Why do we see purple as the colour of royalty? It all starts on the Mediterranean coast with some unassuming, and eventually very unfortunate, seasnails.

Travel back to ancient times with colour specialist Victoria Finlay and National Gallery host Beks Leary to trace the story of Tyrian purple through time.

Victoria has written several books about colour – including 'Colour, Travels through the Paintbox' and 'The Brilliant History of Color in Art' – which involved travelling across the globe to the very places that ancient pigments and dyes came from. Her most recent book is about the hidden histories of fabric.

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Watch the full episode on YouTube: https://youtu.be/kcPMFsafav8

You can email us with any questions via podcast@nationalgallery.org.uk

Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast

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To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast

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Paintings mentioned:

Peter Paul Rubens, ‘La Découverte de la Pourpre un phenicien trouve grace a son chien un coquillage produisant la teintre rouge’, about 1636. Musée Bonnat, Bayonne, France © Musée Bonnat, Bayonne, France / Photo Josse/Scala, Florence https://webmuseo.com/ws/musee-bonnat-helleu/app/collection/record/1923

Raphael, ‘The Dream of a Knight’, about 1504. The National Gallery, London https://www.nationalgallery.org.uk/paintings/raphael-the-dream-of-a-knight

Lorenzo Costa, 'Portrait (supposed to be of Battista Fiera)', 1490-5. The National Gallery, London https://www.nationalgallery.org.uk/paintings/lorenzo-costa-portrait-supposed-to-be-of-battista-fiera

Master of the Bruges Passion Scenes, 'Christ presented to the People', about 1510. The National Gallery, London https://www.nationalgallery.org.uk/paintings/master-of-the-bruges-passion-scenes-christ-presented-to-the-people

Further reading:

Victoria Finlay, Color: A Natural History of the Palette, 2002

Victoria Finlay, Colour: Travels through the Paintbox, 2002

Victoria Finlay, The Brilliant History of Color in Art, 2014

Victoria Finlay, Fabric: The Hidden History of the Material World, 2021

Marcus Aurelius, Meditations, composed around 2nd century AD

Find out more about the Tito...

Where did all the colour go? And how might Western culture have feared it, or deemed it superficial, in art and philosophy? We celebrate the 25th anniversary of seminal book ‘Chromophobia’ with its author David Batchelor, who reflects on these ideas a quarter of a century on.

David speaks to National Gallery host Beks Leary about ideas of colour from philosopher Plato and artist Paul Cezanne, to the film ‘The Wizard of Oz’, photojournalist Don McCullin and pop artist Andy Warhol. They also ask the pressing question: ‘is beige a passive aggressive colour?’

David Batchelor is an artist and writer based in London, who, for thirty years, has been concerned with our experience of colour within the modern urban environment, and with historical conceptions of colour within Western culture. His work comprises sculpture, installation, drawing, painting, photography and animation.

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Watch the full episode on YouTube: https://youtu.be/bOrd81eklxM

You can email us with any questions via podcast@nationalgallery.org.uk

Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast

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To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast

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Artworks mentioned:

Paul Cezanne, ‘Hillside in Provence’, about 1890-2. The National Gallery, London https://www.nationalgallery.org.uk/paintings/paul-cezanne-hillside-in-provence

Jean-Auguste-Dominique Ingres, ‘Madame Moitessier’, 1856. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jean-auguste-dominique-ingres-madame-moitessier

Pierre-Auguste Renoir, ‘The Skiff (La Yole)’, 1875. The National Gallery, London https://www.nationalgallery.org.uk/paintings/pierre-auguste-renoir-the-skiff-la-yole

Claude Monet, ‘The Gare St-Lazare', 1877. The National Gallery, London https://www.nationalgallery.org.uk/paintings/claude-monet-the-gare-st-lazare

Sir Don McCullin CBE, ‘Shell-shocked US Marine, The Battle of Hue’, 1968, printed 2013. ARTIST ROOMS Tate and National Galleries of Scotland https://www.tate.org.uk/art/artworks/mccullin-shell-shocked-us-marine-the-battle-of-hue-ar01201 /

Why does the colour green remind you of poison and radioactivity? We're telling the story of two toxic green pigments to find out. Their stories interact with artists like Berthe Morisot, Dante Gabriel Rossetti and William Morris, as well as the less likely figure of Napoleon Bonaparte. And we go for a very good nosy around Victorian libraries.

Join cultural historian Kassia St Clair and National Gallery host Beks Leary to ask just how deadly these historic pigments really are!

Kassia is the author of books including 'The Secret Lives of Colour', 'The Golden Thread' and 'Liberty: Design. Pattern. Colour'. She specialises in telling stories about the overlooked and every day.

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Watch the full episode on YouTube: https://youtu.be/9PIn-7FesV8

You can email us with any questions via podcast@nationalgallery.org.uk

Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast

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To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast

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Paintings mentioned:

Camille Pissarro, ‘The Côte des Bœufs at L'Hermitage’, 1877. The National Gallery, London https://www.nationalgallery.org.uk/paintings/camille-pissarro-the-cote-des-boeufs-at-l-hermitage

Edouard Manet, ‘Music in the Tuileries Gardens’, 1862. The National Gallery, London https://www.nationalgallery.org.uk/paintings/edouard-manet-music-in-the-tuileries-gardens

Dante Gabriel Rossetti, ‘Veronica Veronese’, 1872. The Delaware Art Museum © Delaware Art Museum / Samuel and Mary R. Bancroft Memorial / Bridgeman Images https://emuseum.delart.org/objects/321/veronica-veronese

Berthe Morisot, ‘Summer’s Day’, about 1879. The National Gallery, London https://www.nationalgallery.org.uk/paintings/berthe-morisot-summer-s-day

Further reading:

Kassia St Clair, The Secret Lives of Colour, 2016

David Bomford, Jo kirby, John Leighton and Ashok Roy, Art in the Making: Impressionism, 1990

William Morris and Norman Kelvin, The Collected Letters of William Morris, 1984

To see ‘The Arsenic Waltz’ wood engraving, dated to 8 February 1862, from Punch or the London Charivari, visit the Wellcome Collection’s online catalogue: