Life is not easy for the poor relations of England’s upper crust, but fate and clever schemes bring them together. Lady Fortescue and Colonel Sandhurst hatch a plan: What if they were to transform her decrepit Bond Street home into a posh hotel, offering their guests the pleasure of being waited upon by nobility? With the help of other down-and-out aristocrats, they do just that, and London’s newest hotel, The Poor Relation, is born. The establishment is an immediate hit with London’s most illustrious citizens, save the Duke of Rowcester....

The Earl of Tredair has had his fill of balls, routs, and silly misses, and he despairs of finding someone extraordinary - that is, until he meets Miss Fanny Waverley. Most unique and intriguing, Fanny and her two sisters are the adopted daughters of the reclusive bluestocking Madame Waverley. They have been raised as her disciples to spread the word of women's rights and to encourage poor oppressed females to stand up against the iniquities of the male sex. The beautiful and farouche Miss Fanny, however, finds it quite difficult to think of all men as cruel and lustful beasts....

Minerva marks the delightful debut of The Six Sisters, a family saga in six volumes that will recount the romantic adventures of the six marriageable daughters of a country vicar, the Reverend Charles Armitage, in Regency England. The eldest, Minerva, is enchantingly beautiful - but a prude. She lives in the country looking after her siblings while her mother reclines on a chaise longue happily inventing new malaises.

Is Number 67 Clarges Steet the unluckiest house in Mayfair? Every season the beau mondes of the Regency would hire a house in the heart of London’s fashionable West End at disproportionately high rent for often inferior accommodation and yet Number 67 Clarges Street, a town house complete with staff, remains vacant from year to year. Could it be that it is associated with ill luck and even death? Something must be done so that the servants of this house don’t lose their livelihood.

Tongues were set wagging when Elizabeth Markham's glamorous young parents were killed, sinking their only child to the unspeakable class of poor relation. Forced to live with her cruel, miserly uncle Julius, Elizabeth is forbidden to partake in the season's festivities. Marriage is her only escape, and she enacts a daring plan to trick her way into the Duke of Dunster's exclusive house party, to snare one of the eligible dandies sure to dance attendance on her.

Lovely Alice Lacey was a true incomparable, and her marriage to the Duke of Ferrant was the event of the season. Almost no one realized, however, that Alice was secretly in love with someone else - or that she had confided her feelings to a clever talking mynah bird who announces these intimacies at the moment of the couple's wedding. Now the gossip mongers are relentless. Alice's marriage started out, and has remained, cold and impersonal, and her new husband is already rumored to be taken with another woman.

Arranging a season for an unruly young lady whose habit is to enter drawing rooms by sliding down banisters presents a challenge at best - especially since the hoydenish Mira has a sister of incomparable grace and beauty. Mira isn’t at all daunted by the local society and its ridiculous marriage mart. Her heart belongs to Lord Charles, who has been the object of her dreams ever since she was a child. But alas, Charles has eyes only for her ever-perfect sister, Drusilla.

She was a bewitching young girl, that pretty Polly Marsh, and she knew it. She also knew that beauty could be her passport into the castles where she had always known she belonged. So she set her sights on a duke and joined the firm of Westerman’s as a stenographer. Surely one of that noble family would notice her, and then all her dreams would come true! The trouble with pretty Polly Marsh was that she just didn’t know her place.

It was true. The lovely young widow Lady Charteris - Delphine to her friends - had agreed to abide by her parents' wishes and marry the Comte Saint-Pierre. Delphine's parents had long since died in the Terror, but when she learned of their wishes for her, she believed it her duty to respect their wishes. Delphine would marry, but it would be a marriage in name only. But when Delphine saw Jules Saint-Pierre, she got the shock of her life: he was the same man she had seen juggling in the streets at a local fair.

Even the inhabitants of secluded Nethercote looked pityingly upon young Henrietta, the vicar's sister; her plain features seemed to almost guarantee her a solitary future. And yet she had a determined spirit and magnificent hazel eyes. So when her great-aunt Hester left her unexpected wealth, Henrietta set out to conquer London's glittering high society and confound them all.

At age 26 Agatha Raisin has already come a long way. She has clawed her way up since leaving the Birmingham slum where she was born. She's lost her Birmingham accent, run away from her drunken husband, and found a job at a public relations office as a secretary. Then her boss asks Agatha to go to the home of Sir Bryce Teller to tell him that he is soon to be arrested for the murder of his wife and that the agency no longer wants to represent him.

Lord Elliott Mayfield sees the new generation of his family moving in the same direction of bad matches and scandalous relationships as the last. In hopes to change their course, he establishes a "marriage campaign" to motivate them to improve themselves through making respectable matches. Peter, Elliott's eldest nephew, thinks the entire idea is ridiculous. A widower with two young daughters, he simply needs a governess, not a wife. Julia Hollingsworth has the credentials and the experience, but is too young and pretty for such a job. So why can't he stop thinking about her?

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

Anna Snow grew up in an orphanage in Bath knowing nothing of the family she came from. Now she discovers that the late Earl of Riverdale was her father and that she has inherited his fortune. She is also overjoyed to learn she has siblings. However, they want nothing to do with her or her attempts to share her new wealth. But the new earl's guardian is interested in Anna.

When Miss Rebecca Lane returns to her home village after a few years away, her brother begs for a favor: Go to nearby Swanford Abbey and deliver his manuscript to an author staying there who could help him get published. Feeling responsible for her brother's desperate state, she reluctantly agrees.