Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The 26-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people”. Even before he reaches home, he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg, the prince finds himself a stranger in a society obsessed with money, power, and manipulation.

Written over the course of Leskov's career, each story in The Enchanted Wanderer elucidates the very essence of the human condition; themes of love, despair, loneliness, and revenge are explored against the backdrop of 19th-century working-class Russia. Leskov deftly layers social satire and subtle criticism atop myth and fable, resulting in a richly entertaining collection.

In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.

Ice is slowly covering the entire globe; as the glacial tide creeps forward, the fabric of society begins to break down. Through this chaotic landscape, a nameless narrator hunts for the white-haired girl he once loved—or perhaps wishes to annihilate. Battling a powerful enemy known only as the Warden, he travels through nightmarish and ever-shifting scenes, where the object of his obsession remains constantly just out of reach.

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby—whom Nick had idolized at Oxford—and Catherine, who is highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family.

A well-to-do professor working in Moscow strikes up an unlikely friendship with a stray dog and attempts a scientific first by transplanting the testicles and pituitary gland of a recently deceased man into the dog. With a wild, but alarmingly human animal on the loose, the professor's previously respectable life becomes a nightmare beyond his imagination. A superb satirical novel, it is also a sharp and pointed criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

In J. L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life.

'A brilliant new translation of Simenon's critically acclaimed masterpiece.' And always the dirty snow, the heaps of snow that look rotten, with black patches and embedded garbage...unable to cover the filth. Nineteen-year-old Frank - thug, thief, son of a brothel owner - gets by surprisingly well despite living in a city under military occupation, but a warm house and a full stomach are not enough to make him feel truly alive in such a climate of deceit and betrayal.

Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.

In Moscow an unknown author approaches a publisher (the narrator), asking him to read and publish his manuscript. The narrator agrees to read it before the author returns three months later. At the heart of the story in the manuscript is a love triangle and themes of corruption, concealed love, and fatal jealousy. When one of the central characters is discovered dead, the narrative becomes a murder-mystery as the search for the culprit begins.

Little Starhorodivka, a village of three streets, lies in Ukraine's Grey Zone, the no-man's-land between loyalist and separatist forces. Thanks to the lukewarm war of sporadic violence and constant propaganda that has been dragging on for years, only two residents remain: retired safety inspector turned beekeeper Sergey Sergeyich, and Pashka, a rival from his schooldays. With little food and no electricity, under constant threat of bombardment, Sergeyich's one remaining pleasure is his bees. As spring approaches, he knows he must take them far from the Grey Zone.

Parerga means 'supplementary to a main work', and Paralipomena suggests a further supplement, but these two books were anything but a casual addition to his major opus, The World as Will and Idea. For a start, it was the publication of Parerga and Paralipomena in 1851 which brought Schopenhauer to the attention of the general public, decades after The World as Will and Idea first appeared.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

The Collected Tales of Nikolai Gogol includes the works of the famous writer Nikolai Gogol: The Viy, A May Night, Memoirs of a Madman, The Nose, The Cloak, Christmas Eve.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

A lowly government clerk, Akay Akakiyevich, must scrimp and save to purchase a new coat for the cold Russian winter in “The Overcoat”. But after one night of basking in the warmth of his new coat and the respect of his colleagues, Akaky’s one-of-a-kind overcoat is stolen. In his pursuit of justice, Akaky receives no help and is consumed by the loss of his prized possession. In “The Viy”, Gogol recounts a popular folk story in which a monstrous creature, known to Little Russia as the king of gnomes, helps a witch get revenge on a young student who escaped from her trap.

Chichikov, a mysterious stranger, arrives in the provincial town of 'N', visiting a succession of landowners and making each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these 'dead souls' as collateral to re-invent himself as a aristocrat. In this ebullient picaresque masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov and, above all, the devilish con man Chichikov.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The 26-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people”. Even before he reaches home, he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg, the prince finds himself a stranger in a society obsessed with money, power, and manipulation.

From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time.

The Russian Classics Collection is a wide-ranging collection of 12 classic novels and short stories by Russian authors, read by an award-winning cast of narrators. Included here are stories by some of the greatest writers of all time, including Tolstoy; Dostoyevsky; Chekhov; Gogol; Turgenev; and more.

Nikolai Gogol (1809-1852) was a pre-eminent Ukrainian-born story writer. He is particularly famous for those stories which veer in the direction of surrealism and the grotesque. "The Nose" is a classic example of this genre. The story opens with the barber, Ivan Yakovlevitch at breakfast. Things take an odd turn when Yakovlevitch finds a disembodied nose hidden in his bread roll. Yakovlevitch is at pains to rid himself as quickly as he can of the nose, which he recognizes as belonging to one of his clients, Major Kovalev.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Dead Souls, Gogol's epic poem in prose, is widely regarded as an exemplar of 19th-century Russian literature. We follow Chichikov, a dismissed civil servant turned conman, through the countryside in pursuit of his shady enterprise as he arrives in the provincial town of 'N' and begins visiting various landowners to make each a strange and ghostly offer.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

Aimé Césaire eloquently describes the brutal impact of capitalism and colonialism on both the colonizer and colonized, exposing the contradictions and hypocrisy implicit in western notions of progress and civilization upon encountering the savage, uncultured, or primitive. Here, Césaire reaffirms African values, identity, and culture, and their relevance, reminding us that the relationship between consciousness and reality are extremely complex.

Russian literature exudes an atmosphere of mysticism, which is said to be a natural result of the simplicity of her people. Often, instead of being "about" anything, Russian stories sometimes seem to be the "thing" in itself. Be this as it may, it is an undeniable fact that with hardly any portent of future greatness to come, Russian literature suddenly sprang fully developed into existence in the 19th century.