Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

Naeem is far from the model teen. Moving fast in his immigrant neighborhood in Queens is the only way he can outrun the eyes of his hardworking Bangladeshi parents and their gossipy neighbors. Even worse, they're not the only ones watching. Cameras on poles. Mosques infiltrated. Everyone knows: Be careful what you say and who you say it to. Anyone might be a watcher.

What does it mean to take action? To bear witness? What does it cost? In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action.

In Purple Hibiscus, she recounts the story of a young Nigerian girl searching for freedom. Although her father is greatly respected within their community, 15-year-old Kambili knows a frighteningly strict and abusive side to this man. In many ways, she and her family lead a privileged life, but Kambili and her brother, Jaja, are often punished for failing to meet their father’s expectations. After visiting her aunt and cousins, Kambili dreams of being part of a loving family.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.

When the Watson family—ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron—sets out on a trip south to visit Grandma in Birmingham, Alabama, they don’t realize that they’re heading toward one of the darkest moments in America’s history. The Watsons’ journey reminds us that even in the hardest times, laughter and family can help us get through anything.

In late 2003, in his column in Entertainment Weekly, Stephen King called The Memory of Running "the best novel you won't read this year." This glowing endorsement of the audiobook resulted in Ron McLarty receiving a $2 million two-book deal from Viking Penguin. Also, Warner Brothers has shelled out big bucks for the movie rights to The Memory of Running, for which McLarty will write the script.

When Sandra Leigh was seven years old, she fell into the role of protector of her mother and three younger siblings. One winter night, she ushered her mother out of the house during one of her father’s tirades, and then snuck her back into the dark home through a window. Sandra was used to events like these; what she wasn’t used to were the mountains and nature surrounding her new home in West Virginia.

Eleven-year-old Maybelle Lane collects sounds. She records the Louisiana crickets chirping, Momma strumming her guitar, their broken trailer door squeaking. But the crown jewel of her collection is a sound she didn't collect herself: an old recording of her daddy's warm-sunshine laugh, saved on an old phone's voicemail. It's the only thing she has of his, and the only thing she knows about him. Until the day she hears that laugh - his laugh - pouring out of the car radio. Going against Momma's wishes, Maybelle starts listening to her radio DJ daddy's new show....

Spending the night in juvie wasn't the worst thing to happen to seven-year-old Teresa that summer. When her much-anticipated cross-country vacation turns to abduction, Teresa is forced to care for her mother, sister, and twin brothers. Homeless, abused, and afraid in the slums of San Francisco's Tenderloin District, Teresa finds joy in her adventures while fantasizing of a better life. Keeping this dream alive throughout her childhood is what drives her to end the cycle of abuse and poverty.

When Annie Jacobson's brother Mike enlists as a medic in the Army in 1967, he hands her a piece of paper with the address of their long-estranged father. If anything should happen to him in Vietnam, Mike says, Annie must let their father know. In Mike's absence, their father returns to face tragedy at home, adding an extra measure of complication to an already tense time. As they work toward healing and pray fervently for Mike's safety overseas, letter by letter the Jacobsons must find a way to pull together as a family, regardless of past hurts.

It is 1970. "Bean" Holladay is 12 and her sister, Liz, is 15 when their artistic mother, Charlotte, a woman who flees every place she’s ever lived at the first sign of trouble," takes off to find herself." She leaves her girls enough money for food to last a month or two. But when Bean gets home from school one day and sees a police car outside the house, she and Liz board a bus from California to Virginia, where their widowed Uncle Tinsley lives in the decaying antebellum mansion that’s been in the family for generations.

Three people find their way back from loss and loneliness to a different kind of belonging in this deeply moving novel. Arthur, an old widower struggling to overcome his grief, meets Maddy, a troubled teenage girl who avoids school by hiding out where Arthur goes every day for lunch. The two strike up a friendship that draws them out of isolation.

The first ever collection of short stories by Jaime Cortez, Gordo is set in a migrant workers camp near Watsonville, California, in the 1970s.