Episodes

  • S1.E7. Greetings from Asbury Park, NJ

    S1.E7. Greetings from Asbury Park, NJ
    Jul 7 2025
    Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen’s complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ. Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen. Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America’s Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    46 mins
  • Rhythm, Exorcism, and Confrontation with Lexi Eikelboom

    Rhythm, Exorcism, and Confrontation with Lexi Eikelboom
    Jul 7 2025
    In this episode Pat speaks with Dr Lexi Eikelboom. Dr Lexi Eikelboom is both a visual artist and a scholar of philosophical theology. Her academic work analyses aesthetic concepts such as rhythm and form as way to illuminate the human implications of the philosophical arguments in which the concepts appear. She also leads collaborative projects investigating art as a form of thinking and the effects of engagement with art on theoretical work. They discuss rhythm and time in cubist painting, letting the shapes of art speak for themselves, and art as confrontation and incitement to change. A transcript of this episode will be available on the Concept : Art website (www.conceptart.fm). Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    36 mins
  • A Queer Etymology of Punk

    A Queer Etymology of Punk
    Jul 5 2025
    In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture. Jon Savage is the award-winning author of England’s Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006). Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    50 mins
  • Sounds of the City Collapsing

    Sounds of the City Collapsing
    Jul 4 2025
    In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense. Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    50 mins
  • How Punk Broke the Binary

    How Punk Broke the Binary
    Jul 3 2025
    When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury’s 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock ’N’ Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    1 hr and 8 mins
  • S1.E2. Wayne County at the Trucks (1974)

    S1.E2. Wayne County at the Trucks (1974)
    Jul 2 2025
    In the second episode of Soundscapes N.Y.C., host Ryan Purcell talks with Tony Zanetta. In the late 1960s, Zanetta worked in Off-Off-Broadway theater and ultimately landed a role playing the Andy Warhol character in Pork, an absurdist play based on Warhol’s phone recordings. Zanetta followed the cast to London where he befriended David Bowie who subsequently appointed him president of his management company, Main Man, and Bowie’s direct point of contact in America for the Ziggy Stardust tour (1972). With his involvement with Bowie, Zanetta was responsible for developing acts under the Main Man umbrella. This included a proto-punk band called Queen Elizabeth fronted by Jayne (formerly Wayne) County. With Bowie’s financial backing, Zanetta produced a gender-bending spectacle of drag, sex, and rock ’n’ roll: Wayne County at the Trucks! (1974). It may be the most spectacular rock show you have never heard of … till now. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    51 mins
  • Gender Crisis N.Y.C.

    Gender Crisis N.Y.C.
    Jul 1 2025
    In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seventies. Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    50 mins
  • Shayna M. Silverstein, "Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria" (Wesleyan UP, 2024)

    Shayna M. Silverstein, "Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria" (Wesleyan UP, 2024)
    Jun 27 2025
    A vivid and intricate study of dance music traditions that reveals the many contradictions of being Syrian in the 21st century Dabke, one of Syria's most beloved dance music traditions, is at the center of the country's war and the social tensions that preceded conflict. Drawing on almost two decades of ethnographic, archival, and digital research, Shayna M. Silverstein shows how dabke dance music embodies the fraught dynamics of gender, class, ethnicity, and nationhood in an authoritarian state. Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria (Wesleyan UP, 2024) situates dabke politically, economically, and historically in a broader account of expressive culture in Syria's recent (and ongoing) turmoil. Silverstein shows how people imagine the Syrian nation through dabke, how the state has coopted it, how performances of masculinity reveal--and play with--the tensions and complexities of the broader social imaginary, how forces opposed to the state have used it resistively, and how migrants and refugees have reimagined it in their new homes in Europe and the United States. She offers deeply thoughtful reflections on the ethnographer's ethical and political dilemmas on fieldwork in an authoritarian state. Silverstein's study ultimately questions the limits of authoritarian power, considering the pleasure and play intrinsic to dabke circles as evidence for how performance cultures sustain social life and solidify group bonds while reproducing the societal divides endemic to Syrian authoritarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    59 mins