In the tradition of M. Night Shyamalan and Stephen King, Bloodhound is a coming-of-age suspense drama about Jay Pulver, a trans college student who discovers he has mysteriously acquired superhuman abilities when he accidentally kills his sister’s ex-boyfriend. Recruited by a brilliant but eccentric scientist at the FBI, Jay is tasked with employing his unique powers to track down a domestic terrorist group currently setting off bombs around Washington, DC.

Single gay mom Brigid always thought that cutting ties with her extremist Catholic family was the best thing she could have done for her daughter, Dylan—and for herself. But when Dylan starts having terrifying fits of unnatural violence, Brigid can’t shake her memories of a girl from her childhood who behaved the same way … until Brigid’s uncle, Father Angus, performed an exorcism. Convinced that her daughter is suffering from demonic possession, Brigid does the thing she told herself she’d never do: she goes home.

Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water’s edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years but now seems overjoyed to have “run into” his old friend. Jack suggests a meal to catch up. And can he spend the night? What follows is a fast-paced story of obsession and cunning. As Jack invades Todd’s life, pain and intimidation from the past unearth knife-edge suspense in the present.

Torn between her girlfriend, Magdu, and her best friend, Daphne, Finn is looking forward to a day of rock climbing and bonding for the three women on the soaring cliffs near their Australian town. But nothing goes as she planned, and in a horrific accident, Magdu falls to her death. Rocked by grief, Finn tries to pinpoint where it all went wrong. Did Magdu die because of Finn’s friendship with overbearing Daphne, who has never wanted Finn to change or leave her? Can Finn trace it all the way back to the tragic childhood loss of her sister?

After a successful first season of Domestic Partners chronicling the renovation of their historic Craftsman Colonial, Peter and JP are taking on a renovation of a local Tudor Revival inherited by identical twin brothers Terry and Tom Cash. But linoleum floors and a pink-tiled bathroom aren't the only unwelcome surprises awaiting inside the house. Just as the show is set to start filming, Peter and JP discover Tom Cash dead at the foot of the house's staircase. And when the police ruling changes from accidental death to homicide, the list of suspects grows fast.

When Darby finds himself unemployed and in need of a fresh start, he moves back to the small Illinois town he left behind. But Oak Falls has changed almost as much as he has since he left. One thing is familiar: In Between Books, Darby’s refuge growing up and eventual high school job. When he walks into the bookstore now, Darby feels an eerie sense of déjà vu—everything is exactly the same. Even the newspapers are dated 2009. And behind the register is a teen who looks a lot like Darby did at sixteen. . . who just might give Darby the opportunity to change his own present for the better

Gabriel has spent the last decade trying to forget his best friend, the first boy he ever loved: Jacob. Ripped away from each other in the midst of a family tragedy, Gabriel grieved for Jacob alone, surviving in their small religious town before finally breaking free to attend college, where they found new friends and relationships to pursue. To Gabriel, Jacob became a distant memory. Until one fateful Halloween night, when the two are reunited.

Emily has, by all appearances, a perfect life: a townhouse on Manhattan’s Upper East Side, two healthy children, and a husband who showers her with attention. But the truth is more complicated: Emily’s marriage is in trouble, her relationship with her parents is fraught, and she is still nursing a heartbreak from long ago. When Emily runs into her high school girlfriend at a cocktail party, that heartbreak comes roaring back. But Gen Hall is no longer the lanky, hungry kid with holes in her shoes who Emily loved in her youth.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

“If you’re reading this, you’ve likely thought that the world would be a better place without you.” A single line of text, glowing in the darkness of the internet. Written by Ashley Lutin, who has often thought the same—and worse—in the years since his wife died and his young son disappeared. But the peace of the grave is not for him—it’s for those he can help. Ashley has constructed a peculiar ritual for those whose desire to die is at war with their yearning to live a better life.

Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know.

A completely revised edition of the first Henry Rios mystery, The Little Death, Lay Your Sleeping Head introduces Michael Nava’s singular protagonist, gay Latino criminal defense lawyer Henry Rios. Rios, beset by personal and professional problems, begins a passionate affair with the black sheep heir to a great California fortune who tells Rios an improbable tale of murder and sexual predation in his wealthy family. When the young man is found dead of an apparent drug overdose, Rios begins an investigation that ultimately reveals much more than murder.

The first time Daisy Ellery killed a man with a pie, it was an accident. Now, it’s her calling. Daisy bakes sweet vengeance into her pastries, which she and her dog, Zoe, deliver to the men who’ve done dirty deeds to the town’s women. But if she can’t solve the one crime that’s not of her own baking, she’ll be out of the pie pan and into the oven. Parking her mobile bakery van outside the local diner, Daisy is informed that someone’s been prowling around the van. She finds a letter on her door, threatening to reveal her unsavory secret sideline of pie à la murder.

In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived—but at Camp Resolution, everybody leaves a different person. Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late. The fate of the world depends on it.

Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it's not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they've needed to keep others out. And now they're worried they're keeping a murderer in. When your existence is a crime, everything you do is criminal, and the gates of Lavender House can’t lock out the real world forever.