Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache, and a pair of horns growing from his temples. At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances.

Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real. They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made 28 years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children.

Lisey lost her husband, Scott, two years ago, after a 25-year marriage of profound and sometimes frightening intimacy. Scott was an award-winning, best-selling novelist and a very complicated man. Early in their relationship, before they married, Lisey knew there was a place Scott went - a place that both terrified and healed him, could eat him alive or give him the ideas he needed in order to live. Now it’s Lisey’s turn to face Scott’s demons, to go to that terrifying place known as Boo’ya Moon.

Even four years after the sudden death of his wife, best selling novelist Mike Noonan can't stop grieving, nor can he return to his writing. He moves into his isolated house by the lake, which becomes the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here - and what do they want of Mike Noonan?

Tananarive Due, author of The Living Blood won the American Book Award and is praised as Stephen King's equal by Publishers Weekly. In The Good House, Due sets a story of ancient powers and modern retribution in a small Pacific Northwest town. When a young woman returns to her grandmother's empty mansion, she is pitted against demonic forces that have poisoned her family for generations.

All the stories in this collection from Stephen King are related to the Vietnam War. King fans will recognize echoes of The Dark Tower series in the collection's first story, "Low Men in Yellow Coats." As the characters develop over the next four stories, King's version of the Vietnam War becomes one of his most frightening tales ever.

Just After Sunset - call it dusk, call it twilight, it's a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It's the perfect time for Stephen King.

The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything's Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and "Riding the Bullet", King's original e-book, which attracted over half a million online readers and became the most famous short story of the decade. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

Rosie Daniels leaves her husband, Norman, after 14 years in an abusive marriage. She is determined to lose herself in a place where he won't find her. She'll worry about all the rest later. Alone in a strange city, she begins to make a new life, and good things finally start to happen. Meeting Bill is one, and getting an apartment is another. Still, it's hard for Rosie not to keep looking over her shoulder, and with good reason. Norman is a cop, with the instincts of a predator.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

Thirteen-year-old Julie Whitaker was kidnapped from her bedroom in the middle of the night, witnessed only by her younger sister. Her family was shattered, but managed to stick together, hoping against hope that Julie is still alive. And then one night: the doorbell rings. A young woman who appears to be Julie is finally, miraculously, home safe. The family is ecstatic - but Anna, Julie's mother, has whispers of doubts. She hates to face them.

Ambrose Young was beautiful. He was tall and muscular, with hair that touched his shoulders and eyes that burned right through you. The kind of beautiful that graced the covers of romance novels, and Fern Taylor would know. She'd been reading them since she was 13. But maybe because he was so beautiful he was never someone Fern thought she could have...until he wasn't beautiful anymore.

Doug Parker is a widower at age 29, and in his quiet suburban town, that makes him something of a celebrity - the object of sympathy, curiosity, and, in some cases, unbridled desire. But Doug has other things on his mind. First there's his 16-year-old stepson, Russ - a once-sweet kid who now is getting into increasingly serious trouble on a daily basis. And then there are Doug's sisters.

Joe Goffman was 15 years out from his sleepy hometown when he wrote Bush Falls, a searing critique of its people and institutions. The book was a runaway best seller, and led to an even more successful movie. Now, however, Joe's got a problem. His father has suffered a stroke, and that means that Joe has to go back to his birthplace after having successfully antagonized every person living there. Can Joe survive the reservoirs of hatred that have been waiting to pour down upon him? Just maybe.

College freshman Erik Fiskare loves the theater, but he's more intrigued by the wizardry behind the red curtain than the spectacle center stage. That is until Daisy Bianco steps into the spotlight. The moment Erik lays eyes on this ballerina, his atoms rearrange, and the young stagehand will never be the same.