Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. When she has an intense connection to a beautiful silver chatelaine, she has to know more. It is while she’s examining the chatelaine that she’s transported back to the 17th century, where it has its origins. She discovers there is an injustice in its history. The spirit that inhabits her new home confronts her and charges her with saving her daughter’s life, threatening to take Flora’s if she fails.

Mina Harker is torn between two men. Struggling to hang on to the deep, pure love she's found within her marriage to her husband, Jonathan, she is inexorably drawn into a secret, passionate affair with a charismatic but dangerous lover. This haunted and haunting creature has awakened feelings and desires within her that she has never before known, remaking her as a woman. Although everyone she knows fears him and is pledged to destroy him, Mina sees a side to him that the others cannot.

The prequel to Dracula, inspired by notes and texts left behind by the author of the classic novel, Dracul is a supernatural thriller that reveals not only Dracula's true origins but Bram Stoker's - and the tale of the enigmatic woman who connects them. It is 1868, and a 21-year-old Bram Stoker waits in a desolate tower to face an indescribable evil. Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here....

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.

Francine Thwaite has lived all her fifty-five years in her family's ancestral home, a rambling Elizabethan manor in England's Lake District. No other living soul resides there, but Francine isn't alone. There are ghosts in Thwaite Manor, harmless and familiar. Most beloved is Bree, the mischievous ghost girl who has been Francine's companion since childhood. When Francine's estranged sister, Madeleine, returns to the manor after years away, she brings with her a story that threatens everything Francine has always believed.

Christine is certain that the Institute is trying to get rid of her. Why else would they send her to investigate a hundred-year-old cold case about some illusive “phantom” lurking in the depths of a crumbling old Opera House? It turns out she’s probably right, but as unlikely as it seems, there might be something to it. There’s definitely more in the shadows than a few rats and some pieces of forgotten scenery—especially now that she’s woken it up. The phantom is real. And now he's set his sights on her.

Haelewise has always lived under the shadow of her mother, Hedda—a woman who will do anything to keep her daughter protected. For with her strange black eyes and even stranger fainting spells, Haelewise is shunned by her village, and her only solace lies in the stories her mother tells of child-stealing witches, of princes in wolf-skins, of an ancient tower cloaked in mist, where women will find shelter if they are brave enough to seek it. Then, Hedda dies, and Haelewise is left unmoored.

When my father wanders into the enchanted realm of the fae, I know I have to go after him. And when he gets imprisoned, I'll do anything to save him, even trade my freedom for his. I had no idea I'd end up imprisoned by four sexy fae who turn into beasts at night.

Mourning the death of his father and gravely injured at the hands of the English, Jamie Fraser finds himself running with a band of mercenaries in the French countryside, where he reconnects with his old friend, Ian Murray. Both are nursing wounds, both have good reason to stay out of Scotland, and both are still virgins despite several opportunities to remedy that deplorable situation with ladies of easy virtue.

Demonstrating once again her gift for spellbinding storytelling, Anne Rice makes real for us a great dynasty of four centuries of witches - a family given to poetry and incest, murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being called Lasher who haunts the Mayfair women. Moving in time from today's New Orleans and San Francisco to long-ago Amsterdam and the France of Louis XIV, from the coffee plantations of Port-au-Prince to Civil War New Orleans and back to today, Anne Rice has spun a mesmerizing tale.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

Blood and power bind three generations of women in the Ozark Mountains. So does an evil that’s followed them across the decades. 1931. Gracelynn Doherty lives peacefully on Tin Mountain, helping her adoptive granny work her cures. Despite whispers that the women are witches, the superstitious locals still seek them out, whether to remedy arthritis or a broken heart. But when evangelist Josiah Bellflower comes to town promising miracle healing, full bellies, and prosperity, his revivals soon hold Tin Mountain in thrall—and Granny in abject fear. Granny recognizes Josiah.

As a half-goddess possessing magic, Yaga is used to living on her own, her prior entanglements with mortals having led to heartbreak. She mostly keeps to her hut in the woods, where those in need of healing seek her out, even as they spread rumors about her supposed cruelty and wicked spells. But when her old friend Anastasia—now the wife of the Tsar, and suffering from a mysterious illness—arrives in her forest desperate for her protection, Yaga realizes the fate of all of Russia is tied to Anastasia’s. Yaga must step out of the shadows to protect the land she loves.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.

Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.