Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.

The Antichrist and Ecce Homo were two of the last works written by Friedrich Nietzsche just before his mental collapse in 1889. Though both written in 1888, they are very different in content and style. In The Antichrist, Nietzsche expands on his view that the submissive nature of Christianity undermined Western society, depressing and sapping energy.

Stefan Zweig's memoir, The World of Yesterday, recalls the golden age of prewar Europe - its seeming permanence, its promise and its devastating fall with the onset of two world wars. Zweig's passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the brink of extinction. It is an unusually humane account of Europe from the closing years of the 19th century through to World War II, seen through the eyes of one of the most famous writers of his era.

In Three Dialogues (set in a ‘Platonic’ garden), Hylas begins by challenging Philonous that he denied the existence of material substance. ‘What!’ says Hylas. ‘Can anything be more fantastical, more repugnant to Common Sense, or a more manifest piece of Scepticism, than to believe there is no such thing as matter?’ And Berkeley, in the guise of Philonous, replies, ‘Softly, good Hylas. What if it should prove that you, who hold there is, are, by virtue of that opinion, a greater sceptic, and maintain more paradoxes and repugnances to common sense, than I who believe no such thing.’

The Periodic Table by Primo Levi is an impassioned response to the Holocaust: Consisting of 21 short stories, each possessing the name of a chemical element, the collection tells of the author's experiences as a Jewish-Italian chemist before, during, and after Auschwitz in luminous, clear, and unfailingly beautiful prose. It has been named the best science book ever by the Royal Institution of Great Britain and is considered to be Levi's crowning achievement.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

The last works completed before Nietzsche's final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity, and the works of Socrates and Plato; The Antichrist explores the history, psychology, and moral precepts of Christianity.

These five very different Socratic Dialogues date from Plato's later period, when he was revisiting his early thoughts and conclusions and showing a willingness for revision. In Timaeus (mainly a monologue read by David Timson in the title role), Plato considers cosmology in terms of the nature and structure of the universe, the ever-changing physical world and the unchanging eternal world. And he proposes a demiurge as a benevolent creator God.

Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888-1935) remains one of our most enigmatic writers. Believing he could do "more in dreams than Napoleon," yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or "heteronyms," under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this "most multifarious of writers" (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match.

This Leibniz collection contains some of the philosopher’s most important works and ideas, spans three decades and illuminates the fascinating intellectual journey undertaken by him in his quest for truth. A prodigious polymath, Leibniz was a mathematician, philosopher, physicist and statesman and engaged with a sweeping range of ideas and disciplines, striving throughout his life to be at the cutting edge of scientific thinking. These Principal Essays are arranged in chronological order.

As philosophy professor Taylor Carman explains in his helpful introduction, Edmund Husserl (1859-1938) was the founder of modern phenomenology, one of the most important and influential movements of the 20th century. Ideas, published in 1913 – its full title is Ideas for a Pure Phenomenology and Phenomenological Philosophy – was the key work. It is arguably ‘the most fundamental and comprehensive statement of the fundamental principles of Husserl’s mature philosophy’.

Though Twilight of the Idols (written in a week in 1888 and subtitled How to Philosophise with a Hammer) came near the end of Nietzsche’s creative life, he actually recommended it as a starting point for the study of his work. This was because from the beginning he viewed it as an introduction to his wide-ranging views.

Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Thomas Mann's vivid, dramatic, and thought-provoking The Magic Mountain is firmly established as one of the classic epic novels of the twentieth century. Part surreal comedy, part grim tragedy, Mann's story depicts a decaying European society on the eve of the First World War.

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.

The Thomas Mann Collection includes unabridged recordings of Thomas Mann's 3 greatest works of fiction in one audiobook.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

Full of philosophical puzzles and supernatural surprises, these stories contain some of Borges’s most fully realized human characters. With uncanny insight he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father’s “killer,” and a man awaiting his assassin in a Buenos Aires guest house.

When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

For some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself.

Leo Tolstoy: The Complete Collection includes unabridged recordings of Leo Tolstoy's 3 timeless novels; all his major novellas and short stories; and 4 renowned works of non-fiction in one audiobook, all read by Audie Award-winning narrators.

A pilot stranded in the desert awakes one morning to see, standing before him, the most extraordinary little fellow. "Please," asks the stranger, "draw me a sheep." And the pilot realizes that when life's events are too difficult to understand, there is no choice but to succumb to their mysteries. He pulls out pencil and paper... And thus begins this wise and enchanting fable that, in teaching the secret of what is really important in life, has changed forever the world for its readers.

The American Classics Collection is a century-spanning collection of 17 classic novels, short stories, essay, and poetry by American authors, read by a cast of incredible narrators including Kobna Holdbrook-Smith; Nathan Osgood; Robert G. Slade; Jonathan Keeble, and more. Included here are stories by some of the greatest writers of all time, including Ernest Hemingway; Mark Twain; F. Scott Fitzgerald; Edith Wharton; Frederick Douglass; and H.P. Lovecraft, amongst a host of others.