
In That Endlessness, Our End
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By:
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Gemma Files
About this listen
Come closer, friend. Let me tell you a story.
Heard the one about the Airbnb that eats your dreams or the iron-crowned king who preys on his own bloodline from the air, still smoldering centuries after being burnt alive? How about the cloudy antique bottle you can wish your excess rage inside, or that crooked alley down which something waits to replace your disappointing child with a far more pleasant facsimile? We all know the truth, especially in times like these—in an anxiety-ridden, sleepless world such as ours, it’s only ever our very worst dreams that come true. Here streets empty out and people pull themselves apart like amoebas, breeding murderous doppelgangers from their own flesh; houses haunt, ideas possess, and a cold and alien moon stares down, whispering that it’s time to spawn. New myths rise and ancient evils descend. From the seemingly mundane terrors of a city just like yours to all the most dark and distant places of a truly terrible universe, nothing is as it seems … not even that dimly-recalled cinematic memory you’ve been chasing all these years, the one you think might be just something you stumbled upon while flipping through channels after midnight. The one that still disturbs you enough to raise a cold sweat all over your body, whenever you try to will its details clear.
Hot on the heels of her 2018 This Is Horror Award–winning short story collection Spectral Evidence, critically horror author Gemma Files compiles fifteen more of her most startling recent nightmares—a creepily seductive downward spiral of dark poetry and existential dread, entirely suitable to the slow apocalypse going on all around us. So take your mind off your troubles and send it somewhere the rules still operate, if only to punish those who violate them.
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From the haunted hills of Roman Britain to the sewers of occupied Warsaw … in the bloodied streets of Revolutionary Paris, and the anarchy World War II Shanghai … out of the wilds of America, India, Africa and Europe … down the long savage darkness of the centuries, monsters have fed upon us. They are shapeshifters, vampires, sorcerers and spirits—things named only in myth, and things for which we have no name. They are our demons, our reflections, our desires and our nightmares. And all too often, they are … only human.
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Terrible narration
- By Unequivocal on 11-18-24
By: Gemma Files
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Experimental Film
- By: Gemma Files
- Narrated by: Morgan Hallett
- Length: 12 hrs and 32 mins
- Unabridged
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Fired at almost the same time as her son, Clark, is diagnosed with autism spectrum disorder, former film critic turned teacher Lois Cairns is caught in a depressive downward spiral, convinced she's a failure who's spent half her adult life writing about other people's dreams without ever seeing any of her own come true.
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Smartly done and well written.
- By Bill on 06-27-17
By: Gemma Files
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Beneath an Oil-Dark Sea
- The Best of Caitlin R. Kiernan, Vol. 2
- By: Caitlín R. Kiernan
- Narrated by: Keith Szarabajka, Neil Hellegers, Nancy Wu, and others
- Length: 24 hrs
- Unabridged
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In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.
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Oh, Ms. Kiernan, how do I love your stories?
- By Ross on 11-28-20
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The Best Horror of the Year, Volume 4
- By: Ellen Datlow - author/editor, Stephen King, Peter Straub
- Narrated by: Meredith Mitchell, Rebecca Mitchell, Michael Healy, and others
- Length: 16 hrs and 55 mins
- Unabridged
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With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.
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Only a few decent stories in this bunch.
- By Jerry on 12-06-14
By: Ellen Datlow - author/editor, and others
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Noctuary and the Spectral Link
- By: Thomas Ligotti
- Narrated by: Jon Padgett
- Length: 10 hrs and 3 mins
- Unabridged
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Chiroptera Press presents Noctuary & The Spectral Link by the legendary Thomas Ligotti, a consolidated volume of two horror collections, back in print after over a decade.
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Excellent audio book of a classic!
- By Karl Haikara on 08-03-24
By: Thomas Ligotti
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Two Worlds and In Between
- The Best of Caitlin R. Kiernan, Vol. 1
- By: Caitlín R. Kiernan
- Narrated by: various narrators, Jayme Mattler, Helen Lloyd, and others
- Length: 24 hrs and 8 mins
- Unabridged
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Two Worlds and In Between: The Best of Caitlín R. Kiernan presents a stunning retrospective of the first 10 years of the author’s work. It is a compilation of more than 200,000 words of short fiction, including many of her most acclaimed stories as well as some of the author’s personal favorites; several previously uncollected, hard-to-find pieces; her sci-fi novella, The Dry Salvages; and a rare collaboration with Poppy Z. Brite.
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Amazing collection!
- By Ross on 08-24-20
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Occultation and Other Stories
- By: Laird Barron
- Narrated by: David Drummond
- Length: 12 hrs and 32 mins
- Unabridged
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Pitting ordinary men and women against a carnivorous, chaotic cosmos, Occultation's eight tales of terror (two never before published) include the Theodore Sturgeon and Shirley Jackson Award-nominated story "The Forest" and Shirley Jackson Award nominee "The Lagerstatte."
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Frustrating and unsatisfying
- By Alex on 09-23-18
By: Laird Barron
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No One Gets Out Alive
- By: Adam Nevill
- Narrated by: Colleen Prendergast
- Length: 17 hrs and 10 mins
- Unabridged
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Darkness lives within.... Cash strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be.
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One of the most annoying books I have attempted to listen to in a long time.
- By James & Mary F on 11-08-15
By: Adam Nevill
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Tripping Over Twilight
- A Collection of Short Horror and Supernatural Stories
- By: T.W. Grim, Velox Books
- Narrated by: Geoff Sturtevant
- Length: 10 hrs and 42 mins
- Unabridged
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Horror favorite T.W. Grim invites you to pull up a chair and watch the sun slip past the horizon with this dark and macabre collection of short stories.
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Unique stories!
- By Anonymous User on 07-10-24
By: T.W. Grim, and others
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Drawn Up from Deep Places
- By: Gemma Files
- Narrated by: Emily Lawrence, Antony Ferguson, Robert Fass, and others
- Length: 9 hrs and 42 mins
- Unabridged
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In her second collection from Trepidatio Publishing, award-winning author Gemma Files takes her listeners on journeys out beyond safe borders—from the trackless depths of the sea, to the empty desert frontiers of the Weird West, even to the edges of cracks between worlds. Here, in these narrow spaces between the known and the unknown, behind the paper-thin curtains of reality, lurk monsters both human and ancient: selkies and avenging revenants, voodoo priestesses and pirate sorcerers, ghosts and vampires, and the most famous murderer of all time.
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Interesting stories
- By Anonymous User on 03-11-24
By: Gemma Files
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The Creepypasta Collection
- Modern Urban Legends You Can’t Unread
- By: MrCreepyPasta - editor
- Narrated by: Heather Costa, Jeffrey Kafer
- Length: 8 hrs and 6 mins
- Unabridged
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A terrifying, thrilling collection of must-listen horror stories chock-full of nightmarish supernatural beings and the murderously disturbed that are sure to keep you up all night long.
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creepy definitely
- By Danh on 01-16-22
What listeners say about In That Endlessness, Our End
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- DP
- 08-13-24
Solid collection, if a bit repetitive
I enjoyed this collection quite a bit, it generally maintains a high quality and I enjoy the author's distinct voice in writing. My main complaint was that the stories often felt like they were treading similar ground in their content, and often fell into similarly abrupt ambiguous endings. These aren't problems for the stories on their own, it's just something that starts to stick out while reading them back to back.
Another small gripe was in the narration - most of them are ok, but I feel like I've heard stronger performances from the readers I recognized. And I felt like there was one bad choice on the production end, where a character spends their entire story using a vocal modifier of some sort. The production carried that through to the narration, so the reader spends the entire story using a grating characteristic that's just unpleasant to listen to. I'd rather just sacrifice some "realism" and have them read it normally.
Oh well, those are minor complaints, it's a good collection overall and a solid recommend.
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- Peter J Larsen
- 04-04-23
Another Great Collection
While I keep hoping Files will produce another novel, she keeps writing and releasing excellent short stories. There’s something about her dry, laconic tone coving themes of desperation, defeat, and bleak acceptance that really makes her stories hit hard. “Cut Frame” and “The Church in the Mountains” return to the subject of Canadian film, “Look Up” is a great mix of social anxiety and bewildered horror, and “Cuckoo” ends the collection with biting anger. If you’ve never tried Files, a couple of her stories should be available on the podcast Pseudopod, which may spark your interest.
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- osmosiphobe
- 06-14-23
Good ideas, not-great stories
As the title here suggests, there were a lot of good ideas, but the telling of the stories just doesn’t do it. Instead of actually seeing the characters, I see someone sitting on her laptop writing them, if that makes any sense. The first narrator is… not good. There’s way too much “performance” going on there. The wobbly voice on the second story just grates at you. I understand that the text says that the character distorted her voice, but it also says this is a transcript, so… not necessary and doesn’t add anything useful. Overall, you can skip this one. Read descriptions of the stories, they’ll give you about as much as the stories themselves.
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