It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car crash, but lived long enough to utter five words to her, “I’ll be waiting for you.” That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side.

“Few crimes are reported as quickly as a snatched kid.” That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing. When the police refuse to believe her, she realizes that rescuing the boy is up to her alone.

Genevieve has secrets that no one knows. In Rome she can be whoever she wants to be. Her neighbours aren't nosy; her Italian is passable; the shopkeepers and restaurant owners now see her as a local, and they let her be. It's exactly what she wants. One morning, after getting groceries, she returns to her 500-year-old Trastevere apartment - it's exactly as she left it, not a thing out of place...except for the small box on her kitchen table. A box that definitely wasn't there this morning. A box that is addressed to "Lucy Callahan." A name that she hasn't used in 10 years.

Raquel Ezra loves to fish. With so many fish in the sea, she’s never had a problem baiting the hook or reeling them in. Raquel is a good actress, she can be anyone’s fantasy for a single night as long as they agree to be hers. Which is why she doesn’t think twice about spending an evening in nowhere Tennessee with a smokin’ hot, well-mannered, and intriguing sheriff’s deputy by the name of Jackson James.

Thorne Manor has always been haunted...and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, 20 years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

When Amy Gibson's mother is brutally murdered by her boyfriend, Amy's world is completely undone. Overcome with grief and heartache, she withdraws from everything around her—college, her friends, her entire life. Until her estranged half-brother, Oliver, saves her, pulling her back into her life and giving her family. Giving her a home.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

Twenty-four-year-old Olivia Taylor Jones has the perfect life. The only daughter of a wealthy, prominent Chicago family, she has an Ivy League education, pursues volunteerism and philanthropy, and is engaged to a handsome young tech firm CEO with political ambitions. But Olivia’s world is shattered when she learns that she’s adopted. Her real parents? Todd and Pamela Larsen, notorious serial killers serving a life sentence.

Librarian Marcela Ortiz has been secretly in love with her best friend for years—and when he gets engaged, she knows it’s long past time to move on. But before she gets the chance, she has a bigger problem to contend with in the form of Theo Young, ex-NFL player and older brother of the man she’s in love with. When she discovers Theo's plans to confess his feelings for his brother’s fiancée at their engagement party, Marcela is quick to stop him—despite how tempting it is to let him run away with the bride-to-be.

Blythe and her friends — Gabrielle, and brother and sister Tucker and Tanya — have always been a tight friend group, attending a local high school and falling in and out of love with each other. But an act of violence has caused a rift between Blythe and Tucker . . . and unexpected bursts of aggression and disturbing nightmares have started to become more frequent in their lives.

Debut author Gemma Stanton knows romance readers love a bad boy—and she has the perfect prototype for her novel: Mason Moretti. High school hockey god-turned-pro player, Mason was Gemma's first crush, but she couldn't forget the sting of his very public rejection. So, she cast him as a hot-headed Highlander in her spicy new historical romance. She never expected readers would find out on live TV—when a morning show host invites Mason for a surprise on-air reunion...

Hazel Trépas has always known she wasn’t like the rest of her siblings. A thirteenth child, promised away to one of the gods, she spends her childhood waiting for her godfather—Merrick, the Dreaded End—to arrive. When he does, he lays out exactly how he’s planned Hazel’s future. She will become a great healer, known throughout the kingdom for her precision and skill. To aid her endeavors, Merrick blesses Hazel with a gift, the ability to instantly deduce the exact cure needed to treat the sick. But all gifts come with a price.

Cecily Foster loves to make podcasts. She fiercely protects her colleagues, dearly adores her friends, and never misses dinner with her sister. But after a disastrous relationship with a colleague who stole her heart and her ideas, she’s put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But there’s a catch—actually, two catches. First, the show will be about Cecily’s dating life.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Thomson had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead. When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality.

Debut author Gemma Stanton knows romance readers love a bad boy—and she has the perfect prototype for her novel: Mason Moretti. High school hockey god-turned-pro player, Mason was Gemma's first crush, but she couldn't forget the sting of his very public rejection. So, she cast him as a hot-headed Highlander in her spicy new historical romance. She never expected readers would find out on live TV—when a morning show host invites Mason for a surprise on-air reunion...

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car crash, but lived long enough to utter five words to her, “I’ll be waiting for you.” That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side.

“Few crimes are reported as quickly as a snatched kid.” That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing. When the police refuse to believe her, she realizes that rescuing the boy is up to her alone.

When Samantha Payne’s grandfather dies, she figures she won’t even get a mention in the will. After all, she hasn’t seen him in fourteen years, not since her father took his own life after being accused of murdering a child at their lakefront cottage. Her grandfather always insisted her father was innocent, despite Sam having caught him burying the child’s body, his clothing streaked with blood.

A stranger is trespassing in Celeste Turner's backyard, moving through the shadows around her shed. It could be a harmless backpacker seeking temporary refuge, but experience has taught Celeste to be extra wary. Not wishing to draw unwanted attention, she cannot turn to the police. Celeste is an outsider to this region of rural Florida, and all the locals see is a "city girl" who swooped in to secure her inheritance. But Celeste needs her new life to work, so she must confront her intruder. To her surprise, she finds out that her unwanted guest is a young backpacker named Daisy.

Deep in the Yukon wilderness, a town is being built. A place for people to disappear, a fresh start from a life on the run. Haven’s Rock isn’t the first town of this kind, something detective Casey Duncan and her husband, Sheriff Eric Dalton, know firsthand. They met in the original town of Rockton. But greed and deception led the couple to financing a new refuge for those in need. This time around, they get to decide which applicants are approved for residency.

The four Jacobson children were raised to respect the value of a dollar. Their mother reused tea bags and refused to pay retail; their father taught them to budget before he taught them to ride a bike. And yet, now that they’re adults, their financial lives are in disarray. The siblings reunite when their newly widowed father puts their Jersey Shore beach house on the market. Packing up childhood memories isn’t easy, especially when there’s other drama brewing.

June and Levi were best friends as teenagers—until the day they weren’t. Now June is struggling to make rent on her beachside tea shop, Levi is living a New York cliché as a disillusioned hedge fund manager and failed novelist, and they've barely spoken in years. But after they both experience public, humiliating break-ups with their exes that spread like wildfire across TikTok rabbit holes and daytime talk shows alike, they accidentally make some juicy gossip of their own—a photo of them together has the internet convinced they're a couple.

Molly Marks writes Hollywood rom-coms for a living—which is how she knows “romance” is a racket. The one and only time she was naive enough to fall in love was with her high school boyfriend, Seth—who she ghosted on the eve of graduation and hasn’t seen in fifteen years.

After twenty-two years together, Danielle and Alex are getting a divorce. Once fiercely in love, they can barely stand the sound of each other’s voice. Instead of shuttling the kids between two broken homes, Alex and Dani decide to share a nesting apartment while swapping days with their two teenage boys at the family home. In the apartment, Dani and Alex, on their own, begin to reflect on the last two decades—why they fell in love and why the marriage fell, spectacularly, apart.

Thorne Manor has always been haunted...and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, 20 years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

Casey Duncan is a homicide detective with a secret: When she was in college, she killed a man. She was never caught, but he was the grandson of a mobster, and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again. Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives.