Uncovering Champagnat: Iconography,...
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Uncovering Champagnat: Iconography,...
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About this listen
The "Marist Notebooks" aim to disseminate information about this iconography. The development of Champagnat iconography has evolved significantly over the years, marked by five distinct periods:
From his death to the introduction of the cause for Beatification (1840-1896): The iconographic collection began with Mr. Ravery's portrait, which captured Father Champagnat's human and spiritual features at his death. However, this period did not see significant iconographic activity.
From the introduction of the cause to the centenary of the Foundation (1896-1917): This period saw an increasing diversity of iconographic representations, with sculpture playing a significant role, though the centenary celebrations did not provide a strong impulse to production.
From the centenary of the Foundation to that of his death (1915-1940): There was a notable increase in iconographic activity as the possibility of Beatification became clearer. This era featured great diversity in artistic manifestations, including ceramics, stained glass, and commemorative plaques, beyond just paintings.
From the centenary of his death to the Beatification (1940-1955): This was a high point, with iconography becoming more diversified and abundant. There was a profusion of works, some of great artistic worth, across all Provinces. Painting, in particular, saw great development with notable artists.
From the Beatification to the Bicentenary of his birth (1955-1989): This period is characterized by the widespread dissemination of Champagnat iconography, with a vast variety of styles and techniques in paintings and other artistic representations.
Common iconographic themes include Champagnat surrounded by children teaching catechism and showing the figure of Mary, as well as themes portraying him as a priest, founder, and model for the Brothers. The archives in Rome contain a portion of this material, with much more existing in the various Provinces.
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