Nineteen-year-old Signa Farrow, orphaned as a baby, has been raised by a string of guardians, each more interested in her wealth than her well-being—and each has met an untimely end. Her last remaining relatives are the Hawthornes, an eccentric family living at the glittering and gloomy estate of Thorn Grove. Thorn Grove’s patriarch, Elijah, mourns his late wife, Lillian, through wild parties and drink, while eldest son Percy grapples for control of the family’s waning reputation and daughter Blythe suffers from the same mysterious illness that killed her mother.

Briseis has a gift: she can grow plants from tiny seeds to rich blooms with a single touch. When Briseis’ aunt dies and wills her a dilapidated estate in rural New York, Bri and her parents decide to leave Brooklyn behind for the summer. Hopefully there, surrounded by plants and flowers, Bri will finally learn to control her gift. But their new home is sinister in ways they could never have imagined - it comes with a specific set of instructions, an old-school apothecary and a walled garden filled with the deadliest botanicals in the world.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She's spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie Hall.

Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter, and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance. But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona's worries.

Aza Holmes never intended to pursue the disappearance of fugitive billionaire Russell Pickett, but there’s a hundred-thousand-dollar reward at stake and her Best and Most Fearless Friend, Daisy, is eager to investigate. So together, they navigate the short distance and broad divides that separate them from Pickett’s son Davis. Aza is trying. She is trying to be a good daughter, a good friend, a good student, and maybe even a good detective, while also living within the ever-tightening spiral of her own thoughts.

After years of bickering, Penny and Tate have called a truce: they’ll play nice. They have to. Their mothers (life-long best friends) need them to be perfect, drama-free daughters when Penny’s mother becomes a living liver donor to Tate’s mom. Forced to live together as the Moms recover, the girls’ truce is essential in keeping everything—their jobs, the house, the finances, the Moms’ healing—running smoothly. They’ve got to let this thing between them go. There’s one little hitch: Penny and Tate keep almost kissing.

Trailblazing pop star, actor and director, Hayley Kiyoko debuts her first novel, a coming-of-age romance based on her breakthrough hit song and viral video, Girls Like Girls.

Six years of birthdays reveal Eric and Morgan’s destiny as they come together, drift apart, fall in love, and discover who they’re meant to be - and if they’re meant to be together.

Faith Herbert is a pretty regular teen. When she’s not hanging out with her two best friends, Matt and Ches, she’s volunteering at the local animal shelter or obsessing over the long-running teen drama The Grove. So far, her senior year has been spent trying to sort out her feelings for her maybe-crush Johnny and making plans to stay close to Grandma Lou after graduation. Of course, there’s also that small matter of recently discovering she can fly....

Get ready to die laughing: This is an outrageously funny ride through the last hours of a teenager’s life as he searches for love, meaning, answers, and (just maybe) a way to live on. Denton Little’s Deathdate takes place in a world exactly like our own except that everyone knows the day on which they will die. For Denton, that’s in just two days - the day of his senior prom. Despite his early deathdate, Denton has always wanted to live a normal life, but his final days are filled with dramatic firsts. First hangover. First sex. First love triangle.

Every Friday night, best friends Delia and Josie become Rayne Ravenscroft and Delilah Darkwood, hosts of the campy creature-feature show Midnite Matinee on the local cable station TV Six. But with the end of senior year quickly approaching, the girls face tough decisions about their futures. Josie has been dreading graduation, as she tries to decide whether to leave for a big university and chase her dream career in mainstream TV. And Lawson, one of the show's guest performers, is making her tough decision even harder.

Lock is awkward. He can't make eye contact, counts when he's nervous, and has to remind himself several times a day how "normal" teens behave. Homeschooled most of his life, he's resigned himself to a friendless existence at his new Atlanta high school. Until he meets West. West has everything. Looks. Talent. Money. And secrets...so many secrets. Beneath the surface of West's perfect existence is a pain he's buried so deep a million therapists couldn't unearth it, and he's determined to keep it that way. He's an actor. He can act normal. But then there's Lock.

Skylar Reid is the new girl at school. Her mom just moved them to Florida - a.k.a. the Land of the Living Dead, where the average age of her new neighbors is seventy-five - to start over. Skylar is not a fan of the change or her total lack of friends. Then she meets Calvin, a funny, sarcastic boy who doesn't let being in a wheelchair stop him from verbally shredding their preppy classmates.

All her life, Sashi’s mother warned her not to get involved with werewolf problems. But Sashi, a witch who uses magic to heal sick and injured bodies, has never made a habit of ignoring trauma. When she meets an abused shapeshifter that no one else seems willing to help, Sashi will risk everything - including a budding romance with a human, Will - to save a woman who can’t save herself.