
The Divine Comedy
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Narrated by:
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Jack Wynters
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By:
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Dante Alighieri
About this listen
- A translation into English prose by A. S. Kline.
- Narrated by Jack Wynters.
The Divine Comedy is Dante's record of his visionary journey through the triple realms of Hell, Purgatory, and Paradise. This, the first epic of which its author is the protagonist and his individual imaginings the content, weaves together the three threads of classical and Christian history, contemporary Medieval politics and religion, and Dante's own inner life including his love for Beatrice, to create the most complex and highly structured long poem extant.
Through the depths of Hell in the Inferno, and upward along the mountain of Purgatory in the Purgatorio, Dante is guided by Virgil, the great poet of the classical Roman Empire, exploring, as he does so, the political, ethical, and religious issues of his time. Dante, in his own life and in this epic, represents a party of one desirous of purifying the Church on the one hand and the Holy Roman Empire on the other, yet caught between those two great worldly powers and turning to literature to make his voice heard.
From the summit of Purgatory, Dante ascends in the Paradiso, guided by Beatrice, into the celestial Paradise, where love, truth, and beauty intertwine in his great vision of the Christian revelation. Yet the Commedia is essential listening not merely for Christians, poets, and historians but for anyone struggling with issues of morality, the ethical framework of society, and the challenge of living the true life.
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Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.
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Overall
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Performance
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Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.
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By: Dante Alighieri, and others
-
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-
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-
Overall
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Performance
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Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.
-
-
Outstanding
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By: Dante Alighieri
-
The Inferno of Dante
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- Narrated by: Seamus Heaney, Frank Bidart, Louise Glück, and others
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Overall
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Performance
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Story
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-
-
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OK
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Brilliant!
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The beloved classic by Dante in a new translation. Inferno. Purgatory. Paradise. Complete and unabridged.
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Overall
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Performance
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Story
The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.
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Solid, read with gusto
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Performance
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Dante Alighieri's poetic masterpiece is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation. One of the greatest works in literature, Dantes story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice.
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OK
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Overall
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Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.
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Brilliant!
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By: Clive James - translator, and others
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The Inferno
- By: Dante, Robert Hollander - translator, Jean Hollander - translator
- Narrated by: Dominic Hoffman
- Length: 4 hrs and 41 mins
- Unabridged
-
Overall
-
Performance
-
Story
The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.
-
-
Into Hell
- By Adam on 10-25-19
By: Dante, and others
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- By: Gerald J. Davis
- Narrated by: John Hanks
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Overall
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Performance
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Story
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Touching Your - Through Hell to Heaven
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By: Gerald J. Davis
What listeners say about The Divine Comedy
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Julian
- 02-28-19
Abandon all hope
I have been pondering why this rendering of one of the high points of Western culture left me as cold as the ninth circle of Hell. T.S. Eliot said this poem would be found to be either irresistibly exciting or incomprehensible, and I'm afraid I'm in the latter camp. The translation may be at fault, often veering into blank gibberish. Surely the Italian original made more sense than this? Another factor is the narration, which frequently made it very hard to work out what was in the poet's voice and what was spoken by his interlocutors, particularly when returning from a break. Then at times the text was comprehensible, but it left absolutely no impression with somebody not conversant with medieval Italian celebrities. It's just not possible to listen to this and juggle a volume of Florentine Who's Who 1200-1300 on your knees at the same time while driving a car. I suppose this epic has a devoted academic readership but releasing it as popular entertainment is totally misguided.
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