabridged
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Peter Wapnewski liest die Nibelungen in der Übersetzung von Karl Simrock und im melodischen Vers des Mittelhochdeutschen...
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Fantastische Darstellung
- By EB on 02-25-16
By: div.
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The Water Margin
- Outlaws of the Marsh
- By: Shi Naian, J. H. Jackson - translator, Edwin Lowe - translator
- Narrated by: Jonathan Booth
- Length: 33 hrs and 41 mins
- Unabridged
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The Water Margin is one of the most popular classics of early Chinese literature. It tells the vigorous story of 108 characters who, falling foul of the established state authorities, are forced to become outlaws. They form a bandit community in Liangshan Marsh, becoming such a formidable force in their own right that they threaten the power of government itself.
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Exciting! Each story entwined with one another!
- By Kananai on 04-03-24
By: Shi Naian, and others
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The Song of Roland
- By: anonymous
- Narrated by: Bill Homewood
- Length: 4 hrs and 25 mins
- Unabridged
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It is the year 778. The mighty French army, led by Emperor Charlemagne, confronts Saracen forces in the bloody Battle of Roncevaux Pass. In the course of this thrilling epic poem we follow the emperor’s hot-headed nephew Roland into battle. We are privy to the deal struck between the Saracen king Marsilie and Roland’s conniving stepfather Guene.
By: anonymous
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Romola
- By: George Eliot
- Narrated by: Lucy Scott
- Length: 22 hrs and 59 mins
- Unabridged
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Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.
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Listened to it 4 times in a row
- By Theodoc on 12-14-21
By: George Eliot
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The Mabinogion
- Penguin Classics
- By: Jeffrey Gantz - translator
- Narrated by: Gwyneth Keyworth
- Length: 9 hrs and 17 mins
- Unabridged
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Drawing on myth, folklore and history, the stories of the Mabinogion passed from generations of story tellers before they were written down in the 13th century in the form we know. Set in dual realms of the forests and valleys of Wales and the shadowy otherworld, the tales are permeated by a dreamlike atmosphere. In 'Math Son of Mathonwy', two brothers plot to carry off the virginal Goewin, while in 'Manawydan Son of Llŷr', a chieftain roams throughout Britain after a spell is cast over his land.
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great book to learn about Welsch and Celtic mythology
- By Cristina on 02-06-24
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The Lays of Marie de France
- By: Marie de France
- Narrated by: Georgina Sutton, David Rintoul
- Length: 5 hrs and 6 mins
- Unabridged
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The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’
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An Amazing Translation!
- By Stephen Daedelus on 12-29-20
By: Marie de France
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Sir Gawain and the Green Knight
- By: J. R. R. Tolkien
- Narrated by: Terry Jones
- Length: 4 hrs and 25 mins
- Unabridged
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A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.
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An absolute delight!
- By Shannon Slee on 07-15-18
By: J. R. R. Tolkien
What listeners say about The Lay of the Nibelungs
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dr. C
- 01-22-23
Stupendous
A remarkable reading of a powerful piece. David Rintoul executes a passionate performance with a skillful mix of gravitas, humor, and excitement. Highly recommended for anyone interested in the classic story.
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- John
- 02-03-20
Another Fabulous Grab Bag
While a mere third of the length of Spenser’s Faerie Queene and without that poem’s heady blend of Catholic, Protestant, mystical, mythical and legendary elements, I’m going to reprise my headline for that work: this is indeed another fabulous grab bag.
Though the Nibelung poet blended a mere two elements (that I can see), these are so radically disparate that the effect is fascinating. Here we have an old Norse/Germanic saga replete with mighty men and even stronger-willed women, passion, murder and the inevitable cycle of revenge, told with all the chivalric trappings of a Medieval romance. Lances are shattered. Masses are heard. Yet behind it all broods the relentless, untrammeled fury of the pre-Christian northern stories.
David Rintoul serves it up perfectly. Unfortunately, the “modernized” text eliminates an occasional rhyme, but that’s about the only flaw in this otherwise flawless production.
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10 people found this helpful
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- Matthew
- 08-08-23
Exceptional
Ending was kinda drawn out and only moderately satisfying, but otherwise absolutely amazing. Didn't feel AT ALL like 11h.
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- C23music
- 01-07-25
Original Game of Thrones
Exciting story filled with love, violence, betrayal, and dragons. What more could you want?! I enjoyed learning about these classic characters' origins and definitely see how this inspired many works after it. It's also another good demonstration of how an eye for an eye leaves everyone blind.
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- Tad Davis
- 12-09-20
Beautiful
I could listen to David Rintoul reading junk mail, so having him read this is a particular treat. His voice rises and falls with the narrative, rushing forward into a gallop for the battle scenes, slowing down for the victory parades and love scenes. The characters are all clearly differentiated, at least as far as the steady beat of heroic couplets allows. (An unrelated footnote: Colin Firth won well-deserved plaudits for his performance as Darcy in Pride and Prejudice; but people of a certain age have an even greater fondness for David Rintoul in the same role. People of an even more certain age remember him as the corrupt, mood-setting Jehan in a televised production of “The Hunchback of Notre Dame” with Warren Clarke as Quasimodo.)
There's plenty of galloping to be done in the shattering climax to this sad and bloody tale. I’m no fan of Wagner, so I’ve never “done” the Ring cycle, which was partly inspired by this. It's not a complicated story, at least in this telling. Siegfried marries Kriemhild. Serving her family, he helps her brother win the shield maiden Brunhild of Iceland as his wife. But Brunhild develops a hatred for Siegfried and Kriemhild, and she engineers Siegfried’s murder. (Part of this involves the backstory of Siegfried’s fight with a dragon, which plays a major role in the Volsunga Saga, but is only briefly mentioned here. The action of the Lay of the Nibelungs takes place in this mundane world.)
The verse translation is by Alice Horton. I wasn’t able to find out much about it, except that it dates back at least as far as 1898, putting it in the public domain — always a plus for audiobook publishers. It’s a good listen, very clear in its exposition and vigorous in its dialogue; for the most part the rhymes flow naturally, only occasionally seeming forced. (A number of rhymes are visual, a common strategy of the period: for example, “ground” and “wound” — as in “bloody wound” — are deemed to rhyme.) The verse does have a certain quaintness characteristic of the time, when late Victorian translators tried to sound like Thomas Malory. (For example, there are “thees” and “thous” aplenty; “eke” is used in the sense of “even,” as in “his wife and eke his daughter”; “six hundred gallant wights” survive the climactic fire; and Kriemhild mourning the fallen Siegfried feels “mickle sorrow.”) I think if I were reading it on the page I’d be irritated, but David Rintoul’s beautiful voice covers a multitude of archaisms.
The story proceeds rapidly from one “adventure” to another — “adventure” in this case being equivalent to a chapter in the overall story, such as “How Siegfried and Kriemhild Came to Worms” or “How Siegfried Was Betrayed.” Five or six times in every chapter the poet drops in a line reminding the audience that this is all going to end badly and that everybody is going to die. There are many trips back and forth between kingdoms. Most are handled as summaries, but the final trip of the Burgundians to the court of Etzel the Hun, where that final conflagration will occur, becomes an adventurous travelogue full of bridges and plains and armies, some friendly and some not so friendly.
Ukemi Audio is to be commended for their efforts in bringing out some of these great works of literature — until now mostly strangers to the audiobook world — with first-class narrators, and translations that are pleasing to listen to if not the latest and greatest on the market. I had long wanted to re-read this medieval epic, but I'm not sure that I would have if the audio hadn't become available. (Ukemi seems to be peeking at my reading list. Recently they completed their Chrétien de Troyes collection, and they've also published The Lays of Marie de France, a poet I only heard of recently — in the Great Courses discussion of Arthurian literature from Dorsey Armstrong.)
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5 people found this helpful