Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

Dubbed "Magick Manor," it was once a brothel. Now, this strange, cube shaped house is known for its bizarre hauntings and violent ghosts. Today, a crew of pornographic artists have come to Magick manor to make a film......only, the Manor has a different, more abhorrent design for their day.

Jeremy Jumper isn’t like normal people. Jeremy has a medical condition which causes a large mass to grow on the end of his nose. It starts as a red mark and, over the following days, balloons to ridiculous size. Strangers stop and stare while others dive for cover, worried it’s about to explode.

Jeckle Island offers Rachel’s children the chance to spend summers roaming wild and free, as long as they follow the rules. But when her son comes face to face with a terror they dare not speak of, she must prepare for their perfect world to change. Forever.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he'll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life. In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity.

Money's tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.

Decades after playing the titular killer in the eighties horror franchise Night of the Reaper, Howard Browning has been reduced to signing autographs for his dwindling fanbase at genre conventions. When the studio announces a series reboot, the aging thespian is crushed to learn he's being replaced in the iconic role by heartthrob Trevor Mane, a former sitcom child-star who's fresh out of rehab. But as Howard fights to reclaim his legacy, the sinister alter ego consumes his unraveling mind, pushing him to the brink of violence.

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

Bart is 30. He is bald. He is overweight. He wears glasses. He is a fry cook. He hates cats. And kids. Bart occasionally does very bad things. He is looking for his perfect match. He has done his research.

Once, Sammy Dominguez thought he knew how the world worked. The ugly things in his head—his uncle’s pathetic death, his parents’ mistrust, the twisted horrors he writes for the Internet—didn’t matter, because he and his girl, Ellery, were on track for the good life in this messed-up world. Then a car accident changed everything. Spiraling with grief and guilt, Sammy scrambles for distraction. He finds it in shock-value videos of gore and violence that terrified him as a child. When someone messages him a dark web link to footage of Ellery dying, he watches.

A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave listeners mesmerized and craving more.

Dennis awakens something evil when he removes a decades-old jackknife from the trunk of a gnarled old sycamore. Once pinned in place—now thoughtlessly freed—the tree returns to its roots. An act of vigilante justice took place under its boughs long ago. But its taste for blood has only grown stronger…

Soon to be a major motion picture starring Sierra Mccormick, Vinessa Shaw, and Pat Healy! A family on the verge of self-destruction finds themselves isolated in their bathroom during a tornado warning.

Sixteen-year-old Kate Mansfield and her blind brother Neil live in a manor on the edge of the Brent Prior moors. It is a dreary place populated by the dispirited and the disillusioned, where the young nurture desperate dreams of escape. And Kate is no different. But her plans to run away to the city are crushed one very ordinary morning when the quiet in Brent Prior is shattered by an inexplicable act of violence. In the wake of the tragedy, Kate's beloved father is stricken by a strange illness, and she and her brother fall under the care of the manor's caretaker and maid.

Addiction starts like a sweet lullaby sung by a trusted loved one. It washes away the pains of the day and wraps you in the warmness of the womb where nothing hurts and every dream is possible. Yet soon enough, this warm state of bliss becomes a cold shiver, the ecstasy and dreams become nightmares, yet we can't stop listening to the lullaby. We crave to hear the siren song as it rips us apart.

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he'll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life. In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

When they were kids, Gillian and John used to visit the local cemetery every Sunday after church. The main attraction was the lofty hill that separated the cemetery from the elementary school, and the act of tumbling down it like Jack and Jill was a ritualistic escape from the abuse they were suffering at their father's hands. It was an escape that lasted only until John's tragic death.

Gordon's name was a joke. It was given to him by Anthony Zola, a controlling, and abusive father, to taunt his wife over her love of cheese, and the fact that she had been steadily gaining weight since their marriage. Andrea was a doting mother, and maybe a little overprotective of her boy, but she didn't see that as a bad thing. On discovering a secret, one the child had been told to keep to himself, everything changes. Now she must do whatever she needs to keep her, and her boy, alive. Needs must.

Money's tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why.

In the early '60s, in a seemingly more "innocent" time, a group of teenagers were lured into a supposedly haunted house. The place on Sycamore Lane has a morbid history, but that's just hearsay and rumor, isn't it?

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

Decades after playing the titular killer in the eighties horror franchise Night of the Reaper, Howard Browning has been reduced to signing autographs for his dwindling fanbase at genre conventions. When the studio announces a series reboot, the aging thespian is crushed to learn he's being replaced in the iconic role by heartthrob Trevor Mane, a former sitcom child-star who's fresh out of rehab. But as Howard fights to reclaim his legacy, the sinister alter ego consumes his unraveling mind, pushing him to the brink of violence.

School is out and summer has begun. For 11 year old Timmy Quinn and his best friend Pete Marshall, the dreary town of Delaware, Ohio becomes a place of magic, hidden treasure and discovery. But on the day they encounter a strange young boy sitting on the bank of Myers Pond, a pond playground, rumor saying it may hide turtles the size of Buicks changes everything.

Maverick Hall has spent years trying to forget the chilling events of his thirteenth birthday in the summer of 1999. That fateful night, he and his best friends ventured through a seemingly innocuous tunnel on their bikes — a journey from which not all of them returned. Now, as an adult, Maverick is haunted by a sinister force that compels him to return to his old neighborhood, a place shadowed by secrets, deceit, and an unsettling sense of death. Drawn back against his better judgment, he must face the dark forces that have lurked in waiting, eager for his return.

"It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany - a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics.