It’s been in development for five years and has at least a year to go. On the eve of its out-of-town debut, the actor playing Lincoln quit. And the producers still need to raise another $15 million to bring the show to New York. There really is no business like show business. (Part three of a three-part series.)

• SOURCES:
  • Christopher Ashley, artistic director of La Jolla Playhouse.
  • Debby Buchholz, managing director of La Jolla Playhouse.
  • Carmen Cusack, actor.
  • Quentin Earl Darrington, actor.
  • Joe DiPietro, playwright and lyricist.
  • Crystal Monee Hall, composer, singer, actor.
  • Ivan Hernandez, actor.
  • Michael Rushton, professor of arts administration at Indiana University.
  • Jeffrey Seller, Broadway producer.
  • Alan Shorr, Broadway producer.
  • Daniel Watts, writer, choreographer, actor.

• RESOURCES:
  • 3 Summers of Lincoln (2025).
  • "Review: Visceral ‘3 Summers of Lincoln’ is thrilling and thought-provoking," by Pam Kragen (San Diego Union-Tribune, 2025).
  • "What’s Wrong with the Theatre is What’s Wrong With Society," by Michael Rushton (ArtsJournal, 2023).
  • "American Theater Is Imploding Before Our Eyes," by Isaac Butler (New York Times, 2023).
  • The Moral Foundations of Public Funding for the Arts, by Michael Rushton (2023).

• EXTRAS:
  • “How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).
  • “You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).

In an episode from 2012, we looked at what Sleep No More and the Stanford Prison Experiment can tell us about who we really are.

• SOURCES:
  • Felix Barrett, artistic director of Punchdrunk.
  • Steven Levitt, professor of economics at the University of Chicago.
  • Philip Zimbardo, professor emeritus at Stanford University.

• RESOURCES:
  • “Philip Zimbardo, the psychologist behind the ‘Stanford Prison Experiment,’ dies at 91,” by Melissa De Witte (Stanford Report, 2024).
  • “Debunking the Stanford Prison Experiment,” by Thibault Le Texier (American Psychologist, 2019).
  • “The Lifespan of a Lie,” by Ben Blum (GEN, 2018).
  • Punchdrunk.

• EXTRAS:
  • “How Is Live Theater Still Alive?” by Freakonomics Radio (2025).

A hit like Hamilton can come from nowhere while a sure bet can lose $20 million in a flash. We speak with some of the biggest producers in the game — Sonia Friedman, Jeffrey Seller, Hal Luftig — and learn that there is only one guarantee: the theater owners always win. (Part two of a three-part series.)

• SOURCES:
  • Debby Buchholz, managing director of La Jolla Playhouse.
  • Sonia Friedman, Broadway producer.
  • Rocco Landesman, Broadway producer, former owner of Jujamcyn Theaters, former chairman of the National Endowment for the Arts.
  • Hal Luftig, Broadway producer.
  • Luis Miranda Jr., political strategist, founding president of the Hispanic Federation, the Northern Manhattan Arts Alliance, Viva Broadway, and The Public Theater.
  • Michael Rushton, professor of arts administration at Indiana University.
  • Jeffrey Seller, Broadway producer.
  • Richard Winkler, Broadway producer.
  • Stacy Wolf, professor of theater at Princeton University.

• RESOURCES:
  • Theater Kid: A Broadway Memoir, by Jeffrey Seller (2025).
  • Relentless: My Story of the Latino Spirit That Is Transforming America, by Luis Miranda Jr. (2024).
  • Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, by Stacy Wolf (2019).
  • "‘Hamilton’ Inc.: The Path to a Billion-Dollar Broadway Show," by Michael Paulson and David Gelles (New York Times, 2016).
  • "On the Performing Arts: The Anatomy of Their Economic Problems," by W.J. Baumol and W.G. Bowen (The American Economic Review, 1965).

• EXTRAS:
  • “How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).
  • “You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).