
Parzival
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Narrated by:
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Leighton Pugh
About this listen
The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love. The poem influenced several later works, most notably Richard Wagner’s opera of the same name and Umberto Eco’s Baudolino. The text used in this recording is Cyril Edwards’ modern prose translation.
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Story
A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.
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An absolute delight!
- By Shannon Slee on 07-15-18
By: J. R. R. Tolkien
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The Poetic Edda
- By: Anonymous
- Narrated by: Gunnar Cauthery
- Length: 8 hrs and 4 mins
- Unabridged
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The Poetic Edda is the most important collection of Norse-Icelandic mythological and heroic poetry, covering the creation of the world and the coming of Ragnarok, The Doom of the Gods.
By: Anonymous
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The Kalevala
- By: Elias Lönnrot, Keith Bosley - translator
- Narrated by: Keith Bosley
- Length: 13 hrs and 22 mins
- Unabridged
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The Kalevala provides a compelling insight into the myths and folklore of Finland. Compiled by Elias Lönnrot in the 19th century, this impressive volume follows a tradition of oral storytelling that goes back some 2000 years, and it is often compared to such epic poems as Homer's Odyssey. However, The Kalevala has little in common with the culture of its Nordic neighbors: It is primarily poetic, it is mythical rather than historic, and its heroes solve their problems with magic more often than violence.
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This was Meant to be Read Aloud
- By FinalFrontier on 06-13-16
By: Elias Lönnrot, and others
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The Roman Emperor Aurelian
- Restorer of the World: New Revised Edition
- By: John F. White
- Narrated by: Keval Shah
- Length: 12 hrs and 15 mins
- Unabridged
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The ancient Sibylline prophecies had foretold that the Roman Empire would last for 1000 years. As the time for the expected dissolution approached in the middle of the third century AD, the empire was lapsing into chaos, with seemingly interminable civil wars over the imperial succession. The western empire had seceded under a rebel emperor and the eastern empire was controlled by another usurper. Barbarians took advantage of the anarchy to kill and plunder all over the provinces.
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Coins- Early and Often
- By Colin MacKenzie on 12-16-23
By: John F. White
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The Decameron
- By: Giovanni Boccaccio
- Narrated by: Simon Russell Beale, Gunnar Cauthery, Alison Pettitt, and others
- Length: 28 hrs and 5 mins
- Original Recording
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The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio's answer to the sublime other-worldliness of Dante's Divine Comedy.
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Not Up to the Usual Naxos Standard
- By John on 11-15-17
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The Great Book of King Arthur
- And His Knights of the Round Table
- By: John Matthews
- Narrated by: Gareth Armstrong, Jot Davies
- Length: 17 hrs and 26 mins
- Unabridged
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The stories of King Arthur and Merlin, Lancelot and Guinevere, Galahad, Gawain, Tristan and the rest of the Knights of the Roundtable, and the search for the Holy Grail have been beloved for centuries and are the inspiration of many modern fantasy novels, films, and shows. These legends began when an obscure Celtic hero named Arthur stepped on to the stage of history sometime in the sixth century, generating a host of oral tales that would be inscribed some 900 years later by Thomas Malory in his classic Morte D’Arthur (The Death of Arthur).
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Rare, never heard stories of King Arthur!
- By Anonymous User on 12-27-22
By: John Matthews
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The Mabinogion
- By: Sioned Davies - Translator
- Narrated by: James Cameron Stewart
- Length: 11 hrs and 14 mins
- Unabridged
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Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.
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The names and read-along
- By Tad Davis on 10-10-18
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The Arabian Nights Entertainments
- By: Louis Rhead
- Narrated by: Charlton Griffin
- Length: 14 hrs and 34 mins
- Unabridged
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The central core of the stories concerns a Persian king and his new bride. The king has a brother who is a vizier in faraway Samarcand, and he invites him to come to the palace for a visit. Just before his departure, the vizier is shocked to discover his wife's infidelity. Enraged, he kills her. Full of pain and grief, the vizier continues on to the court of his brother, the king. But, once arrived at his brother's palace, the vizier soon discovers the king's wife is also involved in an even more flagrant infidelity.
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A PLEASURE NOT TO BE HURRIED
- By Marvin Brown on 09-21-16
By: Louis Rhead
What listeners say about Parzival
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Massha
- 02-27-25
fabulous and culturally important
This fanciful tale is a must read key to any modern fantasy that invokes tbe Grail, or knighthood.
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- Thomas Pangrazio
- 05-01-23
Nicely done!
I am not a scholar, just a huge fan of this beautiful and meaningful story. As stated, in another review, the story is very complicated given all the knights, ladies and lands…it is difficult to follow, and if one has no background to this tale and with only one listen, it will have your head spinning with confusion. In order to really get the most from this story, you should have some type of genealogy, a list of the knights and ladies, and perhaps a map of the lands. And, it needs to be listened to multiple times. The language is very accessible and the reading is easy on the ear.
I am glad that I tried this rendition. As a student of this story, I will try a different translation and reader, and will leave that review as well. Enjoy!
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4 people found this helpful
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- John
- 07-17-21
Before Hearing the Story, Read the Introduction
You'll find the entire introduction included in the print sample of Cyril Edwards’ translation on Amazon, and a good thing, too. Beyond tracing the development of the Arthurian tradition and placing Wolfram’s poem within that tradition, he offers a helpful roadmap through this rather tangled Germanic wildwood.
Given the date of authorship (1200-1210?), I expected something akin to Chretien de Troye's romances. But as Edwards observes, the French poet, “is, if you like, Romanesque, clean-lined and restrained, while Wolfram is exuberant and Gothic”. Even Wolfram’s contemporaries thought this one a bit much. Be that as it may, it is also extremely enjoyable.
As always with audiobooks, the narrator has a lot to do with that enjoyment. Leighton Pugh’s performance gets off to a rocky start, due either to a technical issue with the first few minutes of the recording or a hesitancy on Pugh’s part as he settles into the rhythm of Edwards’ prose. After that, everything runs smoothly.
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9 people found this helpful
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- Sonny Johnson
- 08-23-24
The Most Visionary of Arthurian Legends
At its worst, the text itself is bogged down by the usual tedium of medieval literature: forgettable battles, uninspired dialogue, litanies of place and personal names etc. But, at its best, the text feels magical - like a hallucinatory revelation sprung from an Arthurian unconscious. To my taste, the wonder of those fleeting, visionary moments makes it worthwhile to traverse the surrounding tedium.
An absolute masterpiece, in spite of everything.
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6 people found this helpful
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- Tad Davis
- 11-01-21
This one didn’t work for me
Eschenbach is a tough nut to crack at the best of times. He writes in a digressive, allusive style, and his syntax is reportedly knotty and obscure. Unfortunately Cyril Edwards’ translation is one that tries to capture some of the difficulty of Eschenbach’s style in English — at least so the translator himself says. The result is great for study, especially with the excellent notes and glossaries that fill the Oxford Worlds Classics edition in print. But it makes a poor choice for audio, which includes none of the accompanying reference material. I found it often incomprehensible, and as a last resort pulled out my OWC edition to try to follow along.
Even so, I found it tough going. Leighton Pugh is a wonderful narrator, and I have especially loved his readings of novels by Zola, but somehow he doesn’t click with this material. Ultimately I abandoned the audiobook and returned to my original introduction to the poem, the translation by Helen Mustard and Charles Passage. It’s an older one but feels newer. I don’t think it would work any better in audio, by the way — I think a successful version of Eschenbach in audio would require extensive adaptation and a little abridgement. The names in particular — aiyeee! Arthurian lore is filled with a varied cast, but Eschenbach’s German variations on French versions of British names sometimes results in a phantasmagoria of indecipherable alphabet soup. (At the very least, Naxos — my favorite publisher of classic audio literature in general — should have included the annotated List of People and Places that appears at the end of the OWC edition. This would have helped the unwary first-time listener keep Meljanz and Meljahkanz straight, and be able to tell Cunneware from Cundrie from Condwiramurs.)
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10 people found this helpful