Showing titles in Coming of Age

Sam’s life is on track. She has the perfect doctor fiancé, Jack (his strict routines are a good thing, really), a great job in Manhattan (unless they fire her), and is about to tour a wedding venue near her family’s Long Island beach house. Everything should go to plan, yet the minute she arrives, Sam senses something is off. Wyatt is here. Her Wyatt. But there’s no reason for a thirty-year-old engaged woman to feel panicked around the guy who broke her heart when she was seventeen. Right?

New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse.

At Mt. Douglas (a.k.a. Mt. Drug) High, all the girls have feathered hair, and the sweet scent of Love's Baby Soft can't hide the musk of raw teenage anger, apathy, and desire. Sara Shaw is a girl full of fever and longing, a girl looking for something risky, something real. Her only possible salvation comes in the willowy form of the mysterious Justine, the outlaw girl in the torn skirt. The search for Justine will lead Sara on a daring odyssey into an underworld of hookers and johns, junkies and thieves, runaway girls and skater boys, and, ultimately, into a violent tragedy.

On paper, Zoe Zeng has made it in New York’s fashion world. After a string of unpaid internships, she’s now a fashion columnist at Chic, lives in a quaint apartment in Manhattan, and gets invited to exclusive industry events. But life in New York City isn’t as chic as Zoe imagined.

Cornwall, 1940. Back in England after the harrowing evacuation at Dunkirk, WWII Red Cross nurse Anna Trenowyth is shocked to learn her adoptive parents, Graham and Prue Handley, have been killed in an air raid. She desperately needs their advice, as she's been assigned to the military hospital that has set up camp inside her biological mother's childhood home - Nanreath Hall. Anna was just six years old when her mother, Lady Katherine Trenowyth, died. All she has left are vague memories that tease her with clues she can't unravel.

1876. Among the filth and depravity of Covent Garden's flower markets, orphaned Irish sisters Flora and Rosie Flynn sell posies of violets and watercress to survive. It is a pitiful existence, made bearable only by each other's presence. When they become separated, the decision of a desperate woman sets their lives on very different paths.

Jenny is thirteen when an epic dust storm rolls into her central California town in December 1977. Bedridden after contracting a life-threatening illness in the storm and suffering a shocking loss, Jenny realizes she will never be cared for by the mother who both neglects and terrifies her or the father who allows it. She relies on her cousin, Heather, who has the loving home Jenny longs for; her beloved great-uncle, Gino, the last link between generations; her best friend, Henry, a free spirit with whom she shares an inexplicable bond; and baseball star, Billy, who becomes her first love.

Brit is the second violinist, a beautiful and quiet orphan; the viola is Henry, a prodigy who's always had it easy; the cellist is Daniel, the oldest, the angry skeptic who sleeps around; and on first violin is Jana, their flinty, resilient leader. Together, they are the Van Ness String Quartet. In The Ensemble, each character takes the spotlight and picks up the melody, from the group's youthful rocky start through to middle age, through both devastating failures and wild success.

First, you’d think as a thirty-something-year-old woman, I’d be immune to Griffin’s flirty comments and six-pack abs. You’d think that his carefree playboy attitude, or the fact that he’s still finishing grad school would deter me. You’d be wrong.

Marta and Kevin discover each other early in their lives, coming of age in the ’70s, only to be separated just when they are on the cusp of realizing the power of their young love. When Kevin’s family moves away, Marta grapples with this loss, as well as their dashed dreams. After high school, she journeys away from her small farm in New Jersey—a place where she was always out of step with those around her—and on to college and a career.

Rich with authentic detail and insight, these compelling stories sweep the listener along on an intimate, uniquely Jewish journey from 1974 through the first decade of the new millennium as the characters wrestle with identity, independence, ambition, sexuality, faith, and love.

Everything changed the night my dad died. The night I met Saint, Galen, Caz, and Theo. Those manipulative a-holes set out to ruin me after our hot night together, but they didn’t realize you can’t destroy something that’s already broken. And it only works if the victim cares. Which I don’t. Because I’ve been in hell for years, and nothing penetrates the steel walls I’ve erected. Until the Sainthood decides I belong to them and cracks appear in my veneer. Their cruel games, harsh words, and rough touch awakens something inside me, and now, I’m in trouble.

"Lost. Everything in my life can be summed up by that one sickening word. My football coach blames me for our season-ending losses. So does the rest of the team. I wasted two whole months drowning in my own despair, like a complete loser. And I lost my girlfriend - Fable Maguire, the only girl who ever mattered - because I was afraid that being with me would only hurt her.

In the summer of his 17th year, Sam­uel Sooleymon gets the chance of a lifetime: a trip to the United States with his South Sudanese teammates to play in a showcase basket­ball tournament. He has never been away from home, nor has he ever been on an airplane. The opportunity to be scouted by dozens of college coaches is a dream come true.

QUI EST VERNON SUBUTEX ? Une légende urbaine. Un ange déchu. Un disparu qui ne cesse de ressurgir. Le détenteur d'un secret. Le dernier témoin d'un monde révolu. L'ultime visage de notre comédie inhumaine. Notre fantôme à tous.

BRIAR - I was infatuated with Asher Kelley the moment he came tumbling through my brother’s window five years ago. Even bruised and bloodied, he was the most beautiful boy I'd ever seen. We couldn't ever be together. I was too young, and he was too untouchable. He was too troubled, and I was too naive. ASHER - I was drawn to Briar Vale from the first time she looked up at me with stars in her blue eyes. We could never be together. I was too old and she was too off limits....

As she listens to Lucy through the thin walls of her dilapidated building, S.H., aka “Minnesota”, transcribes her neighbor’s bizarre and increasingly ominous monologues in a notebook, along with sundry other adventures, until one frightening night when Lucy bursts into her apartment on a rescue mission. Forty years later, S.H., now a veteran author, discovers her old notebook, as well as early drafts of a never-completed novel while moving her aging mother from one facility to another.

Seventeen-year-old Lorelei Patio is the adopted daughter of 200-year-old vampire Sergio Patio. She never realized why her family has had to move so often or why she is not permitted to get too friendly with other young people. In fact, except for one shocking moment that seemed more like a dream, Lorelei never fully realized who and what her father was nor what her sisters were brought up to do for him. But one day, that all changed.

Abandoned by his father after his mother drowns in a frozen Minnesota lake, fifteen-year-old Wes Ballot is stranded with coldhearted grandparents and holed up in his mother’s old bedroom, surrounded by her remnants and memories. As the wait for his father stretches unforgivably into months, a local girl, whose own mother died a brutal death, captures his heart and imagination, giving Wes fresh air to breathe in the suffocating small town.

Inspirada en la infancia de la autora, El cuerpo en que nací es la historia de una niña con un defecto de nacimiento en un ojo. Su vida, durante los años setenta, se ve influida por su escasa visión pero también por la ideología dominante en esa época: el matrimonio abierto de sus padres, las escuelas activas, las comunas híppies, la libertad sexual y su correlato. Las diferencias físicas y psicológicas que la distinguen hacen que la protagonista se identifique con los seres que viven al margen de las modas y de las convenciones sociales.