In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned - from the layout of the winding roads to the colors of the houses to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren - an enigmatic artist and single mother - who arrives in this idyllic bubble with her teenage daughter, Pearl, and rents a house from the Richardsons.

As a member of the strictly religious Satmar sect of Hasidic Judaism, Deborah Feldman grew up under a code of relentlessly enforced customs governing everything from what she could wear and to whom she could speak to what she was allowed to read. Yet in spite of her repressive upbringing, Deborah grew into an independent-minded young woman whose stolen moments reading about the empowered literary characters of Jane Austen and Louisa May Alcott helped her to imagine an alternative way of life among the skyscrapers of Manhattan.

Christopher and Hannah are a happily married surgeon and nurse with picture-perfect lives. All that’s missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own.

Happiness begins with a charming courtship between hopelessly attracted opposites: Heather, a world-roaming California girl, and Brian, an intellectual, homebody writer, kind and slyly funny, but loath to leave his Upper West Side studio. Their magical interlude ends, full stop, when Heather becomes pregnant - Brian is sure he loves her, only he doesn't want kids. Heather returns to California to deliver their daughter alone, buoyed by family and friends.

When her daughters are born deaf, Rosner is stunned. Then she discovers a hidden history of deafness in her family, going back generations to the Jewish enclaves of Eastern Europe. Traveling back in time, she imagines her silent relatives, who showed surprising creativity in dealing with a world that preferred to ignore them. Rosner shares her journey into the modern world of deafness, and the controversial decisions she and her husband have made about hearing aids, cochlear implants, and sign language.

Franci and Lottie may be identical twins, but that’s where the similarities end. Franci has always been the stable one, while Lottie has bipolar disorder, constantly battling depression and mania. After years of taking care of her sister, Franci moves across the country to build a life for herself. Now, all the two share is distance. But when Lottie gets in an accident, Franci reluctantly steps back into her familiar role as protector. She returns to find her sister’s life in complete disarray and makes a shocking discovery: Lottie has an infant daughter she never told Franci about.

When Meaghan O'Connell got accidentally pregnant in her twenties and decided to keep the baby, she realized that the book she needed - a brutally honest, agenda-free reckoning with the emotional and existential impact of motherhood - didn't exist. So she decided to write it herself. And Now We Have Everything is O'Connell's exploration of the cataclysmic, impossible-to-prepare-for experience of becoming a mother. With her dark humor and hair-trigger B.S. detector, O'Connell addresses the pervasive imposter syndrome that comes with unplanned pregnancy, among other issues.

Neva Bradley, a third-generation midwife, is determined to keep the details surrounding her own pregnancy - including the identity of the baby's father - hidden from her family and co-workers for as long as possible. Her mother Grace finds it impossible to let this secret rest. The more Grace prods, the tighter Neva holds to her story, and the more the lifelong differences between private, quiet Neva and open, gregarious Grace strain their relationship.

Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense nonprofit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one.

The End of Miracles is a twisting, haunting story about the drastic consequences of a frustrated obsession. A woman with a complex past wants nothing more than to become a mother, but struggles with infertility and miscarriage. She is temporarily comforted by a wish-fulfilling false pregnancy, but when reality inevitably dashes that fantasy, she falls into a depression so deep she must be hospitalized.

Dr. Julie Walker wakes on a summer morning in San Francisco to find a city in chaos. Today Californians are voting on a controversial ballot initiative that will change history. With the future of the state and the nation uncertain, the streets have erupted into violence. Injured, Julie must make her way across the city by foot to the Veterans Administration Hospital, where her sister, recently returned from Afghanistan, is in labor. At the hospital a brutal scene is unfolding as a man who shares an intimate past with Julie begins to take his revenge.

Written with astonishing clarity and evocative detail, convincing in its depiction of emotional pain, love, and vulnerability,

Harvesting the Heart recalls the writing of Alice Hoffman and Sue Miller. Paige has only a few vivid memories of her mother, who left when she was five. Now, having left her father behind in Chicago for dreams of art school and marriage to an ambitious young doctor, she finds herself with a child of her own.

Solimar Castro Valdez is 18 and drunk on optimism when she embarks on a perilous journey across the US-Mexican border. Weeks later she arrives on her cousin's doorstep in Berkeley, California, dazed by first love found then lost - and pregnant. This was not the plan. But amid the uncertainty of new motherhood and her American identity, Soli learns that when you have just one precious possession, you guard it with your life. For Soli, motherhood becomes her dwelling and the boy at her breast her hearth.

From the outside, Essie’s life looks idyllic: a loving husband, a beautiful house in a good neighborhood, and a nearby mother who dotes on her grandchildren. But few of Essie’s friends know her secret shame: that in a moment of maternal despair, she once walked away from her newborn, asleep in her carriage in a park. Disaster was avoided, and Essie got better, but she still fears what lurks inside her, even as her daughter gets older and she has a second baby.

Both Cassie Hugo and Margaret Brickshaw dutifully followed their soldier husbands to the US embassy in Jordan, but that's about all the women have in common. After two years Cassie's become an expert on the rules, but newly arrived Margaret sees only her chance to explore. So when a fender bender sends Margaret to the local police station, Cassie reluctantly agrees to watch Margaret's toddler son. But as the hours pass, Cassie's boredom and frustration turn to fear.